Simply amazing.
E. Brenner | 06/16/2009
(5 out of 5 stars)
"I heard Sarah Jarosz interviewed in NPR and couldn't wait until I could download her album today. Somewhere I heard her referred to as a "wunderkind" -- and I hope and believe she achieve great commercial success with her albums. I think her talent and ambition reflects a huge success already achieved.
Her mastery of musical instruments is amazing -- I can't wait to see how she grows as her skills evolve. But then her voice! It's kind of understated, mature yet not overly sophisticated, so it complements and is complemented by the mandolin/banjo/guitar. Her voice also surprises. You will just have to listen to see what I mean.
I haven't been this excited about an artist in a long time! Sarah is someone very special."
Some stunning sounds from Sarah Jarosz and her musicians
Colin Spence | Formby, UK | 07/07/2009
(4 out of 5 stars)
"I'm at a slight loss for words in trying to describe the rather alluring music on this album; to my ears, it has quite an unusual sound - but I'm not sure whether this is because it IS unusual, or simply because I don't listen to this type of music very frequently. The music is a refreshing mix of contemporary folk, 'newgrass', blues and pop.
I'd describe SJ's voice as a 'bluesy-folksy' alto, and she employs a mature phrasing and delivery which belies her tender age (it's difficult to believe that she was only 17 when the album was recorded). She is not an especially powerful singer, and there are some odd occasions when her vocals tend to blur into the instrumental accompaniment. The playing, including that of SJ herself, is mighty impressive - fluent, vibrant, delicate and sometimes intricate, both as solo and as ensemble playing. Instruments featured most prominently are banjo, fiddle, and mandolin; other instruments played include cello, guitars (acoustic, Weissenborn slide, National resonator, dobro and pedal steel) and keyboards (piano and synths); bass is acoustic, and percussion is played on 3 tracks only. The album is 'semi-instrumental' - i.e. vocals and instrumentals are shared about 50/50 on many songs, and there are 2 all instrumental tracks.
There are 11 songs written by SJ plus 2 covers. Her own songs tend not to conform to the more usual verse/chorus/bridge patterns; instead, it strikes me that she writes from the perspective of a musician/song-arranger - at least, more so than that of a 'conventional' singer-songwriter. None of the songs disappoint, these are some of my favourites :
EDGE OF A DREAM - a haunting and atmospheric (the echo is a bit over-done) slow tempo song with lyrics which convey some of her own doubts and hopes about the future; SG accompanies herself on fretless banjo; MANSINNEEDOF - a fairly short 'bright and breezy' instrumental featuring the interplay of 2 mandolins and fiddle, all underscored by a warm acoustic bass; BROUSSARD'S LAMENT - perhaps the one song, with it's more emphatic percussion that, in parts, comes closest to rocking; edgy lyrics which (I assume) are about the mismanagement of rescue efforts following the Katrina disaster; fine fiddle solo from Stuart Duncan; LEFT HOME - a song with a strong pop feel; terrific short solos on dobro (Jerry Douglas) and fiddle (Stuart Duncan), plus great harmonies; SHANKHILL BUTCHERS (Colin Meloy) - splendid cover of the Decemberists' menacing and creepy murder ballad, strong vocals from SG delivered with a hint of sardonicism; COME ON UP TO THE HOUSE (Tom Waits/Kathleen Brennan) - a swinging blues/gospel flavoured rendition of this song.
'Song Up In Her Head' will not appeal to everyone, but if you like the music of Nickel Creek, Crooked Still or The Wailin' Jennys, then you might want to give it a try. It's a remarkable debut album from a talented young artist and some highly accomplished musicians.
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One to watch
Mark Daymon Cotnam | 07/11/2009
(5 out of 5 stars)
"Sarah is someone I've been "hearing about" for a long time and after seeing her play and sing on a local am news show, I couldn't wait for this to cd to come out. Her command of her instruments is amazing for someone so young but the thing that most impressed me is her talent at song writing and her vocal maturity. Can't wait to see what musical roads this young lady will follow but I am along for the ride. If you are a fan of Alison Krauss or Nickelcreek you will most likely enjoy this. Sarah Jarosz is definitely one to watch"