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Pieces From the Past: By Philip Corner for the Violin of Malcolm Goldstein
Philip Corner, None, Malcolm Goldstein
Pieces From the Past: By Philip Corner for the Violin of Malcolm Goldstein
Genre: Special Interest
 
  •  Track Listings (5) - Disc #1

It has been a while in the works, but finally Pogus can proudly announce the release of this wonderful disc. Five works spanning 30 plus years by experimental composer Philip Corner, interpreted by his friend and fellow co...  more »

     

CD Details

All Artists: Philip Corner, None, Malcolm Goldstein
Title: Pieces From the Past: By Philip Corner for the Violin of Malcolm Goldstein
Members Wishing: 0
Total Copies: 0
Label: Pogus
Original Release Date: 1/1/2011
Re-Release Date: 6/10/2011
Genre: Special Interest
Style: Experimental Music
Number of Discs: 1
SwapaCD Credits: 1
UPC: 760342105824

Synopsis

Product Description
It has been a while in the works, but finally Pogus can proudly announce the release of this wonderful disc. Five works spanning 30 plus years by experimental composer Philip Corner, interpreted by his friend and fellow composer and utterly amazing violinist Malcolm Goldstein. These works consist of early pieces with notes (!) though not notated in the traditional, linear way, as well as later pieces with graphic and/or verbal notation as with the gamelan series. And the graphically notated scores themselves are quite lovely. As noted above, four of the works are from live performances and they are must hears (as of course is the fifth recording The Gold Stone taken from the out of print Sounding the New Violin by Goldstein. The interpretation/performances are intense and magical and should be savored. The long friendship and working relationship of these two are probably best summed up by Goldstein: I have had the pleasure & honor of playing Philip's music since the early 1960's.... Always his music opened up new dimensions for me; compositional structures that incorporated a variety of improvisation frameworks, with sonic materials that focused the performer within the full spectrum of sound-texture qualities, that invited the musician to participate in the realization of the music and revealed unique realms of music making/thinking. Amen to that.