Search - Norman Brown :: Just Chillin'

Just Chillin'
Norman Brown
Just Chillin'
Genres: Jazz, Pop
 
The opening track here is aptly titled "The Feeling I Get," because there is a certain good vibe to Brown's style and his melodies. Brown's use of swinging horn sections and the way he pads his lines with reeds, blending i...  more »

     
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CD Details

All Artists: Norman Brown
Title: Just Chillin'
Members Wishing: 0
Total Copies: 0
Label: Warner Bros / Wea
Original Release Date: 1/1/2002
Re-Release Date: 7/2/2002
Genres: Jazz, Pop
Styles: Smooth Jazz, Soul-Jazz & Boogaloo
Number of Discs: 1
SwapaCD Credits: 1
UPCs: 093624799528, 093624799528

Synopsis

Amazon.com
The opening track here is aptly titled "The Feeling I Get," because there is a certain good vibe to Brown's style and his melodies. Brown's use of swinging horn sections and the way he pads his lines with reeds, blending in swirls of triplets with his Wes Montgomery/George Benson sound, can't help but make real smooth-jazz lovers feel good and smile. The expert pen of the tasteful veteran arranger Jerry Hey on the opener (and the following title track) magnifies this unique sound. This album takes a left turn on the four vocal tracks. Chante Moore and Michael McDonald totally dominate their turns, but the other two are real gems. Singers Debbie Nova and Miki Howard, respectively, on "Won't You Stay" and "Not Like You Do," mix in their neo-soul style perfectly as Brown sounds like himself, not just another guitarist playing behind a singer. Even then, the vocals get in the way of a fine guitar player. To really hear a great new Norman Brown record, program the CD player to skip the singing. Other standouts include the bouncy "Night Drive" (featuring Rick Braun) and Janet Jackson's "Let's Wait Awhile." --Mark Ruffin

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CD Reviews

Just beautiful - and jazzy like a warm summer breeze
Andre Heeger | Germany | 04/28/2008
(5 out of 5 stars)

"Norman Brown has his very own style of playing.

So called soft jazz guitar often brings to mind Wes Montgomery and George Benson.

Norman is different. First I don't want to call any of this soft jazz (neither Wes and George). It sounds about as dumb as easy listening.

Norman's lines, the chords and hooks, the innovative playing, the wonderful melodies, all of that adds up to a unique sound. Sure, mostly slow grooves and relaxing tunes, late night music, just as the title suggests. But soft jazz - please!?!

Michael McDonald is great on I Still Believe. His way of handling the song a nice break amidst the instrumentals.

Other familiar names include: Tony Maiden guitar, Lenny Castro and Paulinho da Costa percussion, John Stoddart drums, Jerry Hey, Larry Williams and Bill Reichenbach horns, Chante Moore and Debbie Nova vocals.

Looking for something to listen to in the middle of the night with your girlfriend in your arms - take this. She'll love it."
Norman Brown, a lost cause
WrigleyWild | 07/31/2005
(1 out of 5 stars)

"This album...weak weak weak... as far as I'm concerned, Norman hasn't played Jazz since After The Storm, arguably Better Days Ahead. Vocals are bad enough, but Norman singing lead on various tracks is just horrible."