"Well, just look at the song names. Once again we have kids who think metalcore is the craziest thing around and try and be intellectual about it. We have song titles like "Juliet Or At Least What's Left Of Her," or "The Truth About Me Or Someone Like Me" Ooooh, deep! It seems that the trend of having long song titles that dont' make sense but are intended to be deep starting with Norma Jean, and since then every wannabe metal album that has come out has these sorts of things.
For the music, well.... It's just formulaic reproduction of anything else in the genre. Not new, nothing exciting, just screams with no technicality and methaphorical lyrics that mirror anybody else in the genre in an attempt to be "deep." Which I guess makes any band cool nowadays. If you want to hear anything new or exciting, don't look here, Check out "Wintersun" or "Ensiferum" for some great, real metal. If you're looking for a carbon copy of any metalcore and anything "core" genre
people creat every five seconds, then get this. If you love innovative musice, you WILL be dissapointed with this.
New: 1 star edit (won't let me change) With another listen... I have become even more disgusted with this album. Having listened to actual metal in the past weeks, this album fails to pique any small ounce of interest within me. The chords and instrumental patterns of this album are laughable, and make me wonder why these grown men refuse to progess their instrument playing past only a few simple chords. The singing is awful, and the cute little ballad is a joke.
Maybe if they had actually been gritty southr'n fellas, and actually made it sound a little bit southern like they say they are doing, it might have been deserving of 1 star. As of now, If I would be able, I would give this 0 stars. But because that is not possible at this point, my official review is 1, but my personal review is a dismal 0. Sorry, but I just couldn't take any more of this, I tried to give them another
listen, but it just falls flat on all levels imaginable. There are much more qualified and talented bands you can spend your money on, but for this, it is a waste."
...
SirTheory | 01/17/2008
(3 out of 5 stars)
"If this album was by The Showdown and was the follow up to A Chorus of Obliteration (rather than the weak Temptation Come My Way), then Once Nothing's new album would be a lot more tolerable. However, since it is not by The Showdown it merely feels unoriginal and trend-hopping. There is as much southern edge to Once Nothing as there is to Norma Jean or The Chariot, so fans of those bands (and The Showdown) will find things to enjoy here. But as far as originality and creativity (or even technicality) this album fails to be compelling."
Oh, Please......
C. Meyer | Asgard | 02/01/2008
(1 out of 5 stars)
"Wow, what can I say that hasn't already been said. This is pure garbage. Once Nothing, eh? Still nothing. This band, in an attempt to create something 'new' and 'fresh' has conformed itself to every single band out there in this 'metalcore' genre. They try some 'southern twist' into the music (even though they're from a big city in the north, pittsburgh) and it really doesn't work out. The only souther edge is on the cover and some of the song titles. Not much county flavor here except a couple seconds of the beginning of some songs. Nothing here but bland 'chugga chugga' riffs and incredibly simplistic song structure with vocals so generic you couldn't even tell this band from any other metalcore band. They call themselves 'blue collar metal' ok.. so where's the METAL? Hmmmm.... Even the rollings stones are more complex than these guys. If you want brilliant music with a sound and complexity that will makes your ears spin, then pass on this, period. It's pretty bland and repetitive."
Theres something about them...
Donny | Planet Earth | 05/07/2008
(3 out of 5 stars)
"I Like Solid State Records, but lately they have become a label like Victory Records in that they sign a band that sounds just like one that is currently rising in popularity, and use them to quickly turn out a compeletely forgettable album wreaking of mediocrity. Norma Jean started it when they decided to become the second coming of Botch with 2005's O' God, The Aftermath, then you had Destroy The Runner (As I Lay Dying), Twelve Gauge Valentine (Every Time I Die), Inhale/Exhale (Killswitch Engage), etc...but Once Nothing is a strange group in the pantheon of Solid State bands, they sound nothing like any other band out there, yet sound completely familar to any person with a passing interest in metalcore. In saying that, theres something about First Came The Law that is interesting, and I can't quite place my finger on it. This is a band that could easily be forgotten when the whole metalcore craze finally collapses, yet their intensity and oddball song structures are quite captivating. The mostly screamed vocals are mainly incoherent and mundane, but at times completely bizarre and intriguing. First Came The Law isn't a great album, and Once Nothing isn't going to rise to the top of the genre, but it's definately worth a listen, and if you like your music intense and your breakdowns constant, Once Nothing might just be your cup of tea. I cannot, however, forgive the lead singer for actaully screaming the words "kill myself"..."
Good HARDCORE music
K. Philibeck | SL, MI USA | 06/20/2008
(5 out of 5 stars)
"All these other people just apparently don't enjoy this type of music. If you like Maylene and The Sons of Disaster or He Is Legend, then I'm pretty sure you'll like Once Nothing. All the rest of the reviewers here just must not like this type of music. This really isn't "metal" is falls more under the genre of "hardcore" or maybe "metalcore"."