Falstaff or The Three Tricks, comic opera in 3 acts: Overture
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Viva il comune amico
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Sia pur l'ultimo bicchiere
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Ma gi? l'alba s'avvicina
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Vedete che capriccio
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Ah, pezzo di birbante
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Con molta degnazione
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Da scrivere!
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Vicino a rivedere
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Di dubitar di lei non ho motivo
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Vendetta s? vendetta
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Comare in questo punto
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. La stessa, la stessissima
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Ma parlando sul serio
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Oh quano vogliam ridere
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Eh, mia moglie compare...
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Venga, venga pure il cavaliere
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Ad un uom della mia sorte
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. O die Manner Kenn ich scon
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. E che ti par Falstaff?
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Nell'impero di Cupido
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Ah vite! Ah seduttore!
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Or gli affannosi palpiti
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Restate l? vicini
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Bricconcella, alfin t'ho colta
Track Listings (21) - Disc #2
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Signora, c'? Mrs.Slender nell'anticamera
Falstaff or The Three Tricks, comic opera in 3 acts: Act 1. Se son geloso a torto
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Sentite pure
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Nell'acqua il buzzone
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Ehi! Bardolf! A chi dico?
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Ah, Signore, se sapesse
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Se me vedeste il cor
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. E il nostro signor Broch
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Stelle, sogno o son desto?
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Presto Betty che gi? torna l'amico
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Ma siam sicuri
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Per carit? celatevi
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Che vedo! Oh me infelice!
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Benedetto quel bastone
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Sorte pettegola, meco la vuoi
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Che dici...?
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Ah che a idea cos? gradita
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Reca in amor la gelosia
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Siete gi? qui
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Fate verdi, turchine e bianche e nere
Falstaff or The Three Tricks, comic opera in 3 acts: Act 2. Or tre volte corbellato
Salieri's Falstaff is nothing like Verdi's. The whole feel is lighter and more operetta-like; there are many arias and ensembles, most of them brief. The period instrument ensemble under Jean-Claude Malgoire plays the pure... more » classical score with verve (this was recorded on stage), highlighting the tangy wind writing. The characterizations are to the point, with an aria of rage for Mr. Ford (here, a tenor, the on-the-money Simon Edwards); a cute, telling duet for Mrs. Ford and Mrs. Slender (Salomé Heller and Hjördis Thébault, respectively [Slender is the Meg Page character in Verdi]) when they receive the identical love letters from Falstaff; and flavorful music for Bardolf, Falstaff's servant, which is a bigger role than in Verdi--nicely sung by Raimonds Spogis. Baritone Pierre-Yves Pruvot as Falstaff manages to avoid mugging while at the same time finding all the absurdity in the character. It's a charming evening's entertainment, occasionally quite funny; the action moves quickly and pointedly, the dry recitatives are frequent but never too long, and when they do go on, the cast here is clever and involved enough to make them dramatically viable. A charmer, in short. --Robert Levine« less
Salieri's Falstaff is nothing like Verdi's. The whole feel is lighter and more operetta-like; there are many arias and ensembles, most of them brief. The period instrument ensemble under Jean-Claude Malgoire plays the pure classical score with verve (this was recorded on stage), highlighting the tangy wind writing. The characterizations are to the point, with an aria of rage for Mr. Ford (here, a tenor, the on-the-money Simon Edwards); a cute, telling duet for Mrs. Ford and Mrs. Slender (Salomé Heller and Hjördis Thébault, respectively [Slender is the Meg Page character in Verdi]) when they receive the identical love letters from Falstaff; and flavorful music for Bardolf, Falstaff's servant, which is a bigger role than in Verdi--nicely sung by Raimonds Spogis. Baritone Pierre-Yves Pruvot as Falstaff manages to avoid mugging while at the same time finding all the absurdity in the character. It's a charming evening's entertainment, occasionally quite funny; the action moves quickly and pointedly, the dry recitatives are frequent but never too long, and when they do go on, the cast here is clever and involved enough to make them dramatically viable. A charmer, in short. --Robert Levine