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Next Stop Soweto Vol. 3: Giants, Ministers And Makers- Jazz In South Aftrica 1963-1984
Next Stop Soweto: Giants Ministe
Next Stop Soweto Vol. 3: Giants, Ministers And Makers- Jazz In South Aftrica 1963-1984
Genres: International Music, Pop, R&B
 
  •  Track Listings (10) - Disc #1
  •  Track Listings (10) - Disc #2

Strut conclude their essential three part excursion into the archives of South African music with their third and final volume of the Next Stop...Soweto series. — Volume is a long overdue retrospective of the rich jazz scen...  more »

     
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All Artists: Next Stop Soweto: Giants Ministe
Title: Next Stop Soweto Vol. 3: Giants, Ministers And Makers- Jazz In South Aftrica 1963-1984
Members Wishing: 2
Total Copies: 0
Label: !K7
Original Release Date: 1/1/2010
Re-Release Date: 8/3/2010
Genres: International Music, Pop, R&B
Style: Africa
Number of Discs: 2
SwapaCD Credits: 2
UPC: 730003306327

Synopsis

Product Description
Strut conclude their essential three part excursion into the archives of South African music with their third and final volume of the Next Stop...Soweto series.

Volume is a long overdue retrospective of the rich jazz scene happening in South Africa from the early 60 s to mid-80 s. While many major artists lived in exile abroad and furthered their careers globally, many of South Africa s finest jazz players remained, performing under the strict auspices of the Separate Amenities Act.

Next Stop Soweto Vol 3 is the story of the music that survived in South Africa during the mid 60 s to mid 80 s era. The album features many of the recognized South African jazz greats like saxophonist Dudu Pukwana and drummer Early Mabuza, the potent soul jazz grooves of The Heshoo Beshoo Group and The Drive and some of the many artists creating unique fusions like Philip Tabane s Malombo mixing African drums and hand percussion with guitar, vocal and flute.

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CD Reviews

The holy troika of underground township sounds is complete.
attentive listener | Joysey | 08/06/2010
(5 out of 5 stars)

"This may be my favorite of the series but they're all great in their own way. As with volume 2's soul profile, this picture gets painted with a broad stroke. For, although these could all be loosely labeled jazz, many sub genres are on display here. The unifying thing being their South Africaness, which to these ears sounds defiant and hopeful all at once. I imagine what it must have been like to be creating and celebrating this music in clandestine gatherings under a police state. The title Black Codes from the Underground by Wynton Marsalis springs to mind. It's as though this music communicates to believers that their freedom might just be at hand. Beautiful, profound statements for those that are listening for such things."