Track Listings (9) - Disc #1| All Artists: Peter Kater Title: Faces of the Sun Members Wishing: 0 Total Copies: 0 Label: Silver Wave Original Release Date: 1/1/2007 Re-Release Date: 7/31/2007 Genres: International Music, New Age, Pop Styles: Meditation, Instrumental Number of Discs: 1 SwapaCD Credits: 1 UPC: 021585094727 |
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Search - Peter Kater :: Faces of the Sun
 | Peter Kater Faces of the Sun Genres: International Music, New Age, Pop
Pianist Peter Kater was among the first to bring Native American flutes into contemporary music, and his recordings with R. Carlos Nakai remain pioneering examples of Native American chamber music. Faces of the Sun finds K... more » |
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Amazon.com Pianist Peter Kater was among the first to bring Native American flutes into contemporary music, and his recordings with R. Carlos Nakai remain pioneering examples of Native American chamber music. Faces of the Sun finds Kater in familiar terrain, matched with a clutch of Native players, mostly flutists, on every track. Kater takes these often simple, emotionally direct performances and maps them onto cinematic grandeur and smooth rhythms. You can hear the voice of every player on these songs as the basis for Kater's inspiration. Flutist Joseph Fire Crow and violinist Arvel Bird charge Kater toward an anthemic march on "Rite of Passage," and Bill Miller's multitracked vocal choir interspersed with his powwow cries reaches a certain hymnal spirit on the title track. But Kater undermines many of these moments with uncharacteristically rhapsodic piano accompaniment, rote rhythm loops, and swaddling strings. Artists like Native fusionist Mary Youngblood and Kevin Locke, the most traditional player on the album, get a smooth-jazz shellacking with snappy grooves and strings that swamp them in their backwash. Kater took a similar approach on his Red Moon album a few years back, but the slightly moodier, darker sound of that disc was just enough to keep it from the easy-listening, smooth-jazz sensibilities that threaten to eclipse Faces in the Sun at every turn. --John Diliberto Similarly Requested CDs
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CD ReviewsKater's expressive music is smooth, sublime and soothing J. Ross | Roseburg, OR USA | 08/18/2007 (5 out of 5 stars) "Playing Tim e - 53:09 -- "Faces of the Sun" presents outstanding soundscapes written, arranged, engineered and mixed by creative and indefatigable Peter Kater. A savory Native American essence is captured in compositions spiced up with guest flutists, and "Changeless and Eternal" also evokes the same kind of stirring tang with violin and penny whistle. Born in Germany, Peter Kater has lived in New Jersey, Colorado and California since his move to the U.S. as a child. In 1983, Kater released his first album of piano solos ("Spirit"). That project and his subsequent forty albums with jazz, world and Native American flavorings have led to theater and film scoring projects (such as his recent "10 Questions for the Dalai Lama" on Silver Wave Records). "Faces of the Sun" nicely blends Kater's piano, synthesizer and percussion with haunting Native American flute, violin, penny whistle, oboe, bass, and cello. Depending on the track, the flute is played by Mary Youngblood, Kevin Locke, Douglas Blue Feather, Bill Miller, Jeff Ball, or Joseph Fire Crow. Offering melodic phrases with bountiful rewards, the other instrumental collaborators are Paul McCandless (oboe, penny whistle), Bill Miller (guitar), Arvel Bird (violin), Tony Levin (bass), Hans Christian (cello) and Mike Hamilton (guitar). The oboe, cello and violin make some particularly vivid musical conversations with the flute and keyboards. Two tracks ("Face of the Sun" and "Stone Teepees") include Bill Miller's enchanting vocals, with the title track having so much solarized energy that segments of the piece seem almost too vocally busy at times. `Stone Teepees" has a sparer arrangement and a concise, straight-forward message: "I hear the Thunder in the sky / So walk with me my Son / Walk with me my Son / For we shall ... never die." Kater is a perceptive composer whose musical insight appears inspired by wildlife (e.g. raven, hawk) and elements of the natural world (e.g. wind, sun, thunder, stone). Listeners are sure to react favorably to his exhilarating contemporary Native American music with new age sensibiities. From start to finish, "Faces of the Sun" is a production that plays out like a stage show with the voices of many actors. The countenance of Kater's expressive music is smooth, sublime and soothing. The faces encountered provide for the various instruments to make their own individual statements while accompanied by Kater's very full piano, synthesized and rhythmic sounds. (Joe Ross, Roseburg, OR.) " If this doesn't calm your mind, nothing will... Julio Punch | The Netherlands | 12/05/2008 (4 out of 5 stars) "Fans of Native American flute are in for a treat with this CD. Faces of the Sun hosts just about every Native American Flute player that has been of any importance during the last decade. With the exception of Carlos Nakai, with whom Peter Kater has already extensively collaborated. Kevin Locke, Jeff Ball and Mary Younblood are just a few of the top flutists that work alongside Peter Kater. I should mention as well that Peter Kater is a master piano player. His playing is mostly new age, but sometimes with a Jazzy or Classical touch. This absolutely not a traditional flute CD like Nakai's Canyon Trilogy. However, it's not a flute album backed with new age background music either. This album's heart is the interplay between the Native American musicians and Peter Kater's piano playing. For me, it took a couple of listenings to get used to, but on average the interplay between both instruments tends to click very well. This is evident on some songs more than others, Wind at Your Back with Kevin Locke is a good example. There are two songs on the album without Native American flute (but with another instrument played by a Native American). These songs sound a bit out if place and stem the flow of the album to a certain extent, but the songs themselves are OK. My personal favourites on the album are Wind at Your Back and Lone Hawk, both songs have the perfect blend of flute and new age synth element. To conclude: the Anthropologist looking for traditional Native American flute music should skip this CD (at least as a professional), but if you're looking of calming, soothing music incorporating the wonderful sounds of the Native American flute Faces of the Sun is one of the best choices available." Mind-Blowing M. Wagemakers | The Netherlands | 02/08/2008 (5 out of 5 stars) "Actually an engaging combination of New Age, Jazz, and Tribal music, all of it at its best. Raven, Wind at Your Back and Feather on the Wind make for good driving music (I drive at least 650 miles / 1100 km. a week!), while Faces of the Sun is comfortingly spiritual. The chanting is very natural and I am often moved to chant along, even if it only means imitating the sounds. Rite of Passage makes for easy listening, while Lone Hawk borders on the seductive (not my favourite, admittedly, but relaxing just the same). The combination of flute, piano and acoustics is mind-blowing, with the vocals adding a deeper dimension. Definitely a gem of an album!"
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