No Description Available
No Track Information Available
Media Type: CD
Artist: BURNSIDE,R.L.
Title: BURNSIDE ON BURNSIDE
Street Release Date: 10/23/2001
No Description Available
No Track Information Available
Media Type: CD
Artist: BURNSIDE,R.L.
Title: BURNSIDE ON BURNSIDE
Street Release Date: 10/23/2001
Andrew T. Olson | Milwaukee, WI United States | 10/27/2001
(5 out of 5 stars)
"Enjoyable as they all were, none of R.L. Burnside's previous Fat Possum releases were truly representative of the man's music. Thus, the raucous amalgam of Mississippi hill country drone blues(think Fred McDowell and Junior Kimbrough)and chicken scratch funk(think Syl Johnson and Johnny "Guitar" Watson)heard on "Burnside on Burnside" will probabally surprise fans who have yet to experience a real live R.L. Burnside performance. Burnside's two most recent(and biggest selling)releases were attempts to broaden his appeal by making all too overt the hip-hop and 70's R&B influences R.L had already assimilated on his own. The ham fisted production of "Come On In" and "Wish I Was In Heaven Sitting Down" obscured Burnside's art by reducing him to a sample source on the former and saddling him with a crew of alterna rock and mainstram blues session pros unfamiliar with the subtleties of Burnside Style on the latter. "Burnside on Burnside" counters those artistic misfires by presenting a live Burnside show in all its ragged glory. Backed by the slithering slide riffs of guitarist Kenny Brown and the slippery Dr. Dre meets Sam Carr beats of drummer Cedric Burnside(R.L.'s grandson), R.L. tears through his catalog with a piss and vinegar ferocity that will stun those who have yet to hear his real sound. While he'll probabally never get the respect or unit sales he deserves(already, his weak imitators get more press and sell more records than he does), Burnside's raw, yet wildly eclectic blues make him one of the most interesting and exiting musical talents alive. "Burnside on Burnside" stands as the definitive R.L. Burnside record and is a disc no self respectng fan of good music should be without."
NEW KIDS ON THE BLOCK SHOT DEAD. BURNSIDE AT LARGE.
Jeremy J. Sprague | Bloomington, IN | 10/31/2001
(4 out of 5 stars)
"This album wages war on pop radio. It's dirty, raucous, and offensive to the delicate ears the unworthy. Never has music so accurately represented a ride in the bed of a '78 Ford pickup down a washed out gravel road.This album is a wonderful example of Burnside's true sound. It is free of the overproduction common in some of his latest releases. R.L. on guitar and vocals. Kenny Brown on slide guitar. Cedrick on drums. As it should be. Burnside is the unmoving buddah of zen boogie whoopass. He leads his audience in a hard dirge death dance. His melodies are seductive like a woman whose beauty is difficult to understand. His rythms induce cardiac arrest and then beat you back to life. His voice is sour and sweet like whiskey and tomato juice.Burnside accompanys his singing with good storytelling on this album. My only wish is that this CD had been made a double CD and more of his speaking been left on the recording. But that's just me---I'd buy a recording of Burnside playing scrabble if it were for sale."
The Real Deal!
deepbluereview | SACRAMENTO, CALIFORNIA USA | 12/24/2001
(5 out of 5 stars)
"What a great way to close out a rather dismal year of blues releases and who better to strike the high note than RL Bunside. This CD was recorded live in January 2001 on the West Coast and was not released until late October. The CD itself does not contain any new material except for the joke told on "He Ain't Your Daddy" however, the performance and sound quality are simply outstanding. Like other reviewer's, I placed this CD in my changer and turned up the volume. It wasn't long after that I selected the single disc play feature and pushed the repeat button. The only thing disappointing about the CD is that it ends far too soon for me even though it is 52+ minutes long. If you have not experienced RL Burnside, I can think of no better place to start."
"Don't be so diiirty!" This is it -- Right here
Nichomachus | 08/25/2004
(5 out of 5 stars)
"Fat Possum is putting out the best blues albums in the industry right now, and R.L. Burnside is one of the reasons why, along with Elmo Williams, Model T, and Paul Jones.
Despite being a fan of the Mississippi country blues exemplified by Muddy Waters, Howlin' Wolf, and John Hurt during my teens, I got sick of blues during the Nineties, when a well-deserved resurgence in the music became dominated by this Yuppified, sterilized, Good Morning America mood music crap with a bunch of sell-out albums by a lot of artists.
But after coming across Fat Possum's stuff, it's clear they know what's going on, and are putting out albums that about end up make you willing to drink warm JD cut with turpentine or something. The stuff is nasty, gritty, deserves no apology, and asks for none.
BURNSIDE ON BURNSIDE is already becoming a classic, because it takes these qualities and makes them live. It gives us the modern psycho-punk blues that are the only contemporary blues worth listening to, and brings new life to the traditional country tunes that every over-produced pseudo-blues hack with a drum machine has spent the past fifteen years killing off.
Burnside's grandson, Cedric, plays drums, and that's partially what gives it the unrelenting punk feel, as this old blues man yells and laughs along. It's great. It's unbeatable. And will give you back a passion for blues jamming."
Houserockin' Delta/Hill Country Blues
Michael Strom | Chicago, IL USA | 03/30/2002
(5 out of 5 stars)
"To be honest, the stuff I'd previously heard from R.L. left me unpersuaded. Now I know why - some blues guys just have to be heard live to do them justice, and R.L.'s live CD is so much better than the studio efforts that I'm seeing him in a whole new light now.To me, Burnside On Burnside sounds like a dial turned halfway between Mississippi Fred McDowell and Hound Dog Taylor (another great bluesman who was much, much better live than in the studio). R.L. sounds more comfortable going electric than Fred ever did, but there's a lot more of the Delta Blues sound than the South Side Chicago-electric 'Dog. If Fred had taken the sidemen from the "I Do Not Play No Rock & Roll" sessions on an extended tour up North, he might have sounded like this by the time he got back.There is so little out there that treads the line betwen these two seminal styles, that this is really a must-buy for anyone who is fond of both Delta and Chicago blues."