"The much underrated LaSalle Quartet gives loving performances in this now famous box-set. This quartet was long known for it's interpretations of the music of the Second Viennese School, and it's good to have these performances remain in the catalogue. Important also is the inclusion of the fascinating (and lengthy) theoretical study in the booklet. If you are a fan of what chamber music and recordings are supposed to be about, add this set to your library."
This is one of the best
Ray Barnes | Surrey, British Columbia Canada | 06/17/2000
(5 out of 5 stars)
"This recording has been in the catalogue for a long time and has won numerous awards in Europe, and deservedly so. Artistically they can stand comparison with any of their competitors, including the old mono set of the Schoenberg quartets done by the Hollywood Quartet as a gift to the composer (for which he added a note of thanks and admiration). The sound quality has always been very fine. The documentation is equal in length and depth of analysis to a short book and is worthy of 6 stars. The original release on LPs, when I first heard it, was packaged in a large box set that would normally have been sufficient to contain the complete Beethoven symphonies; the extra room was needed just for the booklet. This is not easy music but is definitely worth the effort. Highest recommendation."
Best chamber music ever from the so-called "atonal" school!
Eric Koenig | Kalamazoo, MI United States | 09/30/2004
(5 out of 5 stars)
"Arnold Schoenberg complained towards the end of his life that he had been forever saddled with the label of the man who had invented the so-called twelve-tone system of composition. He emphasized he was a composer first and foremost and the methods he employed were irrelevant to the discussion, and he was right. Tonal or atonal or twelve-tone, his music, together with that of his students and colleagues Alban Berg and Anton von Webern, was that of profound beauty and brilliance and wonder. The LaSalle Quartet brings to life almost a dozen works here: the four numbered Quartets by Schoenberg as well as an early work in that form he had written; Berg's early Quartet Op. 3 and the Lyric Suite; Webern's Five Pieces and Six Bagatelles for Quartet and the Quartet Op. 28 plus an early Slow Movement for Quartet, almost a one-movement Quartet in itself. The performances are unsurpassed and absolutely nobody who enjoys music from the 20th Century should be without this in their collection of chamber music. I first heard this while it was available on LP 28 years ago. It was stunning then and it is stunning now."
An essential collection
Sator | Sydney, Australia | 07/12/2005
(5 out of 5 stars)
"This collection of music for string quartet by the Second Viennese School can now be said to have classical status. The LaSalle Quartet succeed fully in communicating the emotional, spiritual and intellectual depths the three composers of this school -Schönberg, Berg and Webern - commanded. Above all, these composers were through and through Viennese and these recordings show just how much their music grew out a continuum with the tradition handed down to them from Schubert, Beethoven, and Brahms.
First of all take the Second String Quartet by Schönberg with its fusion of the Quartet with the Lied. I have heard several versions of this, but none more beautiful than that sung by Margaret Price here. The otherworldly introspection and subtly visionary qualities of the music come across abundently. Yet at every moment the sense of the inheritance of the Viennese tradition remains omnipresent in the writing. Adorno thought this was the greatest thing Schönberg ever wrote and more than any other interpretion this one shows why Adorno might have thought that. It is a work of transcendent beauty that will appeal to lot of listeners, especially those who normally find Second Viennese School 'too difficult'. To have this along with the entire set of four quartets plus works by Berg and Webern is truly an embarrassment of riches!
The Webern pieces here are characterised by the Angst ridden darkness of their mood as well as their poignant brevity. These works were composed at a time when nearly every work was a response to the death of his mother - an event of enormous emotional impact for Webern. In this sense, the autobiographical elements recall the symphonies of Gustav Mahler, of whose music Webern was a powerful interpreter. Indeed, Berg even called him the greatest Mahler conductor since Mahler.
The thing that really makes this recording an essential set for every serious music lover's collection is the very substantial booklet that comes with this set. It is virtually a book rather than a booklet and is highly authoratative. I can only praise Deutsche Gramophon for maintaining their availability."
Reissued by Brilliant Classics at an attractive price
Y.P. | Mount Messiaen, Utah | 05/03/2009
(5 out of 5 stars)
"This set of legendary performances by LaSalle Quartet of all string quartets by Schoenberg, Webern, and Berg has been reissued by Brilliant Classics Schoenberg; Berg; Webern - String Quartets at a very attractive price. Buy it now before it disappears again.
The performance here is outstanding, with well judged tempos and very tight ensemble. The sound is very polished, which is well captured in the CD transfer. There are only a few things I'd like to point out.
1. The first violin seems to have wider vibrato than commonly used these days.
2. The breathing is sometimes audible.
3. The soprano Margaret Price, with very wide vibrato, does not seem to have the right timber for Schoenberg's quartet in f sharp minor Op.10. (Yes, there is a soprano in the "string quartet"!)
4. If you have Alban Berg Collection, you already have 1 of the 4 discs.
However, these small quibbles need not deter you from buying this outstanding set at the current Brilliant Classics price. And by the way, if you like historic performances, the set In Honor of Rudolf Kolisch, which has almost all pieces performed here, is not to be missed. Kolisch Quartet premiered many of the pieces in the set, including Schoenberg's last 2 quartets, Webern's Op.28, Berg's Lyric Suite (and Bartok's 5th).