Give the Devil his due...
Eric D. Anderson | South Bend, IN United States | 03/15/2003
(5 out of 5 stars)
"From the opening bars of Belfagor, it's clear that the listener is in the hands of an unusual genius. The prelude and opening love music is filled with a strange, tender, introspective beauty that makes the heart bleed. And throughout the opera, it's those moments of passionate feeling between two human beings (or between arch-devil and human being) that bring out the best of Respighi's instincts. The comedic moments have their rewards, too, with the composer's famously colorful orchestral imagination in full flower, but it's still the love music that makes this opera a masterpiece.The title character is an amusing, down to earth, and fairly benign Devil, who is sent to earth to discover whether matrimony is truly the primary cause of male damnation, as so many new arrivals in hell claimed. It's to the credit of both the librettist and composer, that, while always rooting for Candida and her Baldo, we develop sympathy for this devil, and feel sorry for him when he, against his own intentions, truly falls in love, and loses Candida because of his faith in her. This scene, which closes the second act, is breathtakingly dramatic.Respighi's musical language is harmonically adventurous, but in a fascinating, romantic way--filled with soaring Italian lyricism. After listening to this opera, I'm desperate to get my hands the composer's other mature operas. Unfortunately, his next effort, "La campana sommersa", one of his most admired and colorful operas, hasn't been commercially recorded, at least in recent history. It must certainly be one of the most gaping holes in the catalogue!"
Weird and fascinating, though nothing to hum...
Eric D. Anderson | 09/24/2001
(4 out of 5 stars)
"This is a beautiful recording, technically speaking, and the music is free-flowing, like late Puccini, but without any memorable tunes or melodies. Sylvia Sass's voice is dark and moody and compelling. This is about as good a recording of this piece as we will ever see."
Polytonal Gianni Schicchi
Eric D. Anderson | 11/14/2000
(4 out of 5 stars)
"Different from his other big operas, but still fascinating. Lyrical moments mixed with more adventurous sections, with the devil presented in a comic light. Worth exploring for Respighi fans."