Without You I'm Nothing (Featuring David Bowie) [*]
I Feel You [*] - Placebo, Martin Lee Gore
The London-based trio Placebo carries on the modern-rock banner with this third collection of glam-influenced guitar pop. Black Market Music may not contain anything as immediately catchy as Without You I'm Nothing's "Pure... more » Morning," but the dark hooks of "Taste in Men," "Special K," and "Slave to the Wage," with its Pavement sample, sink in deep after just a few listens. "Spite and Malice," featuring a guest turn from One Inch Punch rapper Justin Warfield, is a surprisingly successful marriage of Britpop and hip-hop, while the moody drone of "Passive Aggressive" showcases the band's more reflective side. And while songs about tumors and hemoglobin threaten to close the album on a lyrically bleak note, two bonus cuts change the mood: a reprise of Without You I'm Nothing's title track with Brian Molko's hero David Bowie joining in on vocals, and a cover of Depeche Mode's "I Feel You." Black Market Music isn't exactly the feel-good album of 2001, but it gives hope to those who still have faith in the future of Britpop. --Bill Forman« less
The London-based trio Placebo carries on the modern-rock banner with this third collection of glam-influenced guitar pop. Black Market Music may not contain anything as immediately catchy as Without You I'm Nothing's "Pure Morning," but the dark hooks of "Taste in Men," "Special K," and "Slave to the Wage," with its Pavement sample, sink in deep after just a few listens. "Spite and Malice," featuring a guest turn from One Inch Punch rapper Justin Warfield, is a surprisingly successful marriage of Britpop and hip-hop, while the moody drone of "Passive Aggressive" showcases the band's more reflective side. And while songs about tumors and hemoglobin threaten to close the album on a lyrically bleak note, two bonus cuts change the mood: a reprise of Without You I'm Nothing's title track with Brian Molko's hero David Bowie joining in on vocals, and a cover of Depeche Mode's "I Feel You." Black Market Music isn't exactly the feel-good album of 2001, but it gives hope to those who still have faith in the future of Britpop. --Bill Forman
"Placebo's Black Market Music is an album that you can listen to from start to finish and never have to skip a song. The flow of the album always keeps the listener interested, each song having its own unique message and sound. If you are a fan of unique distortion, this is an album for you.
Brian Molko's voice is unlike anyone I've heard before. He entrances his audience with his jaded lyrics and melodic voice. His songs are about drugs, depression, and distorted love. The song "Commercial for Levi" is my personal favorite on the album, it is a excellent demonstration of Molko's soothing voice and eccentric lyrics: "You're the one who's always choking Trojan, you're the one who's always bruised and broken, drunk on immorality, valium and cherry wine, coke and ecstasy, you're gonna blow your mind."
"Spite & Malice" is a rap/rock song, Placebo brings in Justin Warfield a rapper from One Inch Punch to experiment with different sounds. "Spite & Malice" is a song which uses a card game as a metaphor for life. "You look well suited like you came to win. Lust, spite and malice, your degrees of sin."
"I was never faithful and I was never one to trust. Borderlining schizo and guaranteed to cause a fuss." This line from "Black-eyed" is my favorite Placebo lyric. Molko shows his peculiar personality in this song. In the song "Blue American," you hear the dark side of Molko's voice. A slightly annoying, yet intense song, "Haemoglobin" is an important addition to the album. "Special K" is a fusion of sex and drugs, the distortion in this song is brilliant. The album opens with "Taste in Men," where Molko serenades to a lost love: "Come back to me a while, change your taste in men." The guitar riffs on "Days Before You Came" are awesome.
Overall, Black Market Music is Placebo at their best and I recommend this album to anyone who loves a mixture of grunge and emo rock."
A respectable and lovable effort.
Matt Marx | Mount Kisco, NY USA | 05/21/2001
(4 out of 5 stars)
"After Placebo's second album, 1998's Without You I'm Nothing, exceeded their 1996 self-titled debut in maturity and song craftsmanship, fans of the band expected this highly-anticipated album to take another giant leap in the band's repertoire. Opinions will inevitably vary, but how much you enjoy this album (and how much of it you enjoy) all depends on what kind of sound you'd like to hear from Placebo. Those who enjoy the faster, higher-pitched, guitar-driven music (think of a young Smashing Pumpkins), as was mostly found on their self-titled debut and maaaybe occasionally on Without You I'm Nothing, will take a liking to "Days Before You Came" and "Spite & Malice".The most commonly heard style on this album is the somewhat-energetic, often fast-paced glam-rock that was introduced (and used frequently) on Without You I'm Nothing. Key examples are "Special K", "Slave To The Wage", and "Commercial For Levi." These songs are upbeat, but don't expect them to get cheery. Nosiree.Fans of Placebo's darkly mature, downtempo gloom ballads (kudos to Radiohead), that were quite frequent on Without You I'm Nothing, will find something to sway and shed a tear to in "Passive Agressive", "Blue American", and "Narcoleptic".Lastly, on this album, the band introduces a listen of heavier, harder alt-glam with a sprinkle of industrial and techno on top, as is heard on "Taste In Men" (the album's first single), and "Haemoglobin".Overall, Placebo fans will thoroughly enjoy Black Market Music, regardless of what style of the band's previous work they enjoy. However, the album gives several nods (and even a few headbangs) to a faster, more energetic sound, rather than a surplus of Without You I'm Nothing's dark atmospherics or the self-titled's constant adrenaline rushes.Those who hope that Black Market Music will entirely overwhelm Without You I'm Nothing will be a tad disappointed, but still impressed by what this album has to offer. I consider it very much worth the buy, and don't be fooled by a first listen. It grows on you rapidly."
Heavier, nastier
alexliamw | Oxford | 10/01/2001
(5 out of 5 stars)
"Placebo have forever been trapped between britpop and punk: no-one was ever quite sure which way they leaned. On third album 'Black Market Music' the take a step towards the heavier side.'Taste In Men' was perhaps not the best choice for first single, with its groove-based chilling rock, but its a good song, the softer 'Slave To The Wage' sounds quite a bit like a standard Placebo single whilst 'Special K' is an infectious, heavy, storming punk number with an unbelievably fast chorus and some nifty guitar work.Elsewhere 'Spite + Malice' is an excellent injection of rap into Placebo's Britpunk, 'Days Before You Came' is a less infectious version of Special K, 'Passive Agressive' finds them in a some introspective mood and 'Blue American' and 'Commercial For Levi' are scarily assured in their quiet music while the lyrics strike deep into the heart. Drugs is a them Placebo continuously hit, and the two songs which are entirely about them on the album are 'Special K' and 'Commercial For Levi'. Whilst Special K is a standard 'this is how it feels' song, Commercial For Levi finds them for the first time questioning drugs, and pleading for the user to stop (I understand the fascination/I've ever been there once or twice or more/But if you don't change your situation/Then you'll die, you'll die, you'll die, don't die/Please don't die).Haemoglobin is another good alt-rock number with the album's trademark guitars, an finally Peeping Tom is heartbreaking and doubtless the album's best lyrics, finishing with the empty chorus I'm weightless/I'm bare/I'm faithless/I'm scared. As an album closer, it sets the album's tone as thoroughly bleak.Black Market Music may not be your party album (although Taste In Men has a groove you could dance to and Special K is postively euphoric) but it certainly serves as excellent material for your misunderstood teen, with some great tunes along the way."
Best Album You've Never Heard
JOHN VAN OMMEN | Tacoma, WA United States | 05/28/2004
(5 out of 5 stars)
"Placebo had a big single years ago with "Pure Morning", but refused to become a one-hit wonder. This album is one of those CDs you'll be playing for the next two years, simultaneously catchy and insightful. Despite their dark image, this album is surprising accessible. Highly Recommended."
Change Your Taste In Music!
zorak163 | Ann Arbor, MI | 05/08/2001
(4 out of 5 stars)
"Long time Placebo fans will adore this album and have no reason to read further. It's for those of you who haven't discovered Placebo that I am writing this review. Having been skeptical of the band for a long time and only recently coming to realize just how talented and fun this band truly is, I know how easy it could be to dismiss them based on the few songs that have actually been given airplay in the US. Don't do it, though. This album, like their others, is full of raw emotion and deceptively simple yet intricately layered alternative rock. The faster moments hit hard and will leave you struggling against the impulse to tap your foot if you are in public. The slower songs are equally pleasing and you will find them stuck in your head again and again. Once you get used to Brian Molko's (the lead singer and guitarist) slight enunciation problem you will undoubtedly find yourself singing along constantly. The only thing that keeps this album down is the inclusion of rap in Spite and Malice. While some might enjoy this, I am not one of them. Also, while it's nice to see a band with a conscience I really could have done without some of the political stuff. Regardless, though, even the songs that are weaker are worth listening to (well, maybe not Spite and Malice). If you get a chance to see them live (they are currently touring the US) then I encourage you to as I discovered a new found appreciation for this album after hearing several of it's tracks live and now I enjoy it even more than before. Bottom line, while not perfect, this is an immensely enjoyable listening experience. You won't regret it."