A Mozartean Touch
MTB | 01/22/2006
(5 out of 5 stars)
"Although Tchaikovsky's music is often performed in a wildly romantic vein, it seems important to point out that his musical idol was not Beethoven(like most romantics), but Mozart. Both the pianist and orchestra give refreshing interpretations of these pieces, which are usually performed with a bit too much bombast. Donohoe's touch is light and bell-like, and complements Tchaikovsky's luminous orchestrations. Most excellent is the neglected second piano concerto, in which Donohoe and the Bournemouth Symphony emphasize the piece's more Mozartean character. However, pianist and orchestra still pack plenty of punch for the big openings and climaxes. Donohoe is not seeking to show off; his tempi are quite sprightly, but not as fast as some pianists, and his forte passages (and they are very loud and exciting) retain a rich, full sound rather than a bangy one. The orchestral climaxes are also quite loud, but sound full and never strained. The recording quality is also superb, bringing out every note and orchestral color, while keeping a nice balance between soloist and orchestra. Overall, I found these recordings to be some of the best Tchaikovsky I have ever heard.
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