Fine Program, Fine Performances
Nicholas A. Deutsch | New York, NY USA | 01/31/2009
(5 out of 5 stars)
"Another strong addition to the recent line-up of Martin recordings, and a generous one, too, with over 70' and four substantial pieces. The Dutch cellist Quirine Viersen gives warm and accomplished readings of two major works, the Ballade (1949) and the Concerto (1965); this would appear to bring her into direct competition with the recent versions of these two pieces by Christian Poltera (Bis), but Poltera performs the version of the Ballade with piano accompaniment (Kathryn Stott) whereas Viersen gives us the one for chamber orchestra. Perhaps there are places where Viersen is a touch too Romantic in her phrasing - austerity and expressiveness go hand-in-hand in the best Martin performances - but that may just be a matter of personal taste.
More important is the question of couplings. Bis has Stott giving a superb reading of Martin's most important work for solo piano, the '8 Preludes' (composed for Dinu Lipatti); Etcetera give us a first-rate new version of a rarity, the '3 Dances' (1970) for oboe, harp, string quintet and string orchestra, one of the masterpieces of Martin's compositional Indian Summer. Henk Swinnen and Kerstin Scholten are worthy successors to the dedicatees, Heinz and Ursula Holliger, whose recording with Neville Marriner and the ASMF is long gone from the catalogue. (The title may suggest a light piece, but in fact in length and weight what we have here is essentially a double concerto; no doubt the fact that the work was inspired by Flamenco rhythms prompted the unassuming title.) Finally, the Passacaille (originally for organ, 1944) in its 1952 version for strings - Bis erroneously gives the date as 1962, but that's for the version for full orchestral - another substantial work, and a beautiful one. Throughout, Kenneth Montgomery and the Netherlands Radio Chamber Orchestra do exemplary work. Recommended, especially for those who want the '3 Dances.'
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