| All Artists: Satoko Fujii Title: Bacchus Members Wishing: 0 Total Copies: 0 Album Type: CD, Import, Original recording Genre: Jazz Style: Number of Discs: 1 SwapaCD Credits: 1 |
Member $avings: $5,577,158.05
|
CDs Available: 87,116
|
Members Online: 10
Your source for swapping cds online... Listen...Swap...Save!
Search - Satoko Fujii :: Bacchus
 | Satoko Fujii Bacchus Genre: Jazz Track listing: Sunset in Savannah; In the Town Called Empty; Matsu Mae; Flying Elephant; Bacchus; In the Town You Don't See on the Map; Waltz for Godzilla; Natsue Mae (with effect). — Personnel: Natsuki Tamura: trumpet; Sat... more » |
Larger Image |
CD Details
Synopsis
Product Description
Track listing: Sunset in Savannah; In the Town Called Empty; Matsu Mae; Flying Elephant; Bacchus; In the Town You Don't See on the Map; Waltz for Godzilla; Natsue Mae (with effect).
Personnel: Natsuki Tamura: trumpet; Satoko Fujii: piano; Takeharu Hayakawa: bass; Tatsuya Yoshida: drums.
Bacchus may be the most sedate of the Quartet's sets-though the word "sedate" is used in a relative sense. The sound is loud, full of pulsing adrenaline and in your face brashness, but things seem a bit more measured than on previous efforts, resulting in their most approachable outing.
But don't let the words/labels "sedate" or "measured" fool you. The Quartet's sound has a beefy, vibrant energy; and Fujii's piano approach-whether she's flailing in a maelstrom or picking out brittle, pretty notes in moments of eye of the storm repose-is always surprising and engagingly outside any predictable norm.
Bacchus showcases Fujii at her best: focused, fearlessness, and not paying any attention at all to what might be expected from the confines of anybody's labels. Dan McClenaghan, All About Jazz
Personnel: Natsuki Tamura: trumpet; Satoko Fujii: piano; Takeharu Hayakawa: bass; Tatsuya Yoshida: drums.
Bacchus may be the most sedate of the Quartet's sets-though the word "sedate" is used in a relative sense. The sound is loud, full of pulsing adrenaline and in your face brashness, but things seem a bit more measured than on previous efforts, resulting in their most approachable outing.
But don't let the words/labels "sedate" or "measured" fool you. The Quartet's sound has a beefy, vibrant energy; and Fujii's piano approach-whether she's flailing in a maelstrom or picking out brittle, pretty notes in moments of eye of the storm repose-is always surprising and engagingly outside any predictable norm.
Bacchus showcases Fujii at her best: focused, fearlessness, and not paying any attention at all to what might be expected from the confines of anybody's labels. Dan McClenaghan, All About Jazz