Anyone who listened to the Soul Survivor II instrumentals, know that beneath the surface of the talented, featured MC?s and vocalists were gems so jazz and melodic they could have stood alone. For producers like Pete, cons... more »olidating their libraries of beats to 13 tracks for a full length is not easy. Too often producers are marginalized to the backdrop and their vast catalogs are rarely unearthed to the public. Taken from the Soul Survivor II sessions, The Surviving Elements allows a window into Pete?s process and gives listeners a chance to indulge in his musicality. Like Petestrumentals, The Surviving Elements is a testament to Pete Rock?s love of the groove; a homage to a craft endangered by saturation, sample clearance legislation and pop crossover appropriation. Lean back, rhyme over it and spread the word!« less
Anyone who listened to the Soul Survivor II instrumentals, know that beneath the surface of the talented, featured MC?s and vocalists were gems so jazz and melodic they could have stood alone. For producers like Pete, consolidating their libraries of beats to 13 tracks for a full length is not easy. Too often producers are marginalized to the backdrop and their vast catalogs are rarely unearthed to the public. Taken from the Soul Survivor II sessions, The Surviving Elements allows a window into Pete?s process and gives listeners a chance to indulge in his musicality. Like Petestrumentals, The Surviving Elements is a testament to Pete Rock?s love of the groove; a homage to a craft endangered by saturation, sample clearance legislation and pop crossover appropriation. Lean back, rhyme over it and spread the word!
"If you loved Petestrumentals, stop reading this right now and get this album. Pete Rock has done it again; somehow his "leftovers" have turned into another classic instrumental cd. As with Petestrumentals, these beats don't even sound like they were meant for anyone to flow over. SSII fell short in a lot of ways for me, not because of the production (which at times was just mind-blowing) but because all too often the MC's just can't even come close to touching Pete's track. Thankfully, like P-mentals that's never a problem here.
There are two differences on Surviving Elements that don't make it as complete as P-mentals. First, there are no interlude beats. You'll know from before that almost every track concluded with a 10 sec snippet of another beat. Some were so sick they had you dying for the complete track. Needless to say it added a whole lot to the feel of the album. Secondly, no guests period. I don't think anybody would be apposed to have CL, the U.N., and maybe one other MC rock over a beat. Don't get it twisted, this should be almost all instrumentals. But, like with P-mentals, those three tracks with CL, UN, and Freddie Foxxx just took it to the next level.
But, no real complaints... those two factors only really come from comparing it to P-mentals. In a lot of ways, pound for pound the beats are better here. Just upon one listen tracks certain tracks will stick out. The Al Green "You Oughta Be With Me" sample on the opening "You Remind Me" is genius, "Glowing" drove me absolutely nuts becoming an instant Pete Beat classic, "Standard" is incredibly smooth, "U Are What U Are" just has a sick Wu-tang esq. thumping beat, "Intrigue" is amazing. Pretty much it's fair to say that you could list every track as an album highlight. You really just can't go into too much detail with these tracks without just experiencing them. Even with the ones that don't jump out right away... the more you listen to them, the better they sound.
I can't stress enough that if you love Pete Rock, instrumentals, 90's hip-hop, or heavy sampling - you will love this album!
Pete Rock has somehow done it again and crafted some of the greatest and most intricate beats I've heard. In case you forgot, Surviving Elements reminds you that this guy is a genius."
Ain't that lovin, pete
Johnny Thursday | NYC Metro Area | 09/16/2006
(5 out of 5 stars)
"Only Pete Rock would have the wherewithal to chop up my favorite Johnnie Taylor song into a rugged banger. There's also some obvious uses of Herbie Hancock and Curtis Mayfield (among others ;), which might explain why this went out of print so quick. In fact, I've heard Pete discredit this release as done behind his back. But still, it is one of the dopest records of all-time, even better than the hallowed Petestruments (which you can't even get with my favorite track, "what you waitin for" anymore). Tru headz who really understand beatsmithery need only apply. Get this before they really jack up the used prices, spark a spliff, and work on your turns or/and rhymes. Modern art."
For Pete's sake dammit!
Keith R. Jackson | Silver Spring, MD United States | 01/04/2006
(5 out of 5 stars)
"The guy should have his hands bronzed.
From listening to the beats I can only come up with one conclusion why these masterful tracks were not used...the beats are too complex for most rappers to flow over. They are just another level. The drum track in Pimp Strut and the bassline in Fairground are all you need to hear to understand why Pete is the Chocolate Boy Wonder.
Yeah, pick up Petestrumentals as well."
Petestrumentals Taken To Another Level {5 Stars}
Norfeest | Washington DC USA | 03/24/2008
(5 out of 5 stars)
"It does my heart good to see the cats that I grew up on still doing their thing. Not only is Pete Rock still doing his thing, but he's doing it VERY well. The album is virtually flawless. All of the tracks are smooth and have that vintage PR vibe, but the standout to me is "You Remind Me". One listen to "You Remind Me" will have you screaming for more (that song hasn't come off of repeat in my car for about 3 days now). Like another reviewer said, "You Remind Me" schools producers on how to REALLY freak an Al Green sample. I think that's what makes this album so special. Pete Rock doesn't just jack entire songs. He crafts works of art around small pieces of the sample, not the other way around. I think that's what's missing most from rap music today. When compared to Petestrumentals or Soul Survivor 2, you could argue that these beats are better than those from the other two albums. In fact, this album is like a blend of the two, but without people rhyming over them.
My only beef with the album (if you want to call it that) is the fact that none of these songs are longer than 3:24. It makes some of my favorite tracks seem way too short. Also, "Standard" and "Fairground" are kind of basic for a man of PR's capabilities. But that's about it though. The rest of the album is brilliant.
Obviously, Pete Rock will never change. It's been sort of a trademark of his to only hit you off with enough to keep you racing back for more. I still have trouble figuring out why these beats didn't make it onto the SS II album. I can think of at least 5 beats on this album that are better than any beat on that entire album. If you're a Pete rock fan or if you just want some dope, laid back hip hop beats to vibe to, then cop this. Pete Rock hasn't failed me in 14 years. This is a must own album that I HIGHLY reccomend.
Standout Tracks: U Are What You Are, Placebo, Hip Skip Jump, Flying, Intrigue, Glowing, Hip 2 Hip, You Remind Me (My Favorite), Smoking Room Only, and Midnight & You"
STRICTLY FOR THE CITY...
Jon a.k.a. Dragon | A-town, GA, USA | 10/08/2005
(5 out of 5 stars)
"Pete Rock has been one of my favorite producers ever since he made "Mecca & The Soul Brother" with C.L. Smooth. Personally, to me he's Hip-Hop's answer to Miles Davis. With "Surviving Elements", it only helps prove my point. Building off of the strides of "Petestrumentals", here's an album with a whole array of different vibes. "You Remind Me" is the proper way to freak an Al Green sample and the later tracks, such as "Hop, Skip & Jump" and "(Pimp)Strut" have a soul reminiscient of those old 80's joints blasting at block parties. The light-headed feel of "Smoking Room Only" gives me the feeling of soaring over the city in the evening. "Midnight and You" is the definitive beat to play during a late night on the stoop with your peoples (real introspective), followed up to drive it home with "Stormy Weather", a quiet storm joint. The banger of the album is "U Are What U Are", very reminiscient of when PR was still with CL. And the album closes out with, "Intrigue", a somber melody with a feel that there is still more to come..."