"This is an excellently played album that stacks up to any of the bigger name orchestras. The selections include a standard (The Pines) and two lesser-knowns (Belkis and The Gnomes). Oue is a conductor who lets no detail slip past his attention and his orchestra is first-rate from top to bottom. I was particularly struck by the woodwind solos throughout and by Oue's ability to shape melodic lines, letting them breathe when necessary and making it very musical. The slow movements here are slower than in other recordings but the music never drags or gets dull.This is only the second Belkis recording to my knowledge and it is excellent. Winds, strings, and percussion are excellent throughout, although the brass need more punch at the beginning of the War Dance (they find it later in the CD so it isn't a question of ability). Also, the wordless tenor chant in the final movement seemed more random than meaningful. It's a relatively minor part in the suite and I think he should have opted to leave it to the trumpet (the composer-sanctioned alternative option). The slow movements are beautiful and throughout the suite, as in the rest of the CD, balance, ensemble, and intonation are all outstanding. The Dance of the Gnomes is a new one to me although I did enjoy the music. The inspiration is a macabre poem about dual gnome brides killing their mutual husband on the wedding night and although the poem (text included) describes some nasty events, the music stays relatively tame. The Pines recording stacks up to any I've heard and is a definite challenge to Reiner and Chicago. I found some of the solos (especially clarinet) better than Reiner's and, again, Oue's tempos are slower but the music is very beautiful and expressive. The brass are also up to the challenge with the requisite power in IV and excellent sound and control in other areas (particularly high brass). Recording quality is excellent on the whole CD and we get to enjoy a few seconds of reverb at the end of Pines.Oue has an excellent group of players and I look forward to hearing more of their work."
Exciting!
127 | 10/12/2001
(5 out of 5 stars)
"All in all a very well-done rendition of the pieces involved. The Pines of Rome, the most well-known piece on this disc, is performed extremely well, although a bit slower than many versions. I personally thought the first movement could have gone a bit faster, but that is just a matter of taste. I also would have liked to hear more organ in the second movement, however the acoustic is still very broad here as in all of Reference Recordings discs. The third movement is one of the best ever done, thanks in part to a slower tempo that allows for maximum expression, and a killer clarinet solo by principal Burt Hara. The last movement is everything one would expect, although Oue masks some lines in favor of others not normally heard in some places.The other peices on this disc are also done exceptionally well and are just as delightful to hear as the the Pines. I would highly recommend this disc to anyone."
Finally, a 2nd "Belkis"!
Dave Johnson | skaneateles, NY United States | 11/18/2001
(5 out of 5 stars)
"Th e previous 2 reviewers extoll "PINES" . Who cares! "BELKIS: QUEEN OF SHEBA" has only been once recorded. I had always dreamed of another, I have not been disappointed! Glorious! Special attention has been paid to detail, not evident in Geoffrey Simon's rendition (BBC or Philharmonia, I forget, in my rapture). Crystal clear recording (Reference Recordings start in analog).Oue has done splendidly. Of course, as a member of the International Respighi Society (sadly, 1 of only 7 in N. America- many more in Europe), I am hard pressed to find fault with any renderings of Respighi's.BONUS: BALLAD OF THE GNOMES (only 3 or 4) . This one is tied with, again, Geoffrey Simon's. But sonically-this recording is superior."
Lesser-know gems of the repertiore, played by an incredible
D. Jack Elliot | Omaha, Nebraska | 07/12/2006
(4 out of 5 stars)
"I'm delighted by the repertoire chosen for this disc. It's in keeping with the wont of the Minnesota Orchestra's recording program of recent years: to commit works that deserve to be better-known to disc, rather than pairing the blockbuster pieces, such as Pines of Rome here, with the usual cliches (Pines is almost always coupled with Fountains of Rome, or with Ravel's orchestration of Pictures at an Exhibition).
And when the performances are this good, you've really got something. Minnesota is not one of the "Big 5" American orchestras (Boston, Chicago, New York, Philadelphia, and Cleveland), but don't kid yourself: Oue and his band match the competition section for section, note for note. In the spring of '02 I heard both the Chicago Symphony under Boulez and the Minnesota Orchestra under Oue perform the Mahler 2nd Symphony, and Chicago didn't put on half the performance that Minnesota did (admittedly, though, this might well have mostly been Boulez's fault---it's oft been commented that he ought to stay away from music he obviously has so little affinity for). The MSO is a first-rate, world class ensemble and if you haven't heard them play, treat yourself to this disc. The other reviewers here rightly point out that this performance of Pines is at least as good as the classic Chicago recording under Reiner."
The Pines of Rome ending...
Nate Orpen | St. Peter, MN United States | 01/04/2004
(5 out of 5 stars)
"As is so often the case with great art, the means to properly describe the magnificance and beauty of such an achievement simply cannot be found. On this disc, Eiji Oue and the Minnesota Orchestra give a superb reading of the Pines of Rome. The triumphant final movement, for the numerous times I've listened, has never ceased to bring me chills and often leaves my mouth agape. My friend Josh and I often talk about "the Pines of Rome ending" which we, again and again, reference as perhaps the greatest ending of any piece in our personal collections (being percussionists, we especially enjoy Peter Kogan's final thunderous timpani stroke). I must also add that the first piece, Belkis, was a wonderful surprise that only adds to the value of this disc. Buy this recording for Pines, and to discover the marvelous Belkis and Gnomes if you've not heard them.Might I also add that I do not care one bit for Louis Lane's Telarc recording of Pines. It is much too fast, which acts to the detriment of the final movement especially. I've found the same with Ormandy's bargan-priced Sony recording. Oue rightfully allows this grand crecendo to slowly develop into its proper euphoric climax."