"I won't comment on the musicianship of these performances, which I cannot find words to paise. I'd just like to comment that hearing this music on a pianoforte is a revelation! The effects produced carry *meaning*, it really makes a difference. On a modern piano, the sound is of course more lush, but expressiveness suffers. (I guess one corollary is that Schubert would have written differently if in possession of a today's piano.)"
Deja-vu
John Whiting | London | 08/24/2005
(5 out of 5 stars)
"Over three decades ago I heard Paul Badura-Skoda perform the Schubert piano sonatas in a series of concerts in the Queen Elizabeth Hall, London. At the same time he gave intimate lecture-recitals in the much smaller Purcell Room, in which he discussed many of the works, playing illustrations, and then performing the movement in its entirety. At the time my wife and I often slightly preferred the performances he gave in the smaller space.
Some years later I bought the complete RCA set and prized them highly. Just this month I have finally found (through Amazon) a set of his later fortepiano recordings, sadly OP. I find to my eternal joy that they are more like those Purcell Room lecture performances. In the slow movements there is the intimacy, the introspection which must have charactarized the composer's own salon performances to a circle of his friends. Today these sonatas virtually belong to Badura Skoda--it is as if, for a time, he had become Schubert himself.
Watch for another set to appear and grab it when you can."