Best damned acid jazz around
08/25/1999
(5 out of 5 stars)
"I have heard countless pitiful excuses for acid jazz of people stealing drum and horn tracks and throwing them together, but nothing has been like Pimp Daddy Nash. Nash doesent slack off with his music, he gets multiple loops of horns, base drums/symbols and vocal tracks that always keep the music jamming."
Niiiiiice
N. Fisher | East Coast United States | 12/31/2002
(4 out of 5 stars)
"I picked this cd up after a brief listen over the tracks. Upon listening, I was very glad to find that the music twisted together the rythm and solid breakbeats of jazz with the off color synthetic taste of modern electronics. Jazzy without sounding live, with electronic elements without sounding like a computer soundscape. The album grooves. I am self admittedly biased towards an albums beats, but this CD does not fail to satisfy. And along with the solid and interesting beats, there are some nice funky leads, and warm synth pads with scratching, odd vocal samples, twips, blings, beeps, rumbling basslines and twittering snares. It's a nice amalgamation of electronic mindset and 'live' instrumentation."
Clean, Contemporary mix of Jazz, Tech, Modern
N. Fisher | 02/26/1999
(5 out of 5 stars)
"In the Acid-Jazz genre this CD plays clean and modern. Not space-music, or techno, or over-sampled, but clean modern Acid-Jazz that moves. Definately one of the best in this style range"