Eric Clapton had better marketing. That's the only way to explain why Richard Thompson isn't as famous as that other British guitar god. A brilliant, albeit subtle, guitar genius, Thompson writes wonderful songs that a... more »re sometimes rockin', sometimes haunting, and sometimes a little bit of both. And he presents them all in a voice that can only be called unique. Unlike most guitar heroes, Thompson is less based in the blues than he is in folk--dating back to his early years with the seminal Fairport Convention--but his has always been a folk music with bite and soul, adding things to the folk lexicon like rockabilly and zydeco. "Cooksferry Queen"--one of the 19 tracks on this compilation culled from the six albums Thompson released on Capitol between 1988 and 1999--features a guitar solo that's downright punk. Tracks like the semihit "I Feel So Good," "Razor Dance," and "Bathsheba Smiles" remain as exhilarating as anything you're apt to hear. Longtime fans will need to hear the three tracks previously unreleased on CD, including a new duet with son Teddy Thompson on "Persuasion" (co-written with Tim Finn) that is absolutely gorgeous. Ultimately, one longs for a box set that encompasses all eras (and labels) of this master's career, but Action Packed proves that the recent last third of it has been topnotch. --Bill Holdship« less
Eric Clapton had better marketing. That's the only way to explain why Richard Thompson isn't as famous as that other British guitar god. A brilliant, albeit subtle, guitar genius, Thompson writes wonderful songs that are sometimes rockin', sometimes haunting, and sometimes a little bit of both. And he presents them all in a voice that can only be called unique. Unlike most guitar heroes, Thompson is less based in the blues than he is in folk--dating back to his early years with the seminal Fairport Convention--but his has always been a folk music with bite and soul, adding things to the folk lexicon like rockabilly and zydeco. "Cooksferry Queen"--one of the 19 tracks on this compilation culled from the six albums Thompson released on Capitol between 1988 and 1999--features a guitar solo that's downright punk. Tracks like the semihit "I Feel So Good," "Razor Dance," and "Bathsheba Smiles" remain as exhilarating as anything you're apt to hear. Longtime fans will need to hear the three tracks previously unreleased on CD, including a new duet with son Teddy Thompson on "Persuasion" (co-written with Tim Finn) that is absolutely gorgeous. Ultimately, one longs for a box set that encompasses all eras (and labels) of this master's career, but Action Packed proves that the recent last third of it has been topnotch. --Bill Holdship
Some beautiful stuff here, some of which I already have on other cds. I especially savored "Beeswing" and the duet with Teddy. Shows RT's range and creative power.
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CD Reviews
Richard Thompson -- Genius
03/27/2001
(5 out of 5 stars)
"Richard Thompson is one of the most gifted musicians and songwriters of the past 40 years, but remarkably (and for reasons that defy understanding) he is largely unknown other than to a devoted coterie of fans and to a slew of serious musicians in the know (Bonnie Raitt, David Byrne, Los Lobos, Michael Stipe, Bob Mould). This new collection, which covers the past 12 years of his 35 year career, is a fine introduction to an incomparable talent.It's hard to compare him to anyone, because his talents are so broad and his sound so distinctive. (The Amazon review of this disc invokes Eric Clapton, but that comparison does a disservice to Thompson -- Clapton, as we all know, is a fine guitarist, but he isn't in the same league as Thompson as a singer or songwriter, and he lacks the originality, wit, fire, darkness, richness, complexity and depth that are hallmarks of the Thompson sound.) Thompson is also unlike his peers in that, at the age of 50+, he continues to crank out records that sound fresh and bold, most recently the wonderful "Mock Tudor." He has been around for a long time -- in the 60s he was a young guitar prodigy with the legendary Fairport Convention, before embarking on a brilliant solo career that included session work for the late, great Nick Drake and a series of magical albums with his ex-wife Linda culminating in the magnificent "Shoot Out the Lights". (The recent "Best of Richard and Linda Thompson" is a decent introduction to this period.) His extraordinarily fertile Capitol period began with 1989's "Amnesia" and concluded with his most recent release, "Mock Tudor." The enduring mystery is how a talent like this can have eluded the ears of so many over the years.What makes the guy so great? His guitar playing alone would suffice as his ticket to Olympus. He is a brilliant technician (accoustic or electric), but unlike the countless slick session men out there, his sound is utterly original and distinctive, a stunning synthesis of Celtic scales, Django Reinhardt, rock, folk and blues that sounds like nobody else. He can do blazing and blistering, he can do delicate and haunting, but there's never a wasted or empty note. Being one of the greatest guitarists of his (or any other) generation would be enough for most folks, but, amazingly, the guy is a stupendously good songwriter to boot. His songs run the gamut from heartbreakingly beautiful ballads to dark, jagged, angry rock, but all are characterized by an exquisite musical and lyrical grace and intelligence. His singing -- perhaps a little on the gruff, unschooled side early on -- has grown richer and stronger over the years. And as a live performer -- well, just buy a ticket next time he's in town and you won't be disappointed.So, how about this new collection? On the whole, I think it's a dandy selection that hits many of the peaks of the last 12 years. I could quibble with a few omissions (the absence of "Dry My Tears" and "The Sights and Sounds of London Town", both from "Mock Tudor", is perplexing), but any disc that has the likes of "Vincent Black Lightning", "Beeswing", "Bathsheba Smiles" and "Keep Your Distance" in one place is a keeper. If you're a neophyte, this is probably as good a place as any to start; but just remember that the man has been recording for more than 30 years and no single disc can do him justice. Happy listening!"
Richard Thompson Remains Relevant, But Unappreciated
Steve Vrana | Aurora, NE | 05/05/2001
(5 out of 5 stars)
"Two of my favorite artists are Bruce Cockburn and Richard Thompson. They are both gifted guitarists and songwriters who have been producing superb music for the past thirty years and neither one of them could get arrested if they marched naked in Macy's Thanksgiving Day parade! Unfortunately, both artists--now in their fifties--are probably doomed to the artistic purgatory of being critis' darlings and cult favorites. And that's a shame.Thompson's Action Packed: The Best of the Capitol Years (which follows in the footsteps of last year's well assembled The Best of Richard & Linda Thompson: The Island Years) samples all five of his Capitol albums from 1988's Amnesia through 1999's excellent Mock Tudor. I bought this CD for two reasons. One, I already own everything Thompson has ever released, including his live recordings only available through the Richard Thompson newsletter Flypaper. But most of my purchases prior to 1996 were either vinyl or cassette. It's nice to have these recordings on CD. Two, you get one new track, "Persuasion," which features his son Teddy on guitar and shares lead vocals. [Based on this song alone, I'd like to see them do an entire album together.] In addition, you get two tracks, "Mr. Rebound" and "Fully Qualified To Be Your Man," which were both previously available only on the vinyl release of Mock Tudor. And with concert favorites like "Turning of the Tide," "1952 Vincent Black Lightning" and "Beeswing," you get a generous 19-track sampling of Thompson's music of the past thirteen years. HIGHLY RECOMMENDED"
Seems random...
Rob Damm | 11/03/2001
(3 out of 5 stars)
"I'm a huge Richard Thompson fan, I own all the albums and also the far better (out of print) collection, "Watching the Dark". I bought this to get the three "new" tracks, whick range from good to great, so I guess I got my money's worth.I really must take issue with the track selection, though. For instance, it includes only 2 tracks from "Amnesia"... sure, "turning of the tide" and "waltzing's for dreamers" are great, but almost any other song on the original album is better (that's how good it is). I certainly would have liked more tracks from "You? Me? Us?", and less tracks from "Mock Tudor". It's not that I don't like "Mock Tudor", but (a) It's very recent and maybe doesn't need such heavy representation in a retrospective yet, and (b) is a semi-"concept" album that works much better as a whole.The sound is audibly and obviously improved on tracks from "Amnesia" through "Mirror Blue" which is remarkable proof how much more engineers have been able to eek out of the old' 16-bit redbook CD format in recent years. On later tracks, the difference is either subtle or non-existent.Maybe it seems that I'm being a bit hard on this CD, but, as the man said, you have to be cruel to be kind. I think RT is one of the great musical talents of the past 50 years, and he deserves better. Much better. Also, remember, Capitol dropped him from the label after "Mock Tudor", so "Action Packed" is a last-ditch, crass cash-in on the part of his old label. Of course, Capitol has let most of these albums go out of print, so newcomers may have no other recourse but to buy this set. Another suggestion? RT sells wonderful "live" discs on his own label. Find these and buy them. "2 letter words", "Live at Crawley" and "Celtshmerz" will all give you a more complete picture of this brilliant guitarist."
Wry, smart & utterly talented - Thompson delivers his "Best"
janeyb | Cambridge, MA USA | 06/02/2001
(5 out of 5 stars)
"When I saw Richard Thompson perform this spring in Boston, he wore his trademark beret and wryly plugged this CD. He joked that he deliberately did not call it the "Greatest hits of Richard Thompson", but rather, the "Best of..." It's quite true - he is not particularly well-known nor has he had many hits. While the concert hall was only half full, Thompson was very entertaining and deftly worked the audience. As a result, I immediately went out and acquired this CD and added it to my small collection of his works.Thompson is an extremely talented guitarist, but he is also a marvellous singer with great breadth. In the song "I Feel So Good", he rocks and raves. However, in Thompson's duet with his son Teddy - "Persuasion" - the voices are gentle, melodic and evocative. His lyrics demonstrate his intelligence and humor, and his music demonstrates his skill as a guitarist and his talents as a composer. He is not a showy musician, but his genius is readily apparent.This CD is a wonderful way for a new fan to incorporate Thompson into their collection. It's also a fabulous way for a Thompson fan to get their fix while driving in their car - just one CD is all you need to satisfy the urge. Thompson himself was quite droll on this topic. He said that for all those who complained that he had only two or three good songs on each of his CDs, that this was the CD for 'em."
Thompson is Tremendous
Mitchell Lopate | Silverdale, WA | 02/07/2003
(5 out of 5 stars)
"One of the best acts on tour this summer is a musical mystery man to the general audience-but a veteran legend to his all-knowing fans. However, thanks to a terrific packaging effort by Capitol Records on this new release, Mr. Richard Thompson is ready to step from the shadows and into the spotlight. When the marketing team at EMI called this crackerjack set "Action Packed...", they ought to have been nominated for a first-place trophy for concept and song selection. These songs are loaded with the brooding, riveting power that Thompson projects with his dark baritone voice and lyrics, and his guitar playing is a complex blend of slashing, tornado rhythms and dancing acoustic nimbleness. I'm strongly reminded of Mark Knopfler's touch, or The Band's Robbie Robertson-these guys would make a terrific showing as a trio on a mixed bill. His imagery captures the boldness and adventure of his rugged ancestry (he hails from the south country of England)-try and imagine a Celtic Warren Zevon's wild ways with a raging fire at his back, calling up all the spirits and magic that lurk in the legacies of Britain. Additionally, Thompson also rides the razor's edge of the human psyche with obsessive power struggle memories from relationships that tore out his heart. His love songs stay clear of the mainstream "happy days" or "my love is gone"; instead, they prowl through intense dangerous alleys of jealousy, lust, and aloofness, and tell of bad men's renegade adventures: arrogant, proud, and tough. When Richard literally explodes with adrenalin macho swagger ("Fully Qualified to be Your Man"), he's the primal bull elk with the biggest rack.The incredible thought, however, is that Thompson is a sensitive guy who can turn on the charm, and when he does, his music is as fragile as a soap bubble and as full of colorful images as a stained glass church window. This kind of dual identity is yet another reason that he remains a mesmerizing character. Wrap all these amazing facets around his scorching lyrics (and he can pen some battery-acid specials), as well as satin-and-lace ballads that would cast him as a hero if he lived three centuries ago-this is a complex man who has a hypnotic power through his music. I dare you to listen to it once and walk away. In fact, I can testify that he has stopped a business meeting when it came up in the CD player-everyone just froze at the same time and asked to see the liner notes.The best yet: can this guy and his players rock and swing! They also know how to get the most from their instruments, and that especially goes for the double bass and the various drummers and guests, including the folk instruments and the background vocals. My favorite song is...wait, I have too many. It just goes from better to great and onward. For starters, I have to praise "I Feel So Good," with an amazing sound that comes from magical woodwinds, blowtorch organ, explosive percussion, and Thompson's raging abandonment on vocals and guitar. Anyone who can help me visualize the unrepentant social rebel who has "a suitcase full of 50-pound notes, and a half-naked woman with her tongue down my throat" makes me want to punch a hole in the sky with my fist. Go for it! I'd follow that with "I Can't Wake Up to Save My Life," as it careens like crazy with harpsichord-like keyboards, Star Wars sound effects, and blustery vocals that take wing over Richard's paranoid lyrics. When was the last time you heard a loved one's appearance referred to as being half-missing and a hairstyle of reptiles hissing? Thompson also knows how to change his time signatures: witness the undulating, slinky rhythm of "Bathsheba Smiles" and a show that should not be missed-and don't overlook those earthy lyrics and rippling, muscular guitars. Same thing for "Mr. Rebound," which sounds like it came from a smoky café in Morocco.I did say that Thompson has a respectful, gentlemanly air-when he's in the mood-and just follow his fingertips as they dance over the strings and through the summer sun on "Beeswing," one of his most popular requests. It's absolutely brilliant, evoking every memory of those who sailed from Great Britain to this country in centuries past with a king's court of fiddle, flute, concertina, mandolin, and Northumbrian pipes. Richard has the same awareness of national character and the social classes as Robbie Robertson-they both know how to capture distinctive murals of the common folk and the intricacies of their popular appeal. A song that I just adore is "Waltzing's For Dreamers," with its lonely vocals and a 4/4 pace that is backed up with a sad fiddle and a finger-picking tune that could inspire someone to learn to play guitar. Thompson keeps the same quaintness on "King of Bohemia," with a mournful ballad that has a near-spiritual feel. The tip of the hat absolutely goes to "Persuasion," which features a duet with son Teddy-and he's a great singer and guitarist in his own right. Teddy sounds as smooth as James Taylor mixed with Jackson Browne-as this was previously unreleased, it's the icing on the cake..."