Act One, Scene One: Introd/Jasbo Brown Blues - Cleveland Chor/Joela Jones
Act One, Scene One: Summertime/Oh, nobody knows when the Laws is goin' to call... - Barbara Hendricks/James Vincent Pickens/Samuel Hagan
Act One, Scene One: A woman is a sometime thing (Lissen to yo' daddy warn you) - Arthur Thompson
Act One, Scene One: Here come de honey man - William Brown/Arthur Thompson
Act One, Scene One: They pass by singin'/Here comes Big Boy!/Don't you ever let a woman grieve you - Willard White/James Vincent Pickens
Act One, Scene One: Oh, little stars/Touch that money an' meet yo' Gawd! - Willard White/McHenry Boatwright
Act One, Scene One: Wake up an' hit it out/That you, Sportin' Life? - Leona Mitchell
Act One, Scene Two: Gone, gone, gone (Where is brudder Robins?) - Barbara Conrad
Act One, Scene Two: Overflow, overflow/Gawd got plenty of money for de saucer - Barbara Conrad/Florence Quivar/Cleveland Chor/Willard White
Act One, Scene Two: Um! A saucer-burial setup, I see - Robert Snook
Act One, Scene Two: My man's gone now/How de saucer stan' now, my sister? - Florence Quivar/James Vincent Pickens
Act One, Scene Two: Headin' for the Promis' Lan' (Oh, the train is at the station) - Leona Mitchell
Track Listings (15) - Disc #2
Act Two, Scene One: It takes a long pull to get there (Oh, I'm agoin' out to the Blackfish banks) - Arthur Thompson
Act Two, Scene One: Oh, I got plenty o' nuttin'/Lissen there, what I tells you - Willard White/Barbara Conrad
Act Two, Scene One: I hates yo' struttin style/Mornin', Lawyer, lookin' for somebody?... - Barbara Conrad/Donald Zucca
Act Two, Scene One: Buzzard Song (Look out, dat's a buzzard!)/Lo, Bess, goin' to picnic? - Willard White/Francois Clemmmons
Act Two, Scene One: Bess, you is my woman now - Willard White
Act Two, Scene One: Oh, I can't sit down - Willard White/Leona Mitchell/Cleveland Chor
Act Two, Scene Two: I ain't got no shame - Willard White/Leona Mitchell/McHenry Boattwright/Florence Quivar/Barbara Hendricks...
Act Two, Scene Two: It ain't necessarily so/Shame on all you sinners/Bess!...Crown!... - Francois Clemmons/Florence Quivar/McHenry Boatwright/Leona Mitchell
Act Two, Scene Two: Oh...What you want wid Bess? - Leona Mitchell
Act Two, Scene Three: Honey, dat's all de breakfast I got time for/Take yo' han's off me, I say - Arthur Thompson/Leona Mitchell
Act Two, Scene Three: Oh, doctor Jesus - Florence Quivar
Act Two, Scene Three: Oh dey's so fresh an' fine/I'm talkin' about devil crabs - Barbara Conrad/Samuel Hagan
Act Two, Scene Three: Porgy, Porgy, dat you there - Leona Mitchell
Act Two, Scene Three: I loves you, Porgy - Leona Mitchell
Act Two, Scene Three: Why you been out on that wharf - Barbara Conrad
Track Listings (15) - Disc #3
Act Two, Scene Four: Oh, Doctor Jesus - Alpha Floyd/Isola Jones/Barbara Conrad/William Brown/James Vincent Pickens/Christopher Deane
Act Two, Scene Four: Oh, de Lawd shake de Heavens/One of dese mornings you goin' to rise up singin' - Willard White/Leona Mitchell/McHenry Boattwright/Florence Quivar/Barbara Hendricks...
Act Two, Scene Four: Oh, dere's somebody knockin' at de do'/You is a nice parcel of Christians... - Willard White/Leona Mitchell/McHenry Boattwright/Florence Quivar/Barbara Hendricks...
Act Two, Scene Four: A red-headed woman/Jake's boat in de river/Oh, Doctor Jesus - McHenry Boatwright/Leona Mitchell/Sextet
Act Three, Scene One: Clara, Clara, don't you be downhearted/Crown, Crown, don't you.../Summertime - Cleavland Chor/Leona Mitchell
Act Three, Scene One: Interlude (Death of Crown) - Willard White
Act Three, Scene Two: Intro/Wait for us at the corner, Al/What is your name? - Robert Snook/Alan Leatherman
Act Three, Scene Two: You've got to go, Porgy/Oh, Gawd! They goin' make him look - Leona Mitchell/Francois Clemmons
Act Three, Scene Two: There's a boat dat's leavin' - Francois Clemmons
Act Three, Scene Three: Intro - Cleveland Orch/Lorin Maazel
Act Three, Scene Three: Good mornin', sistuh!/Thank Gawd I's home again! - Sam Hagen/Willard White
Act Three, Scene Three: Dem white folks sure ain't put nuthin' - Willard White
Act Three, Scene Three: Oh, Bess, oh where's my Bess - Willard White
Act Three, Scene Three: Bess is gone - Isola Jones
Act Three, Scene Three: Oh Lawd, I'm on my way - Willard White
"Have had this for years on LP and am astonished to learn that it's not in stock on CD. For Gershwin fans it's a "must own", in my opinion the best Porgy & Bess ever recorded. It's the full score, apparently the first ever, and some of the greatest music in the opera is not familiar. Please Amazon.com - tell me it's now on CD and you will ship it to me. PLEASE!"
Lackluster Porgy
CD Maniac | Nashville, TN | 03/03/2006
(3 out of 5 stars)
"This CD was the first to present all 3 hours of music that Gershwin wrote for "Porgy and Bess", and it claims that this is how Gershwin intended it to be performed. However, this is not the truth.
Gershwin always worked on his music in rehearsals to make it better, and Porgy and Bess was not different. He made many cuts, changes and additions to his score before the final 1935 version his Broadway, whittling down the music to jsut 2 hours and 20 minutes. What resulted was a much tighter story, dramatically.
It is definitely interesting to hear all 3 hours (best not taken all at one time). However, Maazel is not likely to be remembered as a great Gershwin conductor.
The other main drawback is the Cleveland Orchestra Chorus--they are totally out of place on this recording, singing as if they were singing a Bach Cantata. They do not capture the jazz style, or the singing style that is required."
EXCELLENT
KNOW WHAT I AM TALKING ABOUT | SCOTTS VALLEY, CA USA | 12/22/2006
(5 out of 5 stars)
"Having listened to and been at many performances of Porgy and Bess, this really is the best recording.
The voices, the caricatures of the characters sparkle. The music comes alive. The conductor, solo artists and chorus shine.
As far as CD MANIAC is concerned, I don't think there is an understanding that the performance was to have been as a true, full-blown opera performed to the extent of Carmen or La Boheme. I think this is where the mis-understanding.
Gershwin, being that absolute genius he was, shows categorically in this performance that his "folk" opera could dazzle as well as any other in the showcase of "traditional" operas. So what a composer, what a piece!
That is the whole point to this recording.
Shame on CD MANIAC.
"
My favorite P & B!
marknyc | 07/04/2007
(5 out of 5 stars)
"I've heard many versions of this work, but this Grammy-award winning recording (1976 Best Opera Recording) stands out as having the best performances. Francois Clemens (from Mister Rogers' Neighborhood!) shows some real chops as Sportin' Life (hitting all the high notes), and Florence Quivar sings the BEST "My Man's Gone Now" ever recorded, not being afraid to drop to her chest voice for intense dramatic effect. Maazel brings out all the sparkle in Gershwin's long orchestral sequences.
I've had this on LP for years, and finally found a used library CD. It's the only Porgy I can really listen to - the others pale in comparison."