Piano Trio No. 2 in F, Op. 80: II. Mit innigem Audruck
Piano Trio No. 2 in F, Op. 80: III. In mässiger Bewegung
Piano Trio No. 2 in F, Op. 80: IV. Nicht zu rasch
Kinderszenen, Op. 15: No. 1, Von fremden Ländern und Menschen
Kinderszenen, Op. 15: No. 2, Kuriose Geschichte
Kinderszenen, Op. 15: No. 3, Hasche-Mann
Kinderszenen, Op. 15: No. 4, Bittendes Kind
Kinderszenen, Op. 15: No. 5, Glückes Genug
Kinderszenen, Op. 15: No. 6, Wichtige Begebenheit
Kinderszenen, Op. 15: No. 7, Träumerei
Kinderszenen, Op. 15: No. 8, Am Kamin
Kinderszenen, Op. 15: No. 9, Ritter vom Steckenpferd
Kinderszenen, Op. 15: No. 10, Fast zu ernst
Kinderszenen, Op. 15: No. 11, Fürchtenmachen
Kinderszenen, Op. 15: No. 12, Kind im Einschlummern
Kinderszenen, Op. 15: No. 13, Der Dichter spricht
Piano Quartet in E-flat, Op. 47: I.Sostenuto assai - Allegro ma non troppo
Piano Quartet in E-flat, Op. 47: II. Scherzo. Molto vivace - Trio
Piano Quartet in E-flat, Op. 47: III. Andante cantabile
Piano Quartet in E-flat, Op. 47: IV. Finale. Vivace
The Benvenue Fortepiano Trio s acclaimed accounts of Schumann s First and Third Piano Trios opened the ears of chamber music devotees with the crystalline textures of its period instruments and the drawing-room intimacy of... more » its interpretations. Anchored by the enterprising violinist Monica Huggett, who has produced numerous chart-topping recordings and a Grammy® nomination for Avie Records, the Trio completes Schumann s canon for the genre, complimenting the Second Trio with the Piano Quartet and casting the spotlight on Eric Zivian and his mellifluous 1841 instrument with his rendition of Schumann s beloved Kinderszenen.« less
The Benvenue Fortepiano Trio s acclaimed accounts of Schumann s First and Third Piano Trios opened the ears of chamber music devotees with the crystalline textures of its period instruments and the drawing-room intimacy of its interpretations. Anchored by the enterprising violinist Monica Huggett, who has produced numerous chart-topping recordings and a Grammy® nomination for Avie Records, the Trio completes Schumann s canon for the genre, complimenting the Second Trio with the Piano Quartet and casting the spotlight on Eric Zivian and his mellifluous 1841 instrument with his rendition of Schumann s beloved Kinderszenen.