Search - Satoshi Tomiie :: Es (Electronic Soul)

Es (Electronic Soul)
Satoshi Tomiie
Es (Electronic Soul)
Genres: Dance & Electronic, Pop
 
  •  Track Listings (14) - Disc #1

Putting the "progress" in progressive house, Satoshi Tomiie rips out a clean and precise groove on E.S. as he combines a classic sound with acid textures and Wavy electro. Tomiie has impeccable roots as a DJ and a producer...  more »

     
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CD Details

All Artists: Satoshi Tomiie
Title: Es (Electronic Soul)
Members Wishing: 0
Total Copies: 0
Label: Saw Recordings
Release Date: 5/31/2005
Genres: Dance & Electronic, Pop
Styles: House, Dance Pop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 675427100321

Synopsis

Amazon.com
Putting the "progress" in progressive house, Satoshi Tomiie rips out a clean and precise groove on E.S. as he combines a classic sound with acid textures and Wavy electro. Tomiie has impeccable roots as a DJ and a producer having worked with house legends David Morales and Frankie Knuckles in the late ?80s and early ?90s. His reputation was further enhanced by a solid 2002 release for Global Underground?s "NuBreed" series (though Tomiie?s been around too long to be considered "new"). E.S, short for "Electronic Soul," has some of the sparse pluck found on his Integration 1 disc from 2001. But the record skips around quite a bit as well; summery disco ("Friday Loops") sits happily alongside metallic stomps ("Yeahdancetomyrecordbitch") and jazzy techno ("Piano Track"). Whack it onto the stereo for a quick pick-me-up before heading out into the night (or the pre-dawn morning). ?Matthew Cooke
 

CD Reviews

Boring Electro House
Techno Tony Review | South Florida | 06/02/2005
(2 out of 5 stars)

"TECHNO TONY REVIEW - I remember the first time I heard "Love in Traffic" on Digweed's GU Los Angeles compilation. I thought it was quirky, and interesting. That record and some articles on Satoshi I had read led me to pick up his Nubreed mix which I thought was possibly the best of the series. It was two discs of good, well programmed, dark progressive beats. After hearing this mix, I did not hesitate to pick up Undulation 1 his tag team mix with SAW partner in crime Hector Romero. Again, it was a burner, with possibly the best first half hour of progessive house I had heard on a mix in a long time. Needless to say, I literally picked up ES the day it came out. Well, after four listens, I am sure about one thing - I do not like this mix. It is repetitive, synthetic, emotionless electro house. Oh yeah, there are some nice moments, but this is a soundscape not a journey. I am a little worried about the state of progressive house these days. John Digweed and Chris Fortier have both disappointed me with their latest mixes. They too have succumbed to techy elcectro house. I can appreciate the need for change with any genre but this tech house movement is way too sterile for me. Lost are the subtle melodies and raw, pulsing bass that defined progressive house. They have been replaced with snappy electro infused basslines and muffled robotic pops and fizzles. In fact, I think Danny Howells GU Miami was the only progressive mix this year that managed to included some electro house without overdoing it. However, I will take melodic progressive house that builds and evolves any day. If you agree with me, then check out something like Hernan Cattaneo's Renaissance Masters mix. If you just want to get down to some robot funk, then maybe this mix is for you. As for Satoshi Tomiie, I will still pick-up ES B (downtempo) and hope for a bit more of his old magic - I know it is in there begging to come out. Peace~"
Review from the Synthesis
Synthesis_jason | Chico, CA | 06/16/2005
(3 out of 5 stars)

"Already established as a force to be reckoned with, DJ/producer Satoshi Tomiie has released his new mix, ES, on the label he founded. The pace of the CD is set early on with the first 9 tracks bolstering a similar electro house sound. The vibe and pace of the mix changes with the entrance of track 10, a disco house anthem entitled, "Friday Loops." ES peaks near its end with "We Interrupt This Program." It's the hardest hitting track on the CD and delivers one hell of a punch. ES ends with two vocal tracks bring down the energy and giving the set a sense of closure. Well mixed but a little stagnant, ES will keep house heads happy, but probably won't do much for those into more progressive forms of techno.



-Jason Catanzarite

Synthesis.net"
Awesome Compilation
M. Paulus | SoCal | 07/28/2005
(5 out of 5 stars)

"This is one of those mixes that sets a new precedent in the DJ World. Like Sasha's Fundacion, Satoshi has compiled a mix that eliminates that barrier between progressive house and the new dreaded 'electro' sound. (Lately, it seems like nearly every DJ is on the 'electro' bandwagon, and they end up throwing out the mixing and programming skills in the process. It's like listening to crappy 80's pop music.)



Not ES. The first time I heard this album, I didn't know how to react to it because I've never heard anything like it before. Now, after hearing it at least 20 times, it has absolutely blown me away. The planning behind this mix was extensive and vastly creative. I can go on and on about this track or that track, but it's the mix as a whole that really makes this a CD that won't leave my car stereo for weeks...



If you're going to get this album, do so not expecting NuBreed or Integration 1, but rather to experience a concept that other DJs will be trying to copy in the months/years to come. (If you know the DJ business, you know what I'm talking about...) -And when you do get it, give it a few listens to before reaching your verdict. Good Work, Satoshi."