River Come Down (Pka Bamboo) - Ry Cooder, VanRonk, Dave
UFO Has Landed in the Ghetto - Ry Cooder, Cooder, Ry
Low Commotion - Ry Cooder, Cooder, Ry
Smack Dab in the Middle - Ry Cooder, Calhoun, Chuck
Tattler - Ry Cooder, Cooder, Ry
The Dark End of the Street - Ry Cooder, Moman, Chips
The Very Thing That Makes You Rich (Makes Me Poor) - Ry Cooder, Bailey, S.
Going Back to Okinawa - Ry Cooder, Cooder, Ry
Money Honey - Ry Cooder, Stone, Jesse
Why Don't You Try Me - Ry Cooder, Young, Snooky
Paris, Texas - Ry Cooder, Cooder, Ry
Chloe - Ry Cooder, Kahn, Gus
The Pearls/Tia Juana - Ry Cooder, Morton, Jelly Roll
I Think It's Going to Work Out Fine - Ry Cooder, McCoy, R.
Down in Hollywood - Ry Cooder, Cooder, R.
Which Came First - Ry Cooder, Cooder, Ry
Crazy 'Bout an Automobile (Every Woman I Know) - Ry Cooder, Emerson, William R.
Get Rhythm - Ry Cooder, Cash, Johnny [1]
Little Sister - Ry Cooder, Pomus, D.
Ry Cooder has many influences - from the early days as part of Taj Mahal's backing group (Ryland P Cooder, Rhythm Guitar) to the global success of Buena Vista Social Club. This collection pre-dates the latter and post-date... more »s the former. This import only collection features 19 of his best tracks from his recordings on Warner from, 1972-1994. Includes 'Paris, Texas', 'Little Sister', 'The Pearls/ Tia Juana' and more! Warner. 2003.« less
Ry Cooder has many influences - from the early days as part of Taj Mahal's backing group (Ryland P Cooder, Rhythm Guitar) to the global success of Buena Vista Social Club. This collection pre-dates the latter and post-dates the former. This import only collection features 19 of his best tracks from his recordings on Warner from, 1972-1994. Includes 'Paris, Texas', 'Little Sister', 'The Pearls/ Tia Juana' and more! Warner. 2003.
"I guess you acquire samplings like this to get some sort of overview. In most of the 'best ofs' I've heard & reviewed, despite the difficulty of reducing the choice of tracks from prolific artists, this has been achieved, even at the cost of 'rupturing' the contexts from which the tracks have been drawn. They manage to reweave an aesthetic tapestry. Not so with this, I feel. It's just too eclectic, a likely result of how varied the maps are that Cooder has covered. It isn't that this is a poor sampling. Just that I prefer so many of the complete originals; Boomer's Story, Paradise & Lunch, Purple Valley, and no compilation that pulls a single track from them can reflect their emotive hold."