Track Listings (17) - Disc #1| All Artists: Roots Manuva Title: Run Come Save Me Members Wishing: 0 Total Copies: 0 Label: Big Dada Records Original Release Date: 1/1/2009 Re-Release Date: 9/18/2001 Genres: Pop, Rap & Hip-Hop Styles: International Rap, Experimental Rap, Pop Rap Number of Discs: 1 SwapaCD Credits: 1 UPC: 625978403228 |
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Search - Roots Manuva :: Run Come Save Me
 | Roots Manuva Run Come Save Me Genres: Pop, Rap & Hip-Hop
While the debate rages about why a country as large and multicultural as England has yet to produce a noteworthy MC, Roots Manuva makes a strong case that a contender has arrived. On "Witness 1 Hope" (hands down, the best ... more » |
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Amazon.com's Best of 2001 While the debate rages about why a country as large and multicultural as England has yet to produce a noteworthy MC, Roots Manuva makes a strong case that a contender has arrived. On "Witness 1 Hope" (hands down, the best cut on the album) and "Article," Manuva drops some clever Jamaica-meets-Brixton, patois-inflected rhymes over producer Lord Gosh's otherworldly beats and sci-fi sound effects. Innovative, this album is. Jurassic 5's Chali 2na's thick baritone adds some Left Coast flavor to "Join the Dots" as Manuva waxes about South London life. This release captures a unique snapshot of black British musical tastes with equal parts funk, dub, roots reggae, electronica, and hip-hop. Check out "Highest Grade," a dub pro-weed anthem, and "Sinny Sin Sins," which focuses on Manuva's run-ins with religious types ("Do I need a middleman to link with the Creator?"). This album is for freethinking hip-hoppers who appreciate Outkast and crave exposure to authentically futuristic beats and Afrocentric, avant-garde ghetto rhymes. --Dalton Higgins Similar CDs
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CD ReviewsClassic, best Hip Hop album of 2001 The Djeli | Ile Ife, Nigeria | 04/20/2004 (5 out of 5 stars) "I cant say enough about how wicked this album is. I'm a caribbean new yorker and visited England in 99 when his debut was released, "Brand New Second Hand". I had heard of him before from Ninja Tune cuts, but his album was over my expectations. I have to big up my brothers in Brixton and other parts of London who showed me much love when I came. I didnt know anyone and they made my trip worth it, unlike the anglo saxon people who walk around London with their nose so high I have to wonder if their head hurts from looking down at everyone so much. Otherwise England was great, Roots Manuva is a great representative of the Black musical scene in London. His contributions to the international stage of hip hop will hopefully rival England's best contribution to hip hop, the Ruler Slick Rick." A few quotes for y'all The Djeli | 11/18/2003 (5 out of 5 stars) ""One of the albums of the year" - The Independent "Not just a landmark UK hip hop album, but a landmark hip hop album period" - Mojo " Superb" - Time Out "Brilliant" - Blues & Soul "Charming, erudite, personal, experimental but always approachable... this is a benchmark for UK hip hop" - Muzik "One of the sanest offerings to emerge from the British inner city and a healthy anitdote to the inanity of US hip hop" - The Observer "A great album" - The Daily Telegraph " Too maverick, too brilliantly original a telent to be thethered by mere genre or geography" - The Times "Breathtaking" - The Guardian " Truly marking out the way forward for hip hop, wherever it's from" - Jockey Slut "A triumphant return... absolutely sensational" - The Sunday Times "Everything about this album is fresh... the sound of someone making a truly personal record in their own original style." - Sleaze Nation "Album of the year?" - The Wire "This is unlike anything - hip hop-wise - out there at the mo. Believe it. The hype behind this man is for real" - Echoes "A fiercely original, hallucinatory masterpiece, a visonary re-imagining of what hip hop can be... among the best albums of the year" - Esquire" Inspired though inconsistent alexliamw | Oxford | 12/18/2003 (4 out of 5 stars) "'Run Come Save Me' is a landmark in not only UK hiphop but hiphop in general, as it is very different to anything else you will come across in its whole approach. Unfortunately the incredible songs are the obvious ones - 'Bashment Boogie', 'Witness', 'Join The Dots', 'Sinny Sin Sins' and 'Dreamy Days' - and the other tracks are merely good. If Roots Manuva had made a 12-track album of this quality, it would have been incredible, but at an overlong 17 tracks some of this is down on standard, though there are no bad tracks. Roots Manuva is lyrically acute as on 'Sinny Sin Sins' which sums up the problems with organised religion extremely articulately, and he also crafts some exciting sounds blending his unique, British rapping voice to influences of ragga, garage and Afro-Caribbean sounds, while staying 100% hiphop. It may not be flawless, but he's a major talent who one day could easily make an album that is."
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