This is the best sounding Peter & Gordon collection ever including the first-ever stereo version of 'Woman'. The notes feature interviews with the pair. 20 tracks. Standard jewel case. 2001 release.
This is the best sounding Peter & Gordon collection ever including the first-ever stereo version of 'Woman'. The notes feature interviews with the pair. 20 tracks. Standard jewel case. 2001 release.
"One of a pair of almost lookalike duos (the other being Chad & Jeremy); these guys hit with the beautiful Lennon/McCartney song "A World Without Love" and took it to the top of the charts. The songs the Beatles threw P&G's way were probably less suited for the Fab Four than for them; the duo really did something good for these songs, most especially with "I Don't Wanna See You Again", probably my favorite of their first three. "Nobody I Know", though probably the weakest, still comes in with at least 4 stars. They then switched gears from this groovy mid-tempo bounce into more a ballad mode, and stayed there for quite awhile. My favorite from this part of their career was their rendition of the Del Shannon tune "I Go to Pieces" which was a gorgeously mournful breakup/goodbye song. Buddy Holly's "True Love Ways" and McCartney's "Woman" are also quite stellar, and emotionally very satisfying. In the latter part of their short career, they got into humorous songs, a bit like the Kinks did around the same time, but of course with a very different sound than the Davies crew, and a lighter touch in terms of the lyrics. When I first heard these songs as a callow youth, they kind of left me cold (I was a bit of a serious bloke at the time). But I now feel they are as high quality as their more beautiful and emotionally stunning earlier songs. The standouts here are, of course, "Lady Godiva" and "Knight in Rusty Armor". "Knight" is particularly awesome melodically, and very, very generous in the humor department. Quite quirky and cute . . . you might say that. "Sunday for Tea" is also very much the number. Very British, you know!I often wonder how to compare their output/repertoire with that of Chad and Jeremy (both duos entered the U. S. charts for the first time in May of 1964). Chad & Jeremy never charted in Britain. They, when not doing big-time show tunes, have a rather folksy sound. Peter and Gordon were pure soft rock, and power pop once they entered their ballad phase. Though I might prefer Chad and Jeremy's overall vocal blend, it's really too close for me to call. I'd say, try them both out for size. [Chad and Jeremy lasted a bit longer, even going through a so-called psychedelic phase, which however I find to be overly theatrical, both vocally and otherwise. There were plenty of others who fell into that kind of groove around the same time (Earth Opera, the Mothers of Invention, Pink Floyd, the Fugs, Love . . . the list is quite long.) I guess I just never grooved in that direction, except for short little gems here and there.]"
If you have one Peter & Gordon album this should be it
Lawrance M. Bernabo | The Zenith City, Duluth, Minnesota | 04/27/2005
(5 out of 5 stars)
""The Ultimate Peter & Gordon," released in 2001, is the best collection available for a decade. Peter Asher and Gordon Waller were the rock duo who had the distinction of being the first group in the British Invasion other than the Beatles to have a #1 hit with "A World Without Love." Of course, the explanation for this success was that Asher's younger sister Jane was Paul McCartney's girlfriend during the first part of the Sixties. This connection paid off with two other hits for Peter & Gordon in "Nobody I Know" (#12) and "I Don't Want to See You Again" (#16). It is not surprising that the first three tracks on this collection are the trio of Lennon & McCartney songs. However, even without their recoding discarded Beatles songs Peter & Gordon would be remembered for their novelty hit "Lady Godiva" (#6).
A key thing to remember with these twenty tracks is that they are arranged in chronological order of when they were recorded rather than when they were released, for what that is worth (I am not enough of a fan to catch the value of the resequencing). What you have are the fourteen songs that made it to the Billboard chart, which means not only the songs you remember like the above along with "Woman" (#14) to go with ones you might have missed, such as "I Go to Pieces," "The Jokers," and "To Show I Love You." The other six tracks are a single that did not chart ("You've Had Better Times), a pair of B-sides ("Love Me, Babye" and "The Town I Live In"), and a trio of ablum tracks ("I Still Love You," "Broken Promises," "My First Day Alone"). It is hard to quibble with the results and if you only own one Peter & Gordon album this one has to be it because it easily lives up to its title.
With their softer, more acoustic sound, you can see Peter & Gordon as being more in tune with the folk-rock movement than with the British Invasion (Asher would go on to be a producer who helped define the mellow sound of California rock, which would seem to help prove the point). Notice that their folksier songs, like "Knight in Rusty Armour" and the Phil Ochs song "The Flower Lady" stand up a lot better than ones where the production values lean towards orchestrations, such as "To Know You Is to Love You," and "Baby I'm Yours." At the very least, Peter & Gordon represent the lighter side of the British Invasion, and you can have fun figuring out who their dark side counterpart would be. The only serious knock against them is that Asher and Waller were average songwriters at best (but notice that the album ends with a pair of songs the duo wrote individually)."
One great album of the 60's era duos
Deborah MacGillivray | US & UK | 04/17/2005
(5 out of 5 stars)
"Peter & Gordon made a splash during the British Rock Invasion era, much as Chad and Jeremy did, offering beautiful, emotional songs with a softer sound. A sound that was a hybrid of the old Everly Brothers crossed with folk rock. Their instant rocketing fame came from Paul McCartney dating Peter Asher's sister Jane at the time and the writing team of McCartney & Lennon penning several songs for them. A World Without Love, Nobody I know and I Don't Want to See You Again were all written for the duo. McCartney even introduces and closes I Don't Want to See You Again, making sure they got a good push.
They went "soft", Spanish guitars, Gordon Waller opting (as Chad and Jeremy did) to play a 12-string guitar. They used full orchestra's behind them. Chad & Jeremy tended to do more original material. Asher and Waller come across a bit more polished because of the high production of the songs, and from the fact they used so many known artists. Aside from Paul & John, they used song by Del Shannon (so did the Beatles early on), Bill "Boogie Bill" Webb (for those in the know this is none other than McCartney writing by himself!!), Phil Spector, Buddy Holly and Jerry Harris & Kaufman (using a song done much better by Gene Pitney).
These are some powerhouse songs that hold up very well. Don't Pity Me still remains one of the best.
So if you are renewing your library or just wanting to discover the great rock duo, this is a super album."
Fine CD retrospective
Matthew G. Sherwin | last seen screaming at Amazon customer service | 01/31/2008
(5 out of 5 stars)
"The Ultimate Peter & Gordon gives us an excellent overlook at the artistry of Peter & Gordon. The quality of the sound is excellent and the artwork is very nicely done.
The album starts off so nicely with their classic hit entitled "A World Without Love." Peter & Gordon harmonize well to this tune and the lyrics are very well written. The drums and guitars make the melody quite catchy and memorable; I predict that you will like this song if you haven't already heard it.
"I Don't Want To See You Again" has a lush musical arrangement while Peter & Gordon sing this sweetly. Their voices are full of masculine warmth and their excellent diction bolsters their performance. The modulations between major and minor keys work well for "I Don't Want To See You Again." In addition, listen for "Love Me, Baby." This middle 1960s tune reflects a somewhat harder rockin' style carried well by the electric guitars; and there's also "I Go To Pieces." "I Go To Pieces" is a beautiful love ballad that places Peter & Gordon squarely in the spotlight as the arrangement makes great use of the guitars, flute and more. Great!
"Don't Pity Me" isn't the strongest song on the album; but it is quite well written; and I really like "To Know You Is To Love You." Peter & Gordon sing this ballad in their fine tenor voices; "To Know You Is To Love You" becomes a masterpiece in their capable hands! For a more playful type of song, listen for "Lady Godiva." "Lady Godiva" has a unique twist to the story and I think you'll get a kick out of this song!
"My First Day Alone" repeats the general formula of the two singers harmonizing to perfection; and they sing this awesome song about their feelings after a breakup with their women. "You've Had Better Times" has a great tempo with a great arrangement; and the CD ends really well with "Jokers."
The liner notes may not be an encyclopedia of information but they are better than nothing; and the artwork is well done.
Overall, this is a fine retrospective CD of Peter & Gordon. Their sound was very professional and passionate; they appealed to your senses in a way few duos ever could. I highly recommend this album for fans of this genre of music.
"
The Best of the Brit Invasion Duos Gets Their Props At Last
BluesDuke | Las Vegas, Nevada | 09/17/2001
(5 out of 5 stars)
"The sleeper of the duos who were almost as big a part of the original British Invasion as the larger groups was Peter and Gordon. They also made the most out of their access to the Beatles' songwriting talent; it's long since been a matter of triviality to say you can get an awful lot of in when you're the brother of Paul McCartney's then-girl friend. A lot of the second-line British Invaders had access to the Beatles, but are you really going to rate Billy J. Kramer, the Fourmost, or the Merseybeats in Peter and Gordon's league?Didn't think so. And small wonder. They may have looked like the typically cute British Invaders, but Peter Asher and Gordon Waller brought a gripping moodiness to their music which counts almost as a protest music in its own right. They found the broader expressions in deceptively simple laments; even their more affirmative material showed an edgy knowingness - there was a chilling undertow of deeper feeling in their gentle voices and angular harmonies. That's nowhere better deployed than in their cover (the best cover you'll ever hear) of Buddy Holly's "True Love Ways": Holly's deceptively beautiful ballad, a kind of deal-with-it statement as well as a pledge of love (Holly wrote it for his wife; the Holly marriage flew right in the face of late 1950s sensibilities, given that she was a Latina and he a whitebread Texan), becomes a chilling brace against betrayal by the time they get finished with it, and their reading makes that soaring orchestration sound downright challenging rather than fluffy lush.You and I both know this set's going to be snapped up in large part because of the McCartney songs the duo were bestowed, and that isn't exactly a bad reason to start, given how good "A World Without Love," "Woman," "I Don't Want To See You Again," and "Nobody I Know" still sound. But anyone who says the duo was nothing without McCartney's pipeline is going to be disabused very quickly, and not just by "I Go To Pieces" or "Lady Godiva," either. This disc is long overdue for putting in one place what should have been established long ago: Peter and Gordon were better than they and even their most devoted fans cracked them up to be. At their best - and that's what you get here - they sounded wise beyond their years, which may be why in the end they made dubious rock stars. But it also may be the key reason why their music has stood the test of time."