I Wait for Late Afternoon and You - Patricia Barber, Barber, Patricia
I Get a Kick out of You
You're the Top
Just One of Those Things
Snow - Patricia Barber, Barber, Patricia
C'est Magnifique
Get out of Town
I Concentrate on You
In the Still of the Night
What Is This Thing Called Love?
Miss Otis Regrets
The New Year's Eve Song - Patricia Barber, Barber, Patricia
Sublimely intimate but hugely expressive investigation of the brilliant songs of Cole Porter by the wonderfully artful singer/pianist and composer Patrica Barber. She breathes fresh life into his music as well as contribut... more »ing three typically intelligent originals. Like her label mate Wilson, Barber is a genuine one off and Cole Porter Mix is un-missable. "One of the most accomplished female jazz singer-pianists on the planet. Chicago-based Barber has a voice that caresses and challenges and cajoles and taunts and teases every nuance of meaning from each ambiguous syllable". The Guardian "Even a casual listener would soon be won over by her seductive voice, her forceful soloing and, not least, her immaculate quartet arrangements". The Times "The most fearless, most intellectually stimulating and, by extension, most interesting singer-songwriterpianist on the American jazz scene." JazzTimes For more than two decades, Barber, based in Chicago, has led her own band and released a series of highly acclaimed, strikingly singular albums, that have seen her recognised as one of the greatest songs tylists on the planet. For her latest album, singer/pianist Barber applies her austere but beautiful heartfelt expressiveness to breath new life into the music of one of the Great American Songbook composers. The Cole Porter Mix not only spotlights her artful interpretations of Porter's songs but also features three Porter-inspired originals. "Cole Porter has always been my songwriting idol," says Barber. "I love his music and I've been singing his songs for so many years." Barber's band includes guitarist Neal Alger, who has been performing with her the past six years, and bassist Michael Arnopol, who has worked with her since 1980. "We're like brother and sister," she says. "We learned jazz together and played all those gigs in Chicago together when I was coming up." Drum duties are shared by Eric Montzka and Nate Smith, while tenor saxophonist Chris Potter guests on five tracks. Barber plays piano throughout as well as contributes melodica colours to some tunes, including her gem, "The New Year's Eve Song," that closes the album. Another original on The Cole Porter Mix is the« less
Sublimely intimate but hugely expressive investigation of the brilliant songs of Cole Porter by the wonderfully artful singer/pianist and composer Patrica Barber. She breathes fresh life into his music as well as contributing three typically intelligent originals. Like her label mate Wilson, Barber is a genuine one off and Cole Porter Mix is un-missable. "One of the most accomplished female jazz singer-pianists on the planet. Chicago-based Barber has a voice that caresses and challenges and cajoles and taunts and teases every nuance of meaning from each ambiguous syllable". The Guardian "Even a casual listener would soon be won over by her seductive voice, her forceful soloing and, not least, her immaculate quartet arrangements". The Times "The most fearless, most intellectually stimulating and, by extension, most interesting singer-songwriterpianist on the American jazz scene." JazzTimes For more than two decades, Barber, based in Chicago, has led her own band and released a series of highly acclaimed, strikingly singular albums, that have seen her recognised as one of the greatest songs tylists on the planet. For her latest album, singer/pianist Barber applies her austere but beautiful heartfelt expressiveness to breath new life into the music of one of the Great American Songbook composers. The Cole Porter Mix not only spotlights her artful interpretations of Porter's songs but also features three Porter-inspired originals. "Cole Porter has always been my songwriting idol," says Barber. "I love his music and I've been singing his songs for so many years." Barber's band includes guitarist Neal Alger, who has been performing with her the past six years, and bassist Michael Arnopol, who has worked with her since 1980. "We're like brother and sister," she says. "We learned jazz together and played all those gigs in Chicago together when I was coming up." Drum duties are shared by Eric Montzka and Nate Smith, while tenor saxophonist Chris Potter guests on five tracks. Barber plays piano throughout as well as contributes melodica colours to some tunes, including her gem, "The New Year's Eve Song," that closes the album. Another original on The Cole Porter Mix is the
"I thought 2006's "Mythologies" was one of the most creative "jazz" recordings ever, and one of the best c.d.'s of that year. When I heard that Ms. Barber was going from that Guggenheim-funded project to a c.d. of Cole Porter covers, I thought, "Huh?"
But in a weird sort of way, it makes sense. Say what you will about Patricia Barber: this is an artist who pushes the envelope. And discovering how to make new and fresh an idea that has been done a thousand times before is, in its own way, a creative challenge.
And Patricia Barber succeeds. Here's why:
In previous recordings, I've noted that Patricia Barber is like a singing Mrs. Robinson - one who sings with a detached cool that masks a profound amount of emotion. Here, she lets the emotion out.
Check out the broad romance of "Late Afternoon and You." Consider the breathless wonder of "C'est Magnifique." Or listen to the intense forboding of "Get Out of Town." Or the bitter, clenched-teeth delivery of "Miss Otis Regrets." Throughout, Ms. Barber consistently finds the right tone for each of these songs, and performs them artistically.
An admiring word, as well, regarding her main and long-time instrumentalist, guitarist Michael Arnopol. As he demonstrated on "White World" on both the "Mythologies" and the "Fortnight in France" recordings, this man can be the fastest guitarist since John McLaughlin. But here, throughout he sublimates the ego and plays to the musical settings which Ms. Barber has created. It's not that he can't play dazzlingly: check out what he does on "What Is This Thing Called Love?" It's that first and foremost, he plays musically.
Is Patricia Barber one of the finest singers around? I have others I prefer. Is she one of the finest pianists around? I have others I prefer (though she does some of her best work ever on "In the Still of the Night").
But is she one of the finest artists around? Indubitably, and that's what it's all about. "Mythologies" was one of my favorite recordings of 2006; and likewise, this one for 2008. RC
(p.s. - my bad. The wonderful guitarist here and in the other recordings is actually Neal Alger. Michael Arnopol is Ms. Barber's wonderful and long-time bassist. RC)"
Another wonderful release!
K. Knox | Boulder, CO USA | 09/20/2008
(5 out of 5 stars)
"Patricia Barber's recordings are of such superb quality that one doesn't expect her to get better, yet she does. A songwriter of the highest caliber, superb pianist and amazing singer who is just scary, genius-level smart.
Many delights here: great versions of Cole Porter, of course. Originals that more than hold their own (the gorgeous eroticism of "Snow" is itself worth the cost of the CD). Chris Potter's unbelievable solos. Perhaps most inspiring, her wonderful band that has been with her for years keeps getting better; guitarist Neal Alger in particular seems to have taken a giant leap forward from his already very high level of play.
Great stuff!"
The CD I've been waiting for her to make!
sea-psych | 09/30/2008
(5 out of 5 stars)
"Patricia Barber's boxing matching match with sentimentality continues
in this nearly perfect interpretation of Cole Porter classics. She counter-
punches his exuberance with dry wit and brings fun to his cycnicism.
Never has "You're the Top" been so carefree. "Get Outta Town" echoes
Barber's own "Ya Gotta Go Home", the piano mocking the lyrics and the
subject as well.
No one else seems capable of this kind of intelligent, funny, honest
work. Surely no one does it better."
Mesmerizing
Rat Roo | San Diego, CA | 07/13/2009
(5 out of 5 stars)
"I like Patricia Barber quite a bit, but not everything she does. This is sublime -- a real honoring of Cole Porter yet a contemporary album. This and Madeleine Peyroux's Careless Love (I know I am years behind and I don't care) have secure places in my 5 changer player for the next several months."