Search - Ney Matogrosso :: Batuque

Ney channels Carmen

Eric Crawford | California, USA | 08/10/2001

(5 out of 5 stars)

"Working with some of the finest choro musicians I've ever heard, Ney Matogrosso has given us a stunning tribute to the sambistas of the Carmen Miranda era. The first track, De Papo Pro Air, opens with the ethereal sound of a 78 recording from the 1930's, then slips seamlessly into a modern performance as the horns introduce a main theme. And the rest of the album does just that: brings the spirit of the first samba recordings to life with a string of gorgeous songs, including some very famous ones. (O Que E Que A Baiana Tem? and Adeus, Batucada are my favs.) I wasn't a fan of Ney's particularly before, but am now.Highest recommendation for fans of Ney, samba, or choro.By the way, this album is nominated for a "Latin Grammy" -- I think it deserves to win."

Maxixes, cateretês & sambas

encinaj | 11/14/2001

(5 out of 5 stars)

"In these times often prone to ironical and superficial revisions, it is a delight to listen to these respectful but fresh interpretations of these classics from the brazilian "radio days". No other than Ney Matogrosso could have them come to life again in such a joyful way!!
Pay special attention also to the instrumental support of the group "Nó em Pingo d'água", one of the most important samba&choro exponents of the cariocan scene."

A fantastic look back at Brazilian music history!

Karenatasha | New York, NY USA | 06/05/2001

(5 out of 5 stars)

"Carmen Miranda alert--or rather, not Miranda herself, but many of her songs, sung by the fabulous Ney Matogrosso. For any who haven't heard his voice, it's a wonderful instrument: flexible and expressive, sexy and strong. And these classic songs, written between the 1920s and the 40s, are just made for Ney, who always pushed the envelope with his wild costumes, flamboyant performance style, and vibrant dancing. The collection, which Matogrosso compiled with the help of music researchers, doesn't miss a beat. Among the best: Dorival Caymmi's ever-popular "O que é que a baiana tem?" which receives a performance that succeds in being both traditional and fresh at once; the tongue twisting, irresistibly danceable "Bambo de bambu;" the delicious "Vatapa," also by Caymmi and given a particularly sexy interpretation by Ney. Those who know Brazilian music will recognize "Adeus Batucada" not only from Miranda's rendition, but also from Virginia Rodrigues, who a few years ago did her own version in a slow and sensuous style. Matogrosso begins almost in a whisper, caressing every word, and growing more powerful as the song continues and the percussion enters. From the richly romantic ("Teu Retrato") to the folkloric ("Urubu Malandro," very playfully done), this is a definite winner."