Oeuvres Pour Piano: Les Trois Valses distinguées du précieux dégoûté I: Sa taille
Oeuvres Pour Piano: II: Son binocle
Oeuvres Pour Piano: III: Ses jambes
Oeuvres Pour Piano: Trois Gnossiennes: I Lent
Oeuvres Pour Piano: II Avec étonnement
Oeuvres Pour Piano: III Lent
Oeuvres Pour Piano: Trois Gnossiennes: IV Lent
Oeuvres Pour Piano: V Modéré
Oeuvres Pour Piano: VI Avec conviction et avec une tristesse rigoureuse
Oeuvres Pour Piano: Trois Mouvements en forme de poire, à quatre mains: Manière de commencement
Oeuvres Pour Piano: Prolongation du même
Oeuvres Pour Piano: I
Oeuvres Pour Piano: II
Oeuvres Pour Piano: III
Oeuvres Pour Piano: En plus
Oeuvres Pour Piano: Redite
Oeuvres Pour Piano: Croquis et agaceries d'un gros bonhomme en bois: I Tyrolienne turque
Oeuvres Pour Piano: II Danse maigre (à la manière de ces messieurs)
Oeuvres Pour Piano: III Españaña (Sorte de valse)
Oeuvres Pour Piano: Sonatine bureaucratique
Oeuvres Pour Piano: Trois Nocturnes: I Doux et calme
Oeuvres Pour Piano: II Simplement
Oeuvres Pour Piano: III Un peu mouvementé
Oeuvres Pour Piano: Première pensée et sonneries de la Rose Croix: Air de lÓrdre
Oeuvres Pour Piano: Air du Grand Maitre
Oeuvres Pour Piano: Air du Grand Prieur
Oeuvres Pour Piano: Le Fils des Étoiles: Prélude du 1er acte: la Vocation
Oeuvres Pour Piano: Prélude du IIe acte: l'Initiation
Oeuvres Pour Piano: Prélude du IIIe acte: l'Incantation
Track Listings (60) - Disc #2
Jack In The Box: Prelude
Jack In The Box: Entracte
Jack In The Box: Final
Sports et Divertissements: Choral inappetissant
Sports et Divertissements: La Balançoire
Sports et Divertissements: La Chasse
Sports et Divertissements: La Comédie italienne
Sports et Divertissements: Le Réveil de la Mariée
Sports et Divertissements: Colin-Maillard
Sports et Divertissements: La Pêche
Sports et Divertissements: Le Yachting
Sports et Divertissements: Le Bain de mer
Sports et Divertissements: Le Carnaval
Sports et Divertissements: Le Golf
Sports et Divertissements: La Pieuvre
Sports et Divertissements: Les Courses
Sports et Divertissements: Les Quatre-Coins
Sports et Divertissements: Le pique-nique
Sports et Divertissements: Le Water-chute
Sports et Divertissements: Le Tango
Sports et Divertissements: Le Traîneau
Sports et Divertissements: Le Flirt
Sports et Divertissements: Le Feu d'artifice
Sports et Divertissements: Le Tennis
Oeuvres Pour Piano: I D'Holothurie
Embryons desseches: II D'Edriophtalma
Embryons desseches: III De Podophtalma
Preludes flasques (pour un chien): I Voix d'interieur
Preludes flasques (pour un chien): II. Idylle cynique
Preludes flasques (pour un chien): III. Chanson canine
Preludes flasques (pour un chien): IV. Avec camaraderie
En habit de cheval (a 4 mains): I Choral
En habit de cheval (a 4 mains): II Fugue litanique
En habit de cheval (a 4 mains): III Autre chose
En habit de cheval (a 4 mains): IV Fugue de papier
Apercus desagreables: I Pastorale
Apercus desagreables: II Choral
Apercus desagreables: III Fugue
Descriptions automatiques: I Sur un vaisseau
Descriptions automatiques: II Sur une lanterne
Descriptions automatiques: III Sur un casque
3 Petites pieces montees (a 4 mains): De l'enfance de Pantagruel (Reverie)
3 Petites pieces montees (a 4 mains): Marche de Cocagne (Demarche)
3 Petites pieces montees (a 4 mains): Jeux de Gargantua (Coin de Polka)
Peccadilles importunes: Etre jaloux de son camarade qui a une grosse tete
Peccadilles importunes: Lui manger sa tartine
Peccadilles importunes: Profiter de ce qu'il a des cors aux pieds pour lui voler son cerceau
Pieces froides - No. 1 Airs a faire fuir: I D'une maniere particuliere
Pieces froides - No. 1 Airs a faire fuir: II Modestement
Pieces froides - No. 1 Airs a faire fuir: III S'inviter
Pieces froides - No. 2 Danses de travers: I En y regardant par deux fois
Pieces froides - No. 2 Danses de travers: II Passer
Pieces froides - No. 2 Danses de travers: III Encore
La Belle Excentrique: I Grande ritournelle
La Belle Excentrique: II Marche franco-lunaire
La Belle Excentrique: III Valse du 'Mysterieux baiser dans l'oeil'
La Belle Excentrique: IV Can-can grand-mondain
3 Sarabandes: No. 1
3 Sarabandes: No. 2
3 Sarabandes: No. 3
It's simple: in his various realizations of the piano music of Erik Satie, Aldo Ciccolini set a standard that has yet to be bettered. This compilation, drawn from recordings made between 1966 and 1971, is consequently the ... more »best of the best. Ciccolini always played Satie's music as though it had been written by Claude Debussy, not by some cheap charlatan or uneducated primitive (which, to an extent that is still debatable, Satie was). The result is that these seemingly simple piano pieces acquire a tonal allure that is as surprising as it is undeniable. They possess an understated sophistication that points directly toward Ravel and Poulenc, at the same time providing an opening to the minimalist aesthetic of the later 20th century. Ciccolini's playing is pliant and graceful, and under his fingers the music seems to breathe and come alive. What more could a composer or a listener want? --Ted Libbey« less
It's simple: in his various realizations of the piano music of Erik Satie, Aldo Ciccolini set a standard that has yet to be bettered. This compilation, drawn from recordings made between 1966 and 1971, is consequently the best of the best. Ciccolini always played Satie's music as though it had been written by Claude Debussy, not by some cheap charlatan or uneducated primitive (which, to an extent that is still debatable, Satie was). The result is that these seemingly simple piano pieces acquire a tonal allure that is as surprising as it is undeniable. They possess an understated sophistication that points directly toward Ravel and Poulenc, at the same time providing an opening to the minimalist aesthetic of the later 20th century. Ciccolini's playing is pliant and graceful, and under his fingers the music seems to breathe and come alive. What more could a composer or a listener want? --Ted Libbey
"Erik Satie was a bit of a rebel and his influence is probably more noticed today than during his life. His composition often sound more like jazz of the 1990s than classical music of the late 1800s. Even in his titles he rebeled against the trend to give compositions sweet titles and chose instead such things as "Jack in the Box," or "dried fetuses." His intent was not, in my opinion, to shock, as his music is not at all shocking, but to jar the musical establishment away for from "traditional" thinking.This recording is, to my knowledge, one of the few with all of the sixty piano pieces. Usually a few are left out. Aldo Ciccolini does a marvelous job on this music. There is no attempt to doll it up with unnecessary flourishes, all of the pieces are played straight ahead.This music is not for everyone. However, if you have an interest in very good piano music and an appreciation for the roots of modern music, you will love these CDs."
Pure magic
Alejandra Vernon | Long Beach, California | 07/27/2000
(5 out of 5 stars)
"For my taste, no one comes close to interpreting Satie as superbly as Aldo Ciccolini. He plays with such purity, delicacy and feeling, and strength and power when the music calls for it. My favorite Satie compositions are the "Gnossiennes" and here you get all 6 of these exquisite pieces (most CDs only have the first 3) played to perfection. The enclosed booklet says that "Satie escapes all definition and classification". He was truly one of a kind, inimitable, inspiring...there is a corner of my soul that only Satie can satisfy. On the practical side, this CD set has nearly 2 1/2 hours of music at a great price on amazon.com, and the case has 2 separate sections, not one of those annoying flaps to lift in order to get out the 2nd disc. This is a terrific package from every angle, and if you like Satie, this one's a must to own."
There's only one.
Eric E. Stewart | Camas, WA United States | 06/26/2004
(5 out of 5 stars)
"If you're reading this, you've already heard Satie's music, so I needn't to go into that. I do want to say that this is the only recording of Satie that is worth hearing. Ciccolini is the only foot that will fit the Satie glass slipper. Don't waste your money on the ugly step-sisters."
Picasso in sound
Edward A. Cooper | Earth | 02/19/2006
(5 out of 5 stars)
"Pablo Picasso, Jean Cocteau and Eric Satie were drinking buddies; it shouldn't be surprising that their work, though in different media, should bear striking similarities. This CD set replaces a very badly abused vinyl recording from the 1960s. No one plays Satie like Aldo Ciccolini. I do wish the Parade had been included, Satie wrote the music, Cocteau the libretto and Picasso did the sets and costumes-Satie's only ballet. Of course, the circa 1910 audience walked out. It's the story of an out-of-work ballet company that goes out onto the streets of Paris to try to get customers to come inside. The customers are stereotypes like the American in a cowboy outfit who adds the sound of this six gun to the music and the secretary who types through the encounter. The back wall of the theater was covered with Picasso designed neon signs flashing in bright colors throughout the performance. Across the front of the stage he'd strung acetate on which were playing street scenes of Paris from three cameras-red, blue and green. The men were way, way ahead of their times."