Search - Radiators :: Ghostown

Ghostown
Radiators
Ghostown
Genres: Alternative Rock, Pop, Rock
 
  •  Track Listings (10) - Disc #1

The first CD issue of the original 1979 LP in the original packaging. This is a limited edition release in a cardboard facsimile of the LP Sleeve. 2005.

     
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CD Details

All Artists: Radiators
Title: Ghostown
Members Wishing: 3
Total Copies: 0
Label: Big Beat UK
Original Release Date: 1/1/2005
Re-Release Date: 4/11/2005
Album Type: Import
Genres: Alternative Rock, Pop, Rock
Styles: Hardcore & Punk, Roots Rock
Number of Discs: 1
SwapaCD Credits: 1
UPC: 029667425223

Synopsis

Album Description
The first CD issue of the original 1979 LP in the original packaging. This is a limited edition release in a cardboard facsimile of the LP Sleeve. 2005.
 

CD Reviews

"a monumental artistic achievement"
marty in the rain | Brighton Beach, NY | 04/24/2005
(5 out of 5 stars)

"THE RADIATORS

Ghostown





On Tuesday, October 31st, 1978, The Radiators took to the stage of London's Electric Ballroom to preview material from their forthcoming Ghostown album. These new Phil Chevron-Pete Holidai songs detailed "a midnight walk through Dublin with the ghosts of the city's past". They were lost on the punk kidz in the audience. We now know that the safety-pinned fools were being treated to the first ever live airing of probably the greatest Irish rock album of all time.



To put this in local context: The Radiators' creative leap from 1977's TV Tube Heart to 1979's Ghostown was similar to The Beatles' from She Loves You to Tomorrow Never Knows. Their subject matter was a Dublin (to be pronounced with three syllables) paralyzed by political and religious hypocrisies. The song cycle, beginning with the jumpy, harmony-laden Millon Dollar Hero and ending with the tense, nervous Dead the Beast, Dead the Poison, details a cowed city - haunted by its past, with little present and yes, No Future. The songs are magnificent: the stomping They're Looting in the Town; the beautiful snarl of Kitty Ricketts and the stark home-truths of Song of the Faithful Departed.



Musically, the album was audacious for its time; lyrically, it's never been bettered. Ghostown represents the first time in Irish cultural life that a rock music 33rpm could sit pretty alongside the country's literary and dramatic output. In a bitter perversion of the truth, the album marked the beginning of the end of The Radiators. Ghostown was their parting shot to posterity. Quite simply: a monumental artistic achievement.



BRIAN BOYD (Irish Times, April 2005)"
Musically ambitious Irish Punk?/Rock? album. One of top 5 Al
Mark A. Carter | New York | 12/21/2005
(5 out of 5 stars)

"I am so glad to see some of the old classics from the 78-79 era being released on CD and along with "The Records" `Shades in Bed' this is the one I've been waiting for. This album remains one of my most cherished musical memories from my Schooldays back in the U.K. I actually bought the vinyl album purely on the cover & Song Title's. It just looked different and interesting & I found out that it most certainly was. Probably the most overlooked Irish band you've never heard of from the era. The Radiators had REAL, dynamic lyrics on this album all of which are beautifully orchestrated & you will find yourself singing along to the lyrics before you know it. In anyone else's hands songs like `They're Looting the Town' & `Kitty Ricketts' would feel pompous & overdone. I'm reminded a little of the "Boomtown Rats" `Rat Trap' in as much as the songs on this album are actually pretty ambitious. The production is excellent. Tony Visconti really does sterling work here and gives the album a completely uniquely Irish feel (whatever that is - if you listen to the album you'll know what I mean!). Listening to this album again has been like reacquainting myself with an old friend. Written between October 77 & July 78 in Dublin & London (I'm reading from the Inner sleeve here) it separates itself from the rest of the Punk/Post-Punk Crowd with intelligent, infectious lyrics & chorus lines that will hook you completely. Musically/Instrumentally it is an entity unto itself with `String Arrangement's', `Electric 12 String Guitar's', ` Saxophone's', 'Piano's', `Synth's', `Bazouki's', `Banjo-Guitar's', `Mandolin's', 'Bongo's!', 'Hammond', 'Timpani??' & of all things `Hollywood Choir' (courtesy of Mary Hopkin - I wonder......is that the early 70's Mary Hopkin of softer than soft folk-rock legend) Thankfully this band had the balls to make an album like this as I suspect that it wasn't particularly commercially prudent at the time. Far too melodic to be considered Punk & not fake enough for the crass pop that hit the charts at the time. Here you have what I believe is the rare instance of a band really trying to make music on their terms & with the talents of Tony Visconti to help them realize it they produced what I think is one of the top 5 LP's of 78'. If you really want to know what constituted good music back in 78-79 then you owe it to yourself to pick up this CD."