David Wayne | Santee, CA United States | 05/10/2001
(5 out of 5 stars)
"It was a sunny day in 1978. I'd been reading in Billboard about two new acts that Motown was touting. I went down to Tower Records and picked up the debut albums from Switch and Rick James. I was not disappointed. Motown's aim was to grab the attention of younger record buyers. Stevie Wonder was more mature, and even The Commodores suddenly went M-O-R. This was the ticket. This did the trick! Rick James was everything that Motown wasn't, up to this time. He was loud. He was controversial. He was (very) high, most of the time. He was over-the-top FUNKY! This auspicious debut was a near-perfect synthesis of funk and rock. Black kids (like me) loved it, but White kids could also get into it. "You And I" took over the radio waves that summer. "Mary Jane," Rick's Ode to Herb, was another out-of-the-box smash. And Rick could really sing, as on the ballads, "Dream Maker" and "Hollywood." You could tell that he was a creative force to be reckoned with (and if you couldn't, the next album, "Bustin' Out Of L-Seven," was the convincer)! Rick James sold millions of records, discovered Teena Marie, became one of the hottest producers of his day (including work with The Temptations, Smokey Robinson, Eddie Murphy, and The Mary Jane Girls), and was a major concert attraction, too. But I have to say his career (as a whole) was disappointing to me. Rick James had the talent to be on top of the show business world for decades. His troubles with the law are well-known. I feel he took too much for granted, wasted too much time, and squandered too much talent. Sly Stone was a big, big influence for Rick James, but Rick definitely didn't learn from Sly's crash and slow burn. I hope Rick is recovering from his stroke. I hope he can someday come back and thrill the world anew."
In the 70s, you could count on three things...
yygsgsdrassil | Crossroads America | 03/13/2001
(5 out of 5 stars)
"1) No road rage of any kind because evvyone drove a hooptie.2) A drug dealer in the 'hood was more like Huggy Bear, not Pacino in "Scarface".3) Evvything Rick James would put out was bound to be funky and soulful....Relive the 70s with this original from Slick Rick James."
RICK JAMES FOREVER
hank | Shanghai, China | 03/18/2000
(5 out of 5 stars)
"Come Get It and Bustin' Out of L-Seven are both masterpieces. The musical arrangements are phenomenal, the songs are loooong and funky as hell, the lyrics are priceless and Rick exudes confidence. Rick's early stuff is undoubtedly his best. I've listened to Rick James for 20 years and I never tire of these two titles."
Buffalo is in the house
hank | 09/24/1999
(5 out of 5 stars)
"rick is from my hometown and this debut made me feel proud.as writter,arranger,producer,instrumentalist and image maker this was the one that got the ball rolling.Mary Jane You and I,dream maker it grooves and it's funky but more than that it has soul.it's funny how he started out with a bang and kept on delievering for years that's the genius of this man plus a madd shout out to the stone city band."
Get It!
Brian Gilmore | DC | 08/23/2005
(5 out of 5 stars)
"In the summer of 1978, no one had really heard of Rick James or the Stone City Band. That didn't last long once Rick released his classic, and perhaps, his most authentic funk album, "Come Get It." It dominated the streets that summer. "You and I" was the big hit followed by "Mary Jane" - Rick's personal ode to marijuana. Of course, this should have been a telltale sign to Rick's descent into drug addiction but Rick still spoke in code, whereas today, rappers speak openly and proudly of smoking weed regularly. But regardless of Rick's ideology, this album is superb. There are powerful beats, swinging rhythm tracks, and simple lyrics about partying, life, and love. "Be My Lady" is my favorite while "You and I" still rocks as hard today as it did back in 1978. I can remember playing this album literally everyday back then. It came out at that moment when one is becoming appreciative of music for what it does for you emotionally. This was way before CDs and hip-hop gangstas and sampling machines took music in another direction that it seems to be lost in sometimes. "Come Get It" was pure dance music, authentic funk, and an album that saluted a particular time and era of great fun."