The Mississippi-born, New York-based Olu Dara is the real deal: a modern day, 21st-century musical troubadour at home with jazz, blues, R&B, Latin, and African sounds. Although he's recorded numerous times with tenor s... more »ax titan David Murray and has played with Art Blakey and Taj Mahal since the 1970s, his debut recording In the World wasn't released until 1998. On the much-anticipated follow-up, Neighborhoods, Dara delivers more of his cross-genre African American autobiographical soundscapes. Backed by the diasporic grooves provided by his Natchesippi Dance Band, Dara's down-home elliptical vocals and blues-twanged guitar licks color this entire session. On the title track, with its urbane rimshots and catchy guitar hooks, Dara pays tribute to Brooklyn, Harlem, and the Queensbridge projects, where his son, Nas, initiated the next phase of hip-hop. The talking drum grooves "Massamba" along spiritedly. Dr. John lends his bayou-drenched Hammond B-3 organ to the Afro-Latin "I See the Light," the comical "Red Ant(Nature)," and the midtempo mojo-mooded "Herbman." Jazz chanteuse Cassandra Wilson adds her deep-Delta contralto to "Used to Be," and on "Tree Blues" and "Strange Things" Dara turns it out with just his voice, his guitar, and some percussion, just enough for the blues. --Eugene Holley Jr.« less
The Mississippi-born, New York-based Olu Dara is the real deal: a modern day, 21st-century musical troubadour at home with jazz, blues, R&B, Latin, and African sounds. Although he's recorded numerous times with tenor sax titan David Murray and has played with Art Blakey and Taj Mahal since the 1970s, his debut recording In the World wasn't released until 1998. On the much-anticipated follow-up, Neighborhoods, Dara delivers more of his cross-genre African American autobiographical soundscapes. Backed by the diasporic grooves provided by his Natchesippi Dance Band, Dara's down-home elliptical vocals and blues-twanged guitar licks color this entire session. On the title track, with its urbane rimshots and catchy guitar hooks, Dara pays tribute to Brooklyn, Harlem, and the Queensbridge projects, where his son, Nas, initiated the next phase of hip-hop. The talking drum grooves "Massamba" along spiritedly. Dr. John lends his bayou-drenched Hammond B-3 organ to the Afro-Latin "I See the Light," the comical "Red Ant(Nature)," and the midtempo mojo-mooded "Herbman." Jazz chanteuse Cassandra Wilson adds her deep-Delta contralto to "Used to Be," and on "Tree Blues" and "Strange Things" Dara turns it out with just his voice, his guitar, and some percussion, just enough for the blues. --Eugene Holley Jr.
"Indeed Neighborhoods picks up right where Natchez left off but on first listen I was disappointed. It took three complete playings for me to be converted into a believer. Now, I'm asking "Who shot John-man" and looking for alabama cornbread to dip in my georgia buttermilk! This album lacks the raw trumpet power so beautiful in the first album in favor a more polished, production oriented, modern blues sound. But the extremely clever lyrics and african-caribbean-Natchez-New york eclecticism will literally send you reeling. Buy them both and by all means...see a live show."
First rate
William H. Maruca | Wexford, PA USA | 06/16/2004
(5 out of 5 stars)
"This is a brilliant CD. I have had it for a while and just heard a cut on the local public radio station so I went on line to add his previous CD to my wish list for Fathers' Day. It's a shame he hasn't recorded more. He's and excellent, eclectic songwriter, vocalist, guitarist and trumpter fronting a slick but rootsy band that incorporates blues, funk, world beat and jazz. The lyrics are full of humor and evocative details. Yes, there are some similarities to Taj Mahal but it's not at all derivative."
Wow.
Como Gomez | SF, California | 01/31/2002
(5 out of 5 stars)
"This album is a rich and varied musical feast. The title track, Neighborhoods, especially, is simply magical. Dara's masterful eclecticism of blues, funk, soul, and so on, is quality to core. Don't hesitate. ...but that's Como!"
Classic Blues/Jazz Mix
Como Gomez | 03/07/2001
(4 out of 5 stars)
"Neighborhoods picks up right where Natchez to New York left off. Olu Dara continutes with his soulful themes and bluesy gituar. This album is a perfect compliment to his previous works and will hold your attention from the first song to the last. At times the album can get a little slow and tedious but Olu Dara's soulful voice keeps you caught up in this excellent album."
A Must have for any music fan
sparkafatty | BATON ROUGE, LA USA | 08/17/2001
(5 out of 5 stars)
"I first heard olu on the radio show world cafe.org, i was blown away. The different influences come shining thru...blues, world, funk...man this guy is incredible.......I have an extensive music collection covering all genres and olu has occupied a spot in my 5 disc changer for months. I have let friends listen to this and they are all blown away......My words can not truly express how awesome this album is from song 1 all the way thru.......I jsut ordered the natchez album and can't wait to hear it......Thanks OLU and thanks to david dye at world cafe for introducing me to this musical genius.........If you don't buy this album you are passing up a truly incerdible disc!!"