Piano Sonata No. 16 in G major, Op. 31/1: 1. Allegro vivace
Piano Sonata No. 16 in G major, Op. 31/1: 2. Adagio grazioso
Piano Sonata No. 16 in G major, Op. 31/1: 3. Rondo. Allegretto
Piano Sonata No. 17 in D minor ('Tempest'), Op. 31/2: 1. Largo. Allegro
Piano Sonata No. 17 in D minor ('Tempest'), Op. 31/2: 2. Adagio
Piano Sonata No. 17 in D minor ('Tempest'), Op. 31/2: 3. Allegretto
Piano Sonata No. 18 in E flat major ('Hunt'), Op. 31/3: 1. Allegro
Piano Sonata No. 18 in E flat major ('Hunt'), Op. 31/3: 2. Scherzo. Allegretto vivace
Piano Sonata No. 18 in E flat major ('Hunt'), Op. 31/3: 3. Menuetto. Moderato e grazioso
Piano Sonata No. 18 in E flat major ('Hunt'), Op. 31/3: 4. Presto con fuoco
Track Listings (10) - Disc #2
Piano Sonata No. 8 in C minor ('Path?tique'), Op. 13: 1. Grave - Allegro di molto e con brio
Piano Sonata No. 8 in C minor ('Path?tique'), Op. 13: 2. Andante cantabile
Piano Sonata No. 8 in C minor ('Path?tique'), Op. 13: 3. Rondo. Allegro
Piano Sonata No. 11 in B flat major, Op. 22: 1. Allegro con brio
Piano Sonata No. 11 in B flat major, Op. 22: 2. Adagio con molto espressione
Piano Sonata No. 11 in B flat major, Op. 22: 3. Tempo di Menuetto
Piano Sonata No. 11 in B flat major, Op. 22: 4. Rondo. Allegretto
Piano Sonata No. 28 in A major, Op. 101: 1. Allegretto ma non troppo. Etwas lebhaft und mit der innigsten Empfindung
Piano Sonata No. 28 in A major, Op. 101: 2. Vivace alla marcia. Lebhaft
Piano Sonata No. 28 in A major, Op. 101: 3. Adagio ma non troppo con affetto. Langsam und sehnsuchtsvolle / 4. Allegro ma non troppo.
Track Listings (11) - Disc #3
Piano Sonata No. 9 in E major, Op. 14/1: 1. Allegro
Piano Sonata No. 9 in E major, Op. 14/1: 2. Allegretto
Piano Sonata No. 9 in E major, Op. 14/1: 3. Rondo. Allegro comodo
Piano Sonata No. 10 in G major, Op. 14/2: 1. Allegro
Piano Sonata No. 10 in G major, Op. 14/2: 2. Andante
Piano Sonata No. 10 in G major, Op. 14/2: 3. Scherzo. Allegro assai
Piano Sonata No. 24 in F sharp major ('A Th?r?se'), Op. 78: 1. Allegro ma non troppo
Piano Sonata No. 24 in F sharp major ('A Th?r?se'), Op. 78: 2. Allegro vivace
Piano Sonata No. 21 in C major ('Waldstein'), Op. 53: 1. Allegro con brio
Piano Sonata No. 21 in C major ('Waldstein'), Op. 53: 2. Introduzione. Adagio molto
Piano Sonata No. 21 in C major ('Waldstein'), Op. 53: 3. Rondo. Allegretto moderato
Track Listings (9) - Disc #4
Piano Sonata No. 27 in E minor, Op. 90: 1. Allegro. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck
Piano Sonata No. 27 in E minor, Op. 90: 2. Rondo. Nicht zu geschwind und sehr singbar vorzutragen
Piano Sonata No. 25 in G major ('Cuckoo'), Op. 79: 1. Presto alla tedesca
Piano Sonata No. 25 in G major ('Cuckoo'), Op. 79: 2. Andante
Piano Sonata No. 25 in G major ('Cuckoo'), Op. 79: 3. Vivace
Piano Sonata No. 29 in B flat major ('Hammerklavier'), Op. 106: 1. Allegro
Piano Sonata No. 29 in B flat major ('Hammerklavier'), Op. 106: 2. Scherzo. Assai vivace
Piano Sonata No. 29 in B flat major ('Hammerklavier'), Op. 106: 3. Adagio sostenuto. Appassionato e con molto sentimento
Piano Sonata No. 29 in B flat major ('Hammerklavier'), Op. 106: 4. Largo - Allegro risoluto
Track Listings (12) - Disc #5
Piano Sonata No. 1 in F minor, Op. 2/1: 1. Allegro
Piano Sonata No. 1 in F minor, Op. 2/1: 2. Adagio
Piano Sonata No. 1 in F minor, Op. 2/1: 3. Menuetto. Allegretto
Piano Sonata No. 1 in F minor, Op. 2/1: 4. Prestissimo
Piano Sonata No. 2 in A major, Op. 2/2: 1. Allegro vivace
Piano Sonata No. 2 in A major, Op. 2/2: 2. Largo appassionato
Piano Sonata No. 2 in A major, Op. 2/2: 3. Scherzo. Allegretto
Piano Sonata No. 2 in A major, Op. 2/2: 4. Rondo. Grazioso
Piano Sonata No. 3 in C major, Op. 2/3: 1. Allegro con brio
Piano Sonata No. 3 in C major, Op. 2/3: 2. Adagio
Piano Sonata No. 3 in C major, Op. 2/3: 3. Scherzo
Piano Sonata No. 3 in C major, Op. 2/3: 4. Allegro assai
Track Listings (9) - Disc #6
Piano Sonata No. 4 in E flat major ('Grand Sonata'), Op. 7: 1. Allegro molto e con brio
Piano Sonata No. 4 in E flat major ('Grand Sonata'), Op. 7: 2. Largo con gran espressione
Piano Sonata No. 4 in E flat major ('Grand Sonata'), Op. 7: 3. Allegro
Piano Sonata No. 4 in E flat major ('Grand Sonata'), Op. 7: 4. Rondo. Poco allegretto e grazioso
Piano Sonata No. 22 in F major, Op. 54: 1. In tempo di menuetto
Piano Sonata No. 22 in F major, Op. 54: 2. Allegretto
Piano Sonata No. 23 in F minor ('Appassionata'), Op. 57: 1. Allegro assai
Piano Sonata No. 23 in F minor ('Appassionata'), Op. 57: 2. Andante con moto
Piano Sonata No. 23 in F minor ('Appassionata'), Op. 57: 3. Allegro ma non troppo
Track Listings (11) - Disc #7
Piano Sonata No. 12 in A flat major ('Funeral March'), Op. 26: 1. Andante con variazioni
Piano Sonata No. 12 in A flat major ('Funeral March'), Op. 26: 2. Scherzo. Allegro molto
Piano Sonata No. 12 in A flat major ('Funeral March'), Op. 26: 3. Marcia funebre 'sulla morte d'un Eroe'
Piano Sonata No. 12 in A flat major ('Funeral March'), Op. 26: 4. Allegro
Piano Sonata No. 13 in E flat major ('Quasi una fantasia'), Op. 27/1: 1. Andante
Piano Sonata No. 13 in E flat major ('Quasi una fantasia'), Op. 27/1: 2. Allegro molto e vivace
Piano Sonata No. 13 in E flat major ('Quasi una fantasia'), Op. 27/1: 3. Adagio con espressione
Piano Sonata No. 13 in E flat major ('Quasi una fantasia'), Op. 27/1: 4. Finale. Allegro vivace
Piano Sonata No. 14 in C sharp minor ('Moonlight'), Op. 27/2: 1. Adagio sostenuto
Piano Sonata No. 14 in C sharp minor ('Moonlight'), Op. 27/2: 2. Allegretto
Piano Sonata No. 14 in C sharp minor ('Moonlight'), Op. 27/2: 3. Presto agitato
Track Listings (10) - Disc #8
Piano Sonata No. 5 in C minor, Op. 10/1: 1. Allegro molto e con brio
Piano Sonata No. 5 in C minor, Op. 10/1: 2. Adagio molto
Piano Sonata No. 5 in C minor, Op. 10/1: 3. Finale. Prestissimo
Piano Sonata No. 6 in F major, Op. 10/2: 1. Allegro
Piano Sonata No. 6 in F major, Op. 10/2: 2. Allegretto
Piano Sonata No. 6 in F major, Op. 10/2: 3. Finale. Presto
Piano Sonata No. 7 in D major, Op. 10/3: 1. Presto
Piano Sonata No. 7 in D major, Op. 10/3: 2. Largo e mesto
Piano Sonata No. 7 in D major, Op. 10/3: 3. Menuetto. Allegro
Piano Sonata No. 7 in D major, Op. 10/3: 4. Rondo. Allegro
Track Listings (11) - Disc #9
Piano Sonata No. 15 in D major ('Pastoral'), Op. 28: 1. Allegro
Piano Sonata No. 15 in D major ('Pastoral'), Op. 28: 2. Andante
Piano Sonata No. 15 in D major ('Pastoral'), Op. 28: 3. Scherzo. Allegro vivace
Piano Sonata No. 15 in D major ('Pastoral'), Op. 28: 4. Rondo. Allegro ma non troppo
Piano Sonata No. 19 in G minor, Op. 49/1: 1. Andante
Piano Sonata No. 19 in G minor, Op. 49/1: 2. Rondo. Allegro
Piano Sonata No. 20 in G major, Op. 49/2: 1. Allegro ma non troppo
Piano Sonata No. 20 in G major, Op. 49/2: 2. Tempo di menuetto
Piano Sonata No. 26 in E flat major ('Les Adieux'), Op. 81a: 1. Adagio - Allegro 'Les Adieux'
Piano Sonata No. 26 in E flat major ('Les Adieux'), Op. 81a: 2. Andante espressivo 'L'Absence'
Piano Sonata No. 26 in E flat major ('Les Adieux'), Op. 81a: 3. Vivacissimamente 'Le Retour'
Track Listings (8) - Disc #10
Piano Sonata No. 30 in E major, Op. 109: 1. Vivace ma non troppo / Adagio espressivo
Piano Sonata No. 30 in E major, Op. 109: 2. Prestissimo
Piano Sonata No. 30 in E major, Op. 109: 3. Andante. Gesangvoll mit innigster Empfindung, mezza voce
Piano Sonata No. 31 in A flat major, Op. 110: 1. Moderato cantabile molto espressivo
Piano Sonata No. 31 in A flat major, Op. 110: 2. Allegro molto
Piano Sonata No. 31 in A flat major, Op. 110: 3. Adagio ma non troppo - Allegro ma non troppo (Fuga)
Piano Sonata No. 32 in C minor, Op. 111: 1. Maestoso - Allegro con brio e appassionato
Piano Sonata No. 32 in C minor, Op. 111: 2. Arietta. Adagio molto semplice e cantabile
Paul Lewis performed all the Beethoven piano sonatas on tour in the USA and Europe between the 2005 and 2007 seasons, in parallel with his complete recording of the cycle for Harmonia Mundi. His interpretation of the Lizst... more » sonata was distinguished by the prestigious Edison Award, while his recording of the complete Beethoven sonatas received two Gramophone Awards in 2008 (Recording of the year and Best Instrumental Recording).« less
Paul Lewis performed all the Beethoven piano sonatas on tour in the USA and Europe between the 2005 and 2007 seasons, in parallel with his complete recording of the cycle for Harmonia Mundi. His interpretation of the Lizst sonata was distinguished by the prestigious Edison Award, while his recording of the complete Beethoven sonatas received two Gramophone Awards in 2008 (Recording of the year and Best Instrumental Recording).
CD Reviews
This wonderful little box is A MUST HAVE for your collection
Gregory E. Foster | Portland, ME, USA | 05/15/2010
(5 out of 5 stars)
"Imagine!
Paul Lewis started on the cello!
But, lucky for us, at age 14, while attending Chetham's School of Music his pianism blossomed and then at Guildhall School, he was taught by Alfred Brendel, and in 1994 he took second prize in the World Piano Competition in London. In 2000 he became Professor of Piano at the Royal Academy of Music.
Throughout 2005, 2006, and 2007, Lewis toured the USA and Europe, playing through the entire cycle of Beethoven's "32".....surely the cornerstone of the genre of the piano sonata. And, when he was ready, he stepped up to Harmonia Mundi and recorded them in 4 separate boxes, which have now been packaged all together here in this most wonderous set.
All four boxes as they were released became Gramophone Magazine "Editor's Choice" selections, and in 2008 box number 4 was awarded Gramophone's "Best Instrumental" and "Best Recording of the Year".
Bryce Morrison wrote:
"An epic Beethoven journey begins and this strong start promises well" (from review of volume 1)
And Again:
"Mastery and eloquence: this is shaping up to be a great Beethoven cycle" (from review of volume 2)
Further:
"Round three, and Paul Lewis's eloquent and persuasive cycle still enthrals" (from review of volume 3)
And Later:
"GRAMOPHONE RECORD OF THE YEAR 2008! Schnabel, Kempff, Brendel are great but Lewis gives you the best of all worlds" (from review of volume 4)
I am sure just about Everyone has at least one cycle of Beethoven's Sonatas, and many music lovers/collectors have many sets, as I do (Both Kempf sets, Schnabel, Arrau, Ashkenazy, both [Philips] Brendel sets, Goode, and O'Connor, Barenboim, and the Kovacevich), and now added, this wonderful set by Paul Lewis.
If someone were to ask me if I had to pare them down, it would go like this...I certainly would not part with my old mono Kempff set, my Schnabel, Arrau, Brendel #2, nor my Goode or the Kovacevich sets, and NOW, on this "keepers" "must-have" list, sits these fascinating recordings by Lewis. This guy admits that these works "will always be bigger than you are", but he tackles them, and scores repeatedly with new insights, deftness of touch, and staggering boldness and leaps that will surely take your breath away.
You simply MUST hear these recordings for yourself. Read other reviews here and elsewhere, but don't doubt my word that these stupendous recordings of Mr. Lewis' traversal of Beethoven's Magnum Opus's belong in your collection....you will love them, for sure, and treasure them as you do your other great sets of these ceaselessly fascinating works of total wonderment.
~operabruin"
An outstanding modern set of Beethoven' Sonatas
Lee A. Steels | Ontario | 02/21/2010
(5 out of 5 stars)
"No matter how many sets of Ludwig's piano sonatas you have ... buy this set. Prepare to have your ears opened to glorious piano sound and solid, imaginative playing from Paul lewis. This is the set I keep returning to to hear NEW ideas. I love my Gilels, Barenboim, Brendel, Ashkenazi and Kovacevich sets, but if you want great pianism AND GREAT SOUND, this Harmonia Mundi set will leave you ecstatic! I cannot recommend it too highly."
'Must Have' for all classical music lovers.
Abel | Hong Kong | 05/10/2010
(5 out of 5 stars)
"The recordings in this set were made when the pianist was in his mid-thirties. He's not yet 40 by now, but, having heard him live recently, I add my testimony to the fact that young Paul Lewis is simply the most exciting pianist of the 'classical' to early romantic composers' works that is performing today.
Lewis has a musical sense and depth of understanding well beyond his 30 odd years. A most natural and unassuming person, his total absorption into the music he plays coupled with supreme musical control set him clearly apart from other young 'virtuosi' that emerge on the pianistic scene this last decade.
He has enough technique to burn, but if you consider his pianism from that perspective, you would risk being in blasphemy of the music. Young Lewis has that uncanny ability, so rarely found in a musician of his age, to strip his music from all extraneous nonsenses and to directly focus his listeners to the music and the music alone.
I saw him live performing Beethoven's No. 5 concerto, and his ability to totally merge the solo with the tutti parts of the different movements of that work leaves his audience in awe.
Nor do I consider Lewis a 'Beethoven expert' only.
Indeed, if he could master Beethoven in such superb manner, that alone would speak for everything else.
This box set of 10 CDs is a REAL bargain and should sit on the head of every music lover's handy shelf. Each piece inside the CDs is a real musical delight. And just to cut long words to the shortest, if you are looking for your favourite Moonlight Sonata, you'd probably find it in Paul Lewis' set.
I did.
It is only a matter of time for the entire musical world to recognise the presence of this wonderful master musician.
"
Con brio
B. Gone | 06/16/2010
(5 out of 5 stars)
"After my Amazon friend WHM brought the 2010 Queen Elisabeth Piano Competition to my attention the available video links enabled me to follow the semis and finals on the other side of the pond. Due to the requirement of inclusion of classical sonatas in the recitals in both final rounds a large number of Beethoven sonatas appeared on the program, often with excellent results. The competition's winner, Denis Kozuhkin -on June 26 at Carnegie Hall- should soon be a household name, but let me not digress here.
As a result of all that Beethoven I went back to my Kempffs, Pollinis, Richters, Schnabels, Gilels, Serkins and Goulds, but did not really find what I was looking for: a modern, texturally accurate and engaging account. Although the aforementioned WHM had sang the praise of Lewis, the hosanna from that perverted rag "The Gramophone" -Hattogate anyone?- and Lewis' affiliation with Herr Alfred Brendel, notorious destroyer of fine Steinways, raised my doubts. Yet upon listening to the samples I decided on getting two new cycles, one from Lewis, the other from Schiff.
After listening through the entire two new cycles twice this box is easily my favorite complete sonata collection. Many have already praised this interpretation's many virtues. For starters, a superb recording on a great instrument. Next a technically very strong pianist, fortunately no Brendel here! Then the interpretations, very accurate compared to the Henle Urtext and perfectly balanced. A note of explanation here. Although the standard Beethoven sonata performances gravitate to a common modality, Schiff's lecture series (please see footnote in the comment section) makes it obvious that the performer needs to address many questions in formulating her/his performance. Especially in comparison with Schiff, Lewis strikes a perfect balance between attention to detail and the big picture. Moreover, even within the wide range of challenges that the 32 pose, there is not one less than superb interpretation in this collection.
Most importantly, there is a deep musicality that fuels these performances and a clear connect between composer and performer, something that the Schiff collection imho lacks. As a result, listening through this box chronologically, you get taken on an endless wave through a benevolent universe of infinite diversity.
Enough praise, back to the discs.
"
The greatest cycle since Schnabel!
Ralph J. Steinberg | New York, NY United States | 05/28/2010
(5 out of 5 stars)
"I purchased the entire cycle in the 4 separate boxes and have listened to them continuously. There is little to add beyond the other laudatory reviews Lewis has received. He is simply the most exciting and moving Beethoven piano interpreter since Schnabel. So, instead of adding further praise, I will only say that Harmonia Mundia should kindly continue recording this wonderful artist in more Beethoven: The Diabelli Variations, Bagatelles, Piano Concerti. And how about him accompanying some fine singer in "An die ferne Geliebte?""