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Rolando Villazon - Gounod · Massenet Arias
Rolando Villazón, Natalie Dessay, Evelino Pidò
Rolando Villazon - Gounod · Massenet Arias
Genre: Classical
 
  •  Track Listings (15) - Disc #1

Rolando Villazon's follow-up CD to his sensational debut recital of Italian arias is devoted to music by Gounod and Massenet: some as familiar as Faust's, Romeo's and Des Grieux's arias, some as rare as pieces from Gounod...  more »

     
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CD Details

All Artists: Rolando Villazón, Natalie Dessay, Evelino Pidò
Title: Rolando Villazon - Gounod · Massenet Arias
Members Wishing: 0
Total Copies: 0
Label: EMI Classics
Release Date: 1/25/2005
Genre: Classical
Style: Opera & Classical Vocal
Number of Discs: 1
SwapaCD Credits: 1
UPC: 724354571923

Synopsis

Amazon.com
Rolando Villazon's follow-up CD to his sensational debut recital of Italian arias is devoted to music by Gounod and Massenet: some as familiar as Faust's, Romeo's and Des Grieux's arias, some as rare as pieces from Gounod's Polyeucte and La Reine de Saba and Massenet's Roma and Le Mage. But almost more important than the interesting repertoire, familiar or otherwise, is Villazon's handling of the music. In Werther's passionate Act II outburst to God about suicide, which is almost never excerpted, Villazon manages, in four minutes, to create a complete character, with all his neuroses, mania, and desperation--and he caps it with a ringing high B natural which is as beautiful as it is heartfelt. He sings both of Des Grieux's arias with feeling and tenderness (aided in "Le reve" by Natalie Dessay!). An aria from La Reine de Saba turns out to bequite a showpiece, with a drop-dead high C at its close. As singing and as interpreting, this CD is a must-have. Villazon's dark-hued, expressive tone is always used in the service of the music, and following his career will be a joy for all lovers of great tenorizing. --Robert Levine

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CD Reviews

Yes, He IS the One!
J Scott Morrison | Middlebury VT, USA | 10/27/2005
(5 out of 5 stars)

"In March 2004 I entitled my Amazon review of Rolando Villazón's CD of Italian arias, 'Is he the one?', meaning is he the Italianate tenor we've been waiting for, the one to fill the shoes of Domingo and Pavarotti? I was tentatively positive that he was. Well, boys and girls, this CD of arias by Massenet and Gounod confirms it as far as I'm concerned. Indeed, he sounds better here than he did in the earlier recording. Further, although I have not heard him in person I have been assured by several operaphiles who have heard him -- some of them traveling some distance to have the opportunity -- that he is indeed the genuine article. I only hope that I can catch a live performance of Villazón's soon. I think he's that good.



As to the material he sings here, it is splendid for another reason, and that is that it isn't the hackneyed and trite tunes we all have heard a jillion times. Here we have some rare but lovely arias by two of the greatest French opera composers. Just listen to the heroic glint in Villazón's voice as he winds up 'Voix qui me remplissez d'une ineffable ivresse' from Massenet's 'Le roi de Lahore.' I found myself harking back to the glorious singing of Georges Thill, the fabled tenor vraiment français. Villazón is not yet another in the seemingly endless chain of tenorinos we've had foisted upon us in the post-Domingo/Pavarotti era. He's got heft, metal, gleam in the voice. The higher he sings the brighter the sound, precisely the sort of the thing that makes for exciting tenorial frisson.



Making it all the more worthwhile is Villazón's obvious intelligence and taste. He seems to be living the words, not merely singing them. His phrasing is subtle and stylistically apt. He even uses a credible voix mixte, as any tenor singing French opera should.



Any operaphiles interested in grand singing by a tenor with an innnately beautiful voice handled with style and excitement should treat themselves to this disc. And investigate when Villazón might be singing anywhere near them. As I said before, he's that good.



Scott Morrison"
I wish him all the best. Opera fans: you must have this CD
Alejandro J. Moreno Hd | Mexico City, Mexico | 07/28/2005
(5 out of 5 stars)

"I have the pleasure to know Rolando Villazón in person, we used to take singing lessons together back in Mexico with Maestro Enrique Jaso some years ago and have always liked his approach to music.

I like better this one rather than his italian arias recital cd, I think he did a good work selecting the repertoire in this french opera recital. He is improving as time goes by and I think passion would describe fairly what he is doing and this album is an evidence of it.

I think Rolando has always shown this gift of easily connecting with the public plus he is a very talented and smart person as well. He learns fast and moreover he knows music and that is noticeable in his phrasing and overall musicality.

Marcello Vioti does a good conducting work for Rolando in this french album too, they really make music together... energy and sinergy!

He is so young and he has already sang in the best opera houses around the world, and as I said he is improving everyday so THIS IS THE NEW OPERA STAR to follow in the coming years.

I wish him all the best in his career and certainly hope the fame doesn't elevate his ego too much, as it happens many times.

Finally, his diction and pronunciation is very good... I would only have an issue with his letter "i", which sometimes seem to be out of place and they tend to go to the throat.

Thx for taking the time to read this words."
Bean sings?
D. Macdonald | Johannesburg - South Africa | 01/05/2006
(5 out of 5 stars)

"A friend lent me Villazon's debut album as an introduction to the man. I loved it - but this is the one I have bought. If, like me, you have tired of the comparisons between Villazon and others (esp Domingo) fear not, this artist is an original. I must confess that on seeing the cover I wondered if Brit comedian Rowan Atkinson (Mr. Bean / Black Adder - now there's a new comarison!) had strayed into the wrong studio, but a few tracks into either disc and you'll know you're listening to the real thing. True, he has baritonish notes in the lower register, and an easy reach for the upper notes but I honestly have not heard anyone quite like him before. His is a warm voice with an early maturity that should ensure he has a long career ahead of him. His diction is excellent, without the staccato enunciation or lack of French interpretation abilities that mar lesser singers' performances. Such vocal ease makes the sung word seem as natural as the spoken word is to us lesser mortals. That his song selection moves away from the 'usual suspects' of the tenor repertoire is to his great advantage; he knows what suits him and he brings each piece to new life. The overly familiar tracks of which there are thankfully few serve only to highlight through comparison to those we know Villazon's unique timbre and interpretation. This collection includes inspired music choices, incomparable renditions, marvellous orchestration and leaves the listener keenly anticipating his next release. The recording and production are impeccable (worth ***** in their category). It does not get much better than that. Atkinson may make you laugh (or not) - Villazon will make you smile and keep you feeling that way."