Search - Johann Rosenmuller, David Douglass, Emily Walhout :: Rosenmuller: 17th Century Instrumental and Vocal Music /Hargis * The King's Noyse * Douglass

Johann Rosenmuller, David Douglass, Emily Walhout
Rosenmuller: 17th Century Instrumental and Vocal Music /Hargis * The King's Noyse * Douglass
Genres: Special Interest, Classical

Track Listings (17) - Disc #1
1. Suite In C Major From Studentenmusik: I. Paduan
2. Suite In C Major From Studentenmusik: II. Alemanda
3. Suite In C Major From Studentenmusik: III. Courant Adagio
4. Suite In C Major From Studentenmusik: IV. Courant Allegro
5. Suite In C Major From Studentenmusik: V. Allemanda
6. Suite In C Major From Studentenmusik: VI. Courant
7. Suite In C Major From Studentenmusik: VII. Ballo
8. Suite In C Major From Studentenmusik: VIII. Sarabanda
9. Jubilent aethera
10. Sonata X ? 5
11. Sonata VII ? 4
12. In te, Domini, speravi
13. Sonata XI ? 5
14. Sonata IV ? 3
15. Ach Herr, strafe mich nicht in deinem Zorn
16. Sonata III ? 2
17. Lieber Herre Gott, wecke uns auf

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CD Details

All Artists: Johann Rosenmuller, David Douglass, Emily Walhout, King's Noyse, Barbara Weiss, Paul O'Dette, Ellen L. Hargis, Margriet Tindemans, Scott Metcalfe, Robert Mealy
Title: Rosenmuller: 17th Century Instrumental and Vocal Music /Hargis * The King's Noyse * Douglass
Members Wishing: 0
Total Copies: 0
Label: Harmonia Mundi Fr.
Release Date: 11/8/1996
Album Type: Import
Genres: Special Interest, Classical
Styles: Chamber Music, Historical Periods, Baroque (c.1600-1750), Classical (c.1770-1830)
Number of Discs: 1
SwapaCD Credits: 1
UPC: 093046717926

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CD Reviews

Rosenmueller - a great musician awaiting rediscovery

Henrik Joergensen | Aarhus Denmark | 11/11/2000

(5 out of 5 stars)

"This excellent record provides the un-initiated with a beautiful cross-section of Rosenmüller's production, both instrumental and vocal. Beginning with his Leipzig years and ending with the last publications before his death in 1684 you can hear some ravishing early pieces, like the monumental C-major suite from 1654 or the very simple and moving "Lieber Herre Gott" from 1648, but also pieces of great maturity, like the sonatas from 1682, unsurpassed in their surprising ability to change tracks and confront contrasting passages in a small space. The King's Noyse and Paul O'Dette play this complex music with great insight, and Ellen Hargis lets her lovely voice colour Rosenmueller's song lines in a congenial way."