Love at first bar
06/13/2001
(5 out of 5 stars)
"The first time I heard the music of Salif Keita was in Senegal in 1993. I found SORO on tape in a market in Dakar. I fell in love with his music the first time I listened to him. There is something almost spiritual that moved me when I heard his voice. When I saw him in concert in Washington, DC in 1994, I was not disappointed. His concerts are definitely an experience. I took a couple of friends with me and they were truly impressed with his performance."
I haven't stopped playing this album for 3 years
Pieter | 12/12/2000
(5 out of 5 stars)
"Complex, rythmic, melodic, and wonderfully unique. I still get shivers everytime "Cono" (sample track 5) plays."
Masterpiece of Malian Music
Pieter | Johannesburg | 05/16/2004
(4 out of 5 stars)
"Soro turned into a great hit for Salif Keita in the late 1980s and was the album that established him on the international scene. Keita's music is a successful blend of the traditional griot style with influences from Latin America and other West African pop styles. The female backup singers play a prominent role in the arrangements, at least equal to Keita's own searing vocals. The music is a happy mix of percussion, bass, guitar, congas, saxophone, trumpet, trombone and keyboards. Soro (Afriki) is a long piece in three parts with different percussive tempos and instrumental breaks. Souareba is a particularly moving song with a spiritual undertone, orchestral arrangement and soaring vocals. Sina (Soumbouya) is a more traditional piece with a bubbling rhythm, flashes of trumpet and the intricate vocal interplay. With its slower pace and gently lilting rhythm, Cono is a soulful ballad with a lovely melody, whilst the mournful Sanni Kegniba is more traditional with intense soaring vocals. Soro from 1987 is considered his masterpiece but I like Keita's albums Amen and The Mansah Of Mali even more for their greater variety. This however remains a classic of African crossover music."