"This CD, containing a selection of 12th century French church choral music, is a good buy. The general style of the music is similar to that of the recently popular Gregorian chants, but with a greater variety of arrangements. The recording includes works for choir, solo voice and duets (all male), and solo organ. The recording is clear and crisp and the program notes are informative. The Latin text of the music is translated in the notes, however the translation is in French."
Captivating Tunes
Michael A. Brennan | Chicago, IL | 10/31/2006
(4 out of 5 stars)
"Astounding harmonies, hypnotic, restful, great echo. I bought this as part of a boxed set and found myself listening to "Aquitane" to the exclusion of the other material. There is something comforting and familiar and strangely accessible. The fourth hymn, "O Primus Homo Coruit," has a particularly appealing melody and engages the mystical in a way comparable to gazing at an elaborate stained glass window. "Jube Domine, Puis Lecture: Primo Tempore" will remind some of the scene in Monty Python & the Holy Grail when the monks chant and strike themselves with their Bibles. I like the first five selections best. Often play as I drift off to sleep."
Three Used Copies at Scalper's Prices!
Giordano Bruno | Wherever I am, I am. | 08/25/2008
(5 out of 5 stars)
"The repertory of liturgical chants from St. Martial de Limoges is especially important in the history of European music, representing the precise birth moment of polyphony and all subsequent harmonic and structural development. This CD is the very best performance of the stuff ever made, with vocal superstars Gerard Lesne and Dominique Vellard participating. But why say more? It's unavailable. Rats! Check your local library or borrow it from a friend."
Great interpretation
Alexander Mendez | South Pasadena, CA United States | 08/07/2008
(5 out of 5 stars)
"I really like this recording. I am not an expert in Early Music, but I do remember being introduced to it in an old recording of Perotin. The music sounded so unusual, mystical and masculine that I just loved it. Upon looking at newer recordings they just didn't seem to have that sense of masculine mysticism. The interpretation style is usually very fluid and slow and seems to not accent what I think early polyphony is built upon---parallel lines of fourths or fifths which give me a sensation of otherworldliness. This recording, however, has a sense of sacred power and mysticism that is created by those fifths, rich masculine voices and a tempo that is not too slow. The voices are great and the higher voice is taken up not by a woman, but by Gerard Lesne, a fabulous countertenor with a very rich voice, not thin and weak at all. I can really see how knights, princes and monks would listen to this. If they sang this at church I would probably go everyday."