Premier livre de pi?ces de clavecin, for harpsichord: Pr?lude
Premier livre de pi?ces de clavecin, for harpsichord: Allemande 1
Premier livre de pi?ces de clavecin, for harpsichord: Allemande 2
Premier livre de pi?ces de clavecin, for harpsichord: Courante
Premier livre de pi?ces de clavecin, for harpsichord: Sarabandes 1 & 2
Premier livre de pi?ces de clavecin, for harpsichord: V?nitienne
Premier livre de pi?ces de clavecin, for harpsichord: Gavotte
Premier livre de pi?ces de clavecin, for harpsichord: Menuet
Premier livre de pi?ces de clavecin, for harpsichord: Gigue
Pi?ces de clavecin avec une m?thode sur la m?canique des doigts, for harpsichord: Allemande
Pi?ces de clavecin avec une m?thode sur la m?canique des doigts, for harpsichord: Courante
Pi?ces de clavecin avec une m?thode sur la m?canique des doigts, for harpsichord: Gigue en rondeau 1
Pi?ces de clavecin avec une m?thode sur la m?canique des doigts, for harpsichord: Gigue en rondeau 2
Pi?ces de clavecin avec une m?thode sur la m?canique des doigts, for harpsichord: Le rappel des oiseaux
Pi?ces de clavecin avec une m?thode sur la m?canique des doigts, for harpsichord: Rigaudons 1 & 2
Pi?ces de clavecin avec une m?thode sur la m?canique des doigts, for harpsichord: Musette en rondeau
Pi?ces de clavecin avec une m?thode sur la m?canique des doigts, for harpsichord: La vilageoise
Pi?ces de clavecin avec une m?thode sur la m?canique des doigts, for harpsichord: Tambourin
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 1 in C minor. La
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 1 in C minor. La
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 1 in C minor. Le
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 2 in G major. La
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 2 in G major. La
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 2 in G major. L'A
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 2 in G major. Men
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 3 in A major. La
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 3 in A major. La
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 3 in A major. La
Pi?ces de clavecin en concerts, for harpsichord, violin (or flute) & viola da gamba (or second violin): Concert No. 3 in A major. Tam
Les Paladins, com?die lyrique: Air des Paladins
Rameau was one of the great composers for the keyboard. But because pianists have not adopted his harpsichord music as they have that of the other great names of the Baroque - Bach, Handel, and Scarlatti - his stature a... more »s a keyboard composer is not fully acknowledged. This series of three CDs presents all his keyboard music on the piano: the familiar suites, a number of discoveries, and arrangements by his contemporaries and later composers. London-born Stephen Gutman has earned a reputation as one of Britain's most creative performers of modern music; he has also made a specialty of interpreting French Baroque keyboard repertoire on the modern piano. He has performed and been broadcast widely in Europe, Japan, Australia, and the US. Also active as a chamber musician, Stephen Gutman has appeared in concerts and broadcasts with many distinguished international artists and ensembles. In 1999, Gutman commissioned twelve British composers to write pieces mirroring the works of Rameau. This project, entitled Les Enfants de Rameau and modeled on variations by Dukas, received widespread critical acclaim.« less
Rameau was one of the great composers for the keyboard. But because pianists have not adopted his harpsichord music as they have that of the other great names of the Baroque - Bach, Handel, and Scarlatti - his stature as a keyboard composer is not fully acknowledged. This series of three CDs presents all his keyboard music on the piano: the familiar suites, a number of discoveries, and arrangements by his contemporaries and later composers. London-born Stephen Gutman has earned a reputation as one of Britain's most creative performers of modern music; he has also made a specialty of interpreting French Baroque keyboard repertoire on the modern piano. He has performed and been broadcast widely in Europe, Japan, Australia, and the US. Also active as a chamber musician, Stephen Gutman has appeared in concerts and broadcasts with many distinguished international artists and ensembles. In 1999, Gutman commissioned twelve British composers to write pieces mirroring the works of Rameau. This project, entitled Les Enfants de Rameau and modeled on variations by Dukas, received widespread critical acclaim.