Waldszenen (Forest Scenes), for piano, Op. 82: Nr. 6. Herberge (Wayside inn). M??ig
Waldszenen (Forest Scenes), for piano, Op. 82: Nr. 7. Vogel als Prophet (The bird as prophet). Langsam, sehr zart
Waldszenen (Forest Scenes), for piano, Op. 82: Nr. 8. Jagdlied (Hunting song). Rasch, kr?ftig
Waldszenen (Forest Scenes), for piano, Op. 82: Nr. 9. Abschied (Farewell). Nicht schnell
Variations on an original theme, for piano in E flat major ('Geister-Variationen'), WoO 24: Tema. Leise. Innig
Variations on an original theme, for piano in E flat major ('Geister-Variationen'), WoO 24: Variation 1
Variations on an original theme, for piano in E flat major ('Geister-Variationen'), WoO 24: Variation 2. Canonisch
Variations on an original theme, for piano in E flat major ('Geister-Variationen'), WoO 24: Variation 3. Etwas belebter
Variations on an original theme, for piano in E flat major ('Geister-Variationen'), WoO 24: Variation 4
Variations on an original theme, for piano in E flat major ('Geister-Variationen'), WoO 24: Variation 5
"No false flattery, no juvenile showing-off here: Kirschnereit plumbs greater depths, seeks and finds the finest of ups and downs of disposition, makes tender mood swings into events--a seismograph of intimate moments." ... more » -- Audio magazine Last year he was awarded the ECHO Klassik Award, and now Matthias Kirschnereit has turned his interest to the piano works of Robert Schumann to mark the 200th birthday of the poetic Romantic. To this end, he has chosen works covering the composer's entire career, while paying special attention to Schumann's short, fleeting miniatures. From the early flamboyance of the Papillons through the composer's last, posthumously published work, these "scenes" are a perfect example of an important part of Schumann's oeuvre.« less
"No false flattery, no juvenile showing-off here: Kirschnereit plumbs greater depths, seeks and finds the finest of ups and downs of disposition, makes tender mood swings into events--a seismograph of intimate moments." -- Audio magazine Last year he was awarded the ECHO Klassik Award, and now Matthias Kirschnereit has turned his interest to the piano works of Robert Schumann to mark the 200th birthday of the poetic Romantic. To this end, he has chosen works covering the composer's entire career, while paying special attention to Schumann's short, fleeting miniatures. From the early flamboyance of the Papillons through the composer's last, posthumously published work, these "scenes" are a perfect example of an important part of Schumann's oeuvre.