Son in E Flat, Hob. XVI:45: 3. Finale: Allegro Di Molto
Track Listings (14) - Disc #2
Son in A, Hob. XVI:46: 1. Allegro Moderato
Son in A, Hob. XVI:46: 2. Adagio
Son in A, Hob. XVI:46: 3. Finale. Presto
Son in D, Hob. XVII:D1: 1. Thema (Moderato MIt Drei Variationen)
Son in D, Hob. XVII:D1: 2. Menuet
Son in D, Hob. XVII:D1: 3. Finale. (Allegro)
Son in F, Hob. XVI:47: 1. Moderato
Son in F, Hob. XVI:47: 2. Larghetto
Son in F, Hob. XVI:47: 3. Allegro
Son in C, Hob. XVI:48: 1. Andante Con Espressione
Son in C, Hob. XVI:48: 2. Rondo. Presto
Son in E Flat, Hob. XVI:49: 1. Allegro
Son in E Flat, Hob. XVI:49: 2. Adagio Cantabile
Son in E Flat, Hob. XVI:49: 3. Finale. Tempo Di Minuetto
Track Listings (10) - Disc #3
Son in E Flat, Hob. Deest: 1. Allegro
Son in E Flat, Hob. Deest: 2. Menuetto
Son in C, Hob. XVI:50: 1. Allegro
Son in C, Hob. XVI:50: 2. Adagio
Son in C, Hob. XVI:50: 3. Allegro Molto
Son in D, Hob. XVI:51: 1. Andante
Son in D, Hob. XVI:51: 2. Finale. Presto
Son in E Flat, XVI:52: 1. Allegro (Moderato)
Son in E Flat, XVI:52: 2. Adagio
Son in E Flat, XVI:52: 3. Finale. Presto
Now we've gotten into the prime masterpieces among Haydn's piano sonatas. Those six final sonatas, written in England (numbered 47-52 here, but actually 57-62), carry Haydn's highest level of inspiration through every m... more »easure. Recordings of these works are somewhat more common than those of Haydn's earlier sonatas, but they're still not found every day on concert programs or celebrity pianists' CDs. All praise to Walter Olbertz, who plays every one of them with intelligence, feeling, and wit. We are lucky that this obscure series has been rescued from East German LPs, because the recordings still sound fine and the performances are deeply satisfying. --Leslie Gerber« less
Now we've gotten into the prime masterpieces among Haydn's piano sonatas. Those six final sonatas, written in England (numbered 47-52 here, but actually 57-62), carry Haydn's highest level of inspiration through every measure. Recordings of these works are somewhat more common than those of Haydn's earlier sonatas, but they're still not found every day on concert programs or celebrity pianists' CDs. All praise to Walter Olbertz, who plays every one of them with intelligence, feeling, and wit. We are lucky that this obscure series has been rescued from East German LPs, because the recordings still sound fine and the performances are deeply satisfying. --Leslie Gerber