Superb Playing, Recording
Paul Van de Water | Virginia, USA | 08/02/2009
(5 out of 5 stars)
"The King's Consort and Matthew Halls, its new director, have recently been awarded the 2009 Stanley Sadie prize for their premiere recording on Hyperion of Handel's serenata "Parnasso in Festa" Parnasso in Festa. From May 2009 the group also has a new name--the Retrospect Ensemble--and a new label--Linn Records. This SACD marks the debut recording of a Retrospect sub-group, a four-person ensemble named the Retrospect Trio (apparently the continuo player doesn't count).
Linn is known for the high quality of its recordings, which are released not only on SACD but also in several download formats (MP3, CD quality, and studio master). Among my favorites are the Dunedin Consort's "Messiah" Messiah - George Frideric Handel, Dublin Version 1742 and the SCO's Mozart-Levin "Requiem" (conducted by Charles Mackerras) Mozart: Requiem; Adagio & Fugue [Stereo/Multichannel]. This disc, recorded in a church in Berkshire, meets the high standards of its predecessors. "Classics Today" has awarded it a 10/10 rating for both artistic quality and sound quality.
This year marks the 350th anniversary of the birth of Henry Purcell (1659-1695), one of England's greatest composers. Purcell is probably best known for his vocal music, including "Dido and Aeneas" (the first English opera), five masques ("The Fairy Queen," "King Arthur," "The Indian Queen," "The Tempest," and "Dioclesian"), and many anthems and odes (of which the most famous may be "Come, Ye Sons of Art"). These ten sonatas, published two years after the composer's death, follow an earlier set of twelve (which are also to be recorded by Retrospect). They blend the latest French, Italian, and English styles with Purcell's unique harmonies and dissonances. Another reviewer describes them as "immediately ingratiating to the ear and appealing to the emotions." If you like other works by Purcell, or by his contemporaries Corelli or Couperin, this disc will give you great pleasure."
Cool! I now like Purcell!
David Douglass | Bloomingdale, NJ | 09/12/2009
(4 out of 5 stars)
"Purcell has always been one of those composers who never quite clicked with me. Sure, some nice stuff here and there, but I always felt something was missing. This music hits the mark; very nice indeed.
The liner notes speak of "several notable Italian violin virtuosi". I'm very fond of the Italian baroque masters and it seems Purcell became immersed in the Italian way when he wrote these.
The performances are excellent. Hey, Retrospect Trio, maybe some Corelli next?
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