Violin Concerto No. 2 In G Minor, Op. 63: Allegro moderato
Violin Concerto No. 2 In G Minor, Op. 63: Andante assai
Violin Concerto No. 2 In G Minor, Op. 63: Allegro ben marcato
Violin Concerto No. 2 In C Sharp Minor, Op. 129: Moderato
Violin Concerto No. 2 In C Sharp Minor, Op. 129: Adagio
Violin Concerto No. 2 In C Sharp Minor, Op. 129: Adagio - Allegro
Maxim Vengerov's splendiferous Strad pours reedy-rich tones from its lower register and sings the sweetest high notes this side of Jascha Heifetz, without the least hint of an undesirable sound or mistuned note. Vengerov... more »'s impeccable technique and mature musicianship consistently place him at the top of today's young generation of violinists. Here he plumbs Prokofiev's emotionally charged concerto and finds its unadorned essence--especially memorable in the sensuous slow movement and the exuberant finale. The Shostakovich benefits from a confident, commanding style that leaves us utterly convinced that this lesser-known concerto is a work of far greater substance than we thought. As conductor, Mstislav Rostropovich's knowing hand is everywhere, helping to bring home the penetrating drama of these works by two of his former teachers. While the sound is not as vibrant and balanced as we would like, its center-stage placement of Vengerov and his violin is a feature we can't help but applaud. --David Vernier« less
Maxim Vengerov's splendiferous Strad pours reedy-rich tones from its lower register and sings the sweetest high notes this side of Jascha Heifetz, without the least hint of an undesirable sound or mistuned note. Vengerov's impeccable technique and mature musicianship consistently place him at the top of today's young generation of violinists. Here he plumbs Prokofiev's emotionally charged concerto and finds its unadorned essence--especially memorable in the sensuous slow movement and the exuberant finale. The Shostakovich benefits from a confident, commanding style that leaves us utterly convinced that this lesser-known concerto is a work of far greater substance than we thought. As conductor, Mstislav Rostropovich's knowing hand is everywhere, helping to bring home the penetrating drama of these works by two of his former teachers. While the sound is not as vibrant and balanced as we would like, its center-stage placement of Vengerov and his violin is a feature we can't help but applaud. --David Vernier
Another magnificent recording from the young Vengerov.
12/11/1999
(5 out of 5 stars)
"WOW! I must start by saying i own atleast eight recordings of this peice and i must say that i like this one the most out of all the rest.To perform this music well, one must have an uncontrollable passion for it and Vengerov exeeds all standards of uncontrollable passion. Generally my favorite voilinist is David Oistrakh but when i had to compare which recording i liked better, i had to chose the Vengerov recording, conducted by one of OIstrakh's own collegues, Rostropovich himself.What makes this recording stand out is the texture that the passion produces between the orchestra and the violin. It produces a distinktly Russian sound unparalelled by any other recording i know of. I hardely recommend this recording to all music lovers!"
Passionate, committed performances
Stephen O. Murray | San Francisco, CA USA | 06/04/2000
(5 out of 5 stars)
"As a mediocore violinst who recognized the best, I grew up enthralled with the Heifetz recording of the Prokofiev 2nd. Vengerov doesn't make me forget Heifetz, but recording technology has improved, and Vengerov plays both concerti with disciplined passon and a technique in Heifetz's league (which is to say Godlike!).
I also think the Prokofiev 2nd is one of the three great 20th century violin concerti (with Sibelius and Berg). The Shostakovich 2nd has its moments, but is inferior to the Shostakovich 1st (and even that's an uneven work). The pairing is interesting, but even the commitment of Vengerov and Rostropovich to making a case for the Shostakovich does not fully succeed in my view."
A lyrical, un-Russian approach
Santa Fe Listener | Santa Fe, NM USA | 10/06/2005
(5 out of 5 stars)
"Anyone familiar with the playing styles of Oistrakh, Kogan, and more recent emigrees like Rapin, Spivakov, and Rachlin will instantly hear that Vengerov is not giving a typical Russian reading on this CD. His playing is not aggressive, he doesn't aim for a fat tone in every bar, and he exchanges virtuosic extroversion for inward, lyrical playing as often as not. The Shostakovich and Prokofiev concerti are usually turned into showpieces, whereas on this CD they become personal expressions.
That's really my only comment. The other reviewers have already praised Vengerov's playing. He is in a league ahead of Rostropovich, who is an effective but not inspired conductor. Together, they tame the biting contrasts often brought out in the first movement of the Prokofiev Second, and although Rostropovich can be a bit slack at times--no worse than Previn in the Prokofiev works, however--Vengerov triumphs in every respect. (If only the last movement of the Prokofiev wasn't such a slow poke.)
My remarks apply mostly to the popular Prokofiev Second; the Shostakovich Second has largely fallen out of the repertoire, being a bit too austere, aggressive, and melodically indifferent to capture audience approval, in the West, at least.
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Two Wondrous Works of the Violin Concerto Repertoire
Grady Harp | Los Angeles, CA United States | 02/23/2005
(5 out of 5 stars)
"There is something very grand about the collaboration between Maxim Vengerov and Mstislav Rostropovich captured by Teldec on this CD, a fine and even more distinctive pairing of concerti than their previous disc (Violin Concerti Nos. 1 by Prokofiev and Shostakovich). Though Rostropovich began his performing life as a cellist, he now is much sought after as a conductor. But perhaps by his beginning his career as a soloist he has this special affinity in collaboration as an accompanist for other soloists!
It would be difficult to imagine more brilliant readings of these two concerti (each No. 2 in the respective composer's catalogues). Vengerov plays with sparkling precision on the fiery movements, but seems to blossom with the slow movements, music that conveys so much of the Russian soul that the beauty here is nearly unbearable. Rostropovich makes a sensitive collaborator, drawing empathetic phrasing from the London Symphony Orchestra.
Another factor that lends to the success of this CD is the quality of sound produced by the technical wizardry of Teldec engineers. The violin is never too far forward in the miking and especially in the Shostakovich the soloist deems to come form the middle of the orchestral sound.
In all this recording is the gold standard for these appropriately paired concerti.. Highly recommended. Grady Harp, February 2005"