"Seems Amazon has run out of this one for awhile. Get in line and grab it while you can. The Saint Saens has never, ever been performed with such an electric atmosphere and sense of occasion, and Paray's own Mass is bettered only in a live performance he taped with ORTF in Paris in '68...once on Carthagene vinyl, but now about as hard to find as the Lighthouse at Alexandria.Included is a touching spoken "thank you" by Paray himself to the performers in the Mass. Such are the actions of gentlemen and heroes."
Sends chills down your spine
J. Buxton | Waltham, MA United States | 02/24/2000
(5 out of 5 stars)
"Wow, how do you describe a musical experience where chills run down your spine? I can't really explain it, but just listen to this Saint Saens and I think you will experience a thrill. The entrance of the organ here has never been as dramatic or overpowering. It is just awesome. You must crank your stereo up loud! The whole symphony comes off just as well and this has to be Paray's finest moment on disc (along with the Suppe overtures also on Mercury). Paray's own Mass is performed well, although it is greatly overshadowed by the Saint Saens. A welcome historic reissue."
Paul Paray RULES
Dean Hannotte | New York City | 03/22/2002
(5 out of 5 stars)
"It's amazing how similar my experience of the Paray MASS is to that described on this page by 'a music fan' (see January 23, 2002). I purchased the vinyl version of the MASS in the bargain basement of a department store in the Bronx around 1962... I immediately fell in love with the soaring melodies and exciting fugues and have listened to it at least once a month for the last 40 years. (NO KIDDING!) It is SHOCKING how neglected this great masterpiece is. It is one of the supreme masterpieces of French romanticism, full of emotion and utterly unlike the dry, mechanical, jazzed up and finally dull experiments that were in vogue back then for reasons that will become increasingly unclear as civilization progresses. If music like this can ever be forgotten, then hey I'm outa here...."
Paray...Music as Art
Jack Rice | California, USA | 10/20/2004
(5 out of 5 stars)
"For me, Paray is the hook that will bring me to the Saint Saëns. From the other comments I gather the two performances make up a glorious complement, and I look forward to it.
In commemorating Joan of Arc, Paray had a daunting task: to encompass a subject that's almost impossible to conceive - an historical, mystical, mythical life, which ended 500 years ago, but which transcends time as a national epic - then fold it into the themes of the Mass. How does one find a musical idiom to express such an enormous synthesis? Without knowing how - I leave that to the academics - I think Paray has succeeded magnificently.
In his "Lives of the Great Composers," Harold Schoenberg takes to task The Grove Encyclopedia of Music and other "authorities" for dismissing Rachmaninov. I pulled an "A" in Music Appreciation for pointing out that our college text omitted Rachmaninov altogether. What does this have to do with Paul Paray? Rach and Paray both have been dismissed as romantics, and derivative ones at that. Paray, then, is a nice little old man who composed quaint, sentimental stuff, when not at his day job with the Detroit Symphony.
Yes, Paray's music can be called romantic or conventional. So what? My impression of the Paray Mass is of a music of our time, but also of a time 500 years ago and of all time in between.
Someone said of Bach, "To him it does not matter if music is old or new, as long as it is true." It's what makes Bach universal. The same can be said about Paul Paray.