Sébastien Melmoth | Hôtel d'Alsace, PARIS | 09/02/2007
(5 out of 5 stars)
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I am extremely pleased to share my immense enthusiasm for Dr. Watchorn's scintillating traversal of old Bach's WTC Book 1: highly recommended!
Dr. Watchorn performs on a mammoth pedal-harpsichord which is tuned according to the latest historical research and theory. The recording is well miked.
But what is truly thrilling about this session are Dr. Watchorn's insight and readings here: he sounds like the best possible combination of E. Power Biggs and Glenn Gould.
And by the way, Book 1 of the WTC contains unusual, eccentric, and rare art from the high-watermark of Bach's career. Book 2 also has some great pieces, but generally speaking, most of them are more uniform in character--(the same parallel goes for the French Suites as compared with the English Suites: the French Suites are most exceptional; the English, more uniform).
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WTC at its best
jay mullin | Harwich, MA United States | 05/09/2007
(5 out of 5 stars)
"This has to be about the best performance of the WTC; the harpsichord tuning of Bach gives it a brilliance and sheen and richness that is absent in other performances. The ambience of the building enhances the recording. When I close my eyes and listen, it feels like I'm in the Thomaskircke, listening to Bach himself. I can't wait for Book II."
Beautiful but geez, people
Colin Creitz | Silicon Valley, CA, USA | 04/20/2010
(4 out of 5 stars)
"First, a warning: If you find wide use of tempo rubato to be a precious affectation, you're not going to like this recording. Watchorn has no reservations about the technique. I found it somewhat distracting myself, but I know that there are those who can't stand it even one little bit, especially in their Bach. They'll want to find another recording.
Second, another warning: If for whatever reason you dislike highly-ornamented performances, again, this album is not for you. Watchorn has no qualms about decorating right in the center of the room (for example, the confusingly-ornamented closing note of the c-minor fugue, which mars an otherwise crystalline performance).
But all that is a question of taste. This is an excellent recording of a virtuoso performance, even if it's not, to this listener's ears, the perfect gem the earlier reviews would indicate."