Pini di Roma (The Pines of Rome), symphonic poem, P. 141: 1. I pini di Villa Borghese
Pini di Roma (The Pines of Rome), symphonic poem, P. 141: 2. Pini presso una catacomba
Pini di Roma (The Pines of Rome), symphonic poem, P. 141: 3. I pini del Gianicolo
Pini di Roma (The Pines of Rome), symphonic poem, P. 141: 4. I pini della Via Appia
Fontane di Roma, for piano, 4 hands (arr. from the orchestral piece), P. 115: 1. La fontana di Valle Giulia all'alba
Fontane di Roma, for piano, 4 hands (arr. from the orchestral piece), P. 115: 2. La fontana di Tritone al mattino
Fontane di Roma, for piano, 4 hands (arr. from the orchestral piece), P. 115: 3. La fontana di Trevi al meriggio
Fontane di Roma, for piano, 4 hands (arr. from the orchestral piece), P. 115: 4. La fontana di Villa Medici al tramonto
La boutique fantasque, ballet after Rossini, P. 120: Nos. 1 & 2. Overture; Scene
La boutique fantasque, ballet after Rossini, P. 120: Nos. 3 & 4. Vivo; Tarantella
La boutique fantasque, ballet after Rossini, P. 120: Nos. 5 & 6. Mazurka; Scene
La boutique fantasque, ballet after Rossini, P. 120: Nos. 7 & 8. Danse cosaque; Valse brillante
La boutique fantasque, ballet after Rossini, P. 120: No. 9. Can-Can
La boutique fantasque, ballet after Rossini, P. 120: Nos. 10 & 11. Andantino mosso; Valse lente
La boutique fantasque, ballet after Rossini, P. 120: Nos. 12 & 13. Scene; Nocturne
La boutique fantasque, ballet after Rossini, P. 120: Nos. 14 & 15. Galop; Finale
This release gathers together - under the perceptive and sympathetic musicianship of Ernest Ansermet - a selection of music by (and refashioned by) Ottorino Respighi with a very high quotient of colour, atmosphere, rhythmi... more »c vitality and touching lyricism. The Fountains of Rome and The Pines of Rome are two-thirds of the composer's Roman Trilogy (the third part, composed last, being Feste Romane - Roman Festivals - which Ansermet did not record) and which celebrate in music the glories and history of the city of Rome. La Boutique Fantasque (The Fantastic Toyshop) is one of many ballet scores composed for the Russian impresario Serge Diaghilev. The release of the 1963 recording of the Respighi tone poems was widely praised for its superlative sound. And the very fine recording of La boutique fantasque was made not in Geneva, for once, but at Kingsway Hall with the London Symphony Orchestra; it is much sought-after and has become something of a collector's item. This is its first international release on Decca. It is a performance full of musical incident, further pepped up by Ansermet's balletic and theatrical instincts - the product of his experience of having conducted 'for the ballet' over many years. "...a very great quantity of splendid sound on offer..." - Gramophone (Pines of Rome, Fountains of Rome). "...sets the standard for completeness, elegance of performance...a glowing account." - Gramophone (La boutique fantasque).« less
This release gathers together - under the perceptive and sympathetic musicianship of Ernest Ansermet - a selection of music by (and refashioned by) Ottorino Respighi with a very high quotient of colour, atmosphere, rhythmic vitality and touching lyricism. The Fountains of Rome and The Pines of Rome are two-thirds of the composer's Roman Trilogy (the third part, composed last, being Feste Romane - Roman Festivals - which Ansermet did not record) and which celebrate in music the glories and history of the city of Rome. La Boutique Fantasque (The Fantastic Toyshop) is one of many ballet scores composed for the Russian impresario Serge Diaghilev. The release of the 1963 recording of the Respighi tone poems was widely praised for its superlative sound. And the very fine recording of La boutique fantasque was made not in Geneva, for once, but at Kingsway Hall with the London Symphony Orchestra; it is much sought-after and has become something of a collector's item. This is its first international release on Decca. It is a performance full of musical incident, further pepped up by Ansermet's balletic and theatrical instincts - the product of his experience of having conducted 'for the ballet' over many years. "...a very great quantity of splendid sound on offer..." - Gramophone (Pines of Rome, Fountains of Rome). "...sets the standard for completeness, elegance of performance...a glowing account." - Gramophone (La boutique fantasque).