Search - Richard Leo Johnson :: Legend of Vernon Mcalister

Legend of Vernon Mcalister
Richard Leo Johnson
Legend of Vernon Mcalister
Genres: Country, Folk, Jazz, Special Interest, New Age, Pop, Rock
 
  •  Track Listings (20) - Disc #1

A rustic strain of ambient Americana has been in the wind for the last year or so, with Daniel Lanois's solo pedal steel album, Belladonna, and Jeff Beal's literally haunted score to Carnivàle taking American roots i...  more »

     
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CD Details

All Artists: Richard Leo Johnson
Title: Legend of Vernon Mcalister
Members Wishing: 1
Total Copies: 0
Label: Cuneiform
Original Release Date: 1/1/2006
Re-Release Date: 1/31/2006
Genres: Country, Folk, Jazz, Special Interest, New Age, Pop, Rock
Styles: Americana, Contemporary Folk, Experimental Music, Meditation, Relaxation
Number of Discs: 1
SwapaCD Credits: 1
UPC: 045775022222

Synopsis

Amazon.com
A rustic strain of ambient Americana has been in the wind for the last year or so, with Daniel Lanois's solo pedal steel album, Belladonna, and Jeff Beal's literally haunted score to Carnivàle taking American roots into ambient spaces. Richard Leo Johnson's The Legend of Vernon McAlister may have upped the ante. Johnson was already a critically acclaimed fret-burner, bringing two-handed tapping techniques to his double-necked acoustic. Here, he opts for a gentler, but possibly more avant-garde sound, trading his acoustic for a National Steel guitar. Like a Dobro on steroids, the National Steel is a metal guitar whose overtones and strange resonances make it capable of the most unearthly sounds. Creating a mythological narrative around the story of Vernon McAlister, whose name is actually etched on Johnson's ancient instrument, the guitarist creates a sound that is both mystical and rural, like the lost ghost of McAlister slipping his sound through static and haze. Johnson overdubs himself, picking and sliding notes and often using an e-bow that makes the instrument sound like a musical saw. The Legend of Vernon McAlister traverses the Appalachian fantasy of "Morning Glory," serene backwoods reveries on "Side Road to Splendor," and experimental tone poems on "Briar Patch Harmony." Richard Leo Johnson has created an album of hidden and subtle charms. --John Diliberto

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CD Reviews

Brilliant, creative, and haunting
Michael J Edelman | Huntington Woods, MI USA | 03/30/2007
(5 out of 5 stars)

"Johnson has a very rich imagination when it comes to solo guitar, and a technique that lets him explore his every idea. I'd found his music intriguing in the past, but this album really cemented his appeal to me.



"The Legend of Vernon McAllister" doesn't have the pure fire and amazing technique of some of Johnson's earlier work, but I think it's a lot musical in many ways. Metal bodied resophonic guitars have a echo-y, haunting sound that demands a more nuanced approach; you want to spreaed the notes out and let them ring, and Johnson takes full advantage of this.



In place of the rapid-fire tapped runs in his earlier work he presents the listenier with some languid, melodic lines that create an entirely different feel and ambiance. Listening to this album, you can close your eyes, and find yourself sitting on the front porch on a warm day, with a breeze gently passing by, and Vernon McAllister playing his plaintive songs."
Mind-Blowing
Stephen Silberman | SF, CA USA | 03/14/2006
(5 out of 5 stars)

"Broken prairie dreams for our broken time. Exquisite, adventurous, heartbreakingly beautiful, this album is also like a one-man "basement tapes" -- a field recording from outside the Matrix. Fans of Steve Tibbetts, Michael Hedges, Crazy Horse, and Ralph Towner should definitely check this. The whole "legend" thing is a little corny, but the story behind this obviously haunted instrument is cute, and Johnson makes his rusty axe sing like barbed wire with a fever. A modern landmark pointing down old Highway 61."
Monumental creative talent unleashed
Gayla D. Paul | Cedar Rapids, IA United States | 03/08/2006
(5 out of 5 stars)

"Having been a fan of Richard Leo Johnson for several years, I anxiously awaited the release of this work, which I understood to be a departure. I think the concept is just wonderful - creating a story and soundtrack to build a person from the name scratched in that old guitar.



Although Richard's playing has come to be synonymous with Olympian Guitar Gymnastics, this recording finds him in a quieter frame of mind, listening to what this old guitar has to say and letting it have center stage. It sounds to me like this is an artist having a blast experimenting with this tool - bowing it with the bow from a cello, using an Ebow, banging on it with pencils, recording and playing it back backwards, finding his "inner Vernon McAlister" and creating out of those magical moments. Some of the pieces are almost disturbing, but most of them are heartbreakingly beautiful. I love The Front Porch Faces Sunset and Everything Is Beautiful and Sad especially - well today anyway, this is one of those recordings that will likely produce a new favorite every day. Ok, see right now I just got to More Than All the Stars in the Sky and suddenly that's my favorite.



Well done, Richard - I can't wait to hear what's next."