"The first complete recording of Calamity Jane does not disappoint. Previous "highlights" recordings do nothing but annoy the serious musicals fans as they often leave out some of the most relevant parts of the show.This recording is really excellent, both in content and cast. Debbie Gravitte (formerly Debbie Shapiro) gives a "rootin' tootin' shootin'" rendition of Calamity's songs to "out Calamity" Doris Day's movie version from the 50's."Careless with the Truth", which is invariably missing form other recordings of Calamity Jane is included here and forms an integral part of the show when seen on stage, as do "Adelaide" and "Men". This long- awaited full recording really fills a gap in the market.I hope it's not too long before we see similar full recordings of many of the other great musicals like "Anything Goes""
Great Theatrical Version!
T. Pressman | Los Gatos, California USA | 01/31/2001
(5 out of 5 stars)
"I had grown up on the movie, and really didn't know what to expect from this new version. It's based on the theatrical production which was produced after the movie in 1979. I loved it. Debbie Shapiro entertains with a lively Calamity Jane. Her performance of "My Secret Love" is delicate, and beautiful. The whole cast creates a comedic feel that rivals that of the movie. Orchestra interludes throughout the 2-CDs help maintain a level of energy that is hard to find on some studio releases. That energy carries through to spoken dialog that is included. The only thing lacking is a liberetto."
Calamity Jane
T. Pressman | 06/12/2000
(4 out of 5 stars)
"This CD is better for people, such as myself, who are more familiar with the play than the movie, in which songs like "Men!" and "Adalaid" are not featured. Also, if you want some background music to play, the scene change music is great."
No way as good as Day!
crazyrhythm | 05/21/2004
(3 out of 5 stars)
"This CD is good and the orchestra is great, but Debbie Shapiro is really no way as good as Day and her singing is pretty flat and would rather suit a role in chicago than good ol' calam. Doris Day was the best and the original master of the role, ALWAYS halarious and brilliant at the role with a beautiful singing voice, so I suppose anyone who wants to follow has darn hard competition! Jason Edwards however is wonderful as Bill and his voice rings out fantastically, and is about as good as Howard Keel. The stage version is fun with good new songs, but I don't know why they changed some of the words! But apart from these points, the chorus and cast members are good. It's a good listen for the fantastic writing of Sammy Fain and co.! Whip crack away!!!!!!"