Search - Netherlands Radio Chamber Orchestra;Quirine Viersen - cello;Henk Swinnen - oboe;Kerstin Scholten - harp :: Frank Martin: Concerto for Cello and Orchestra; Trois Danses; Ballade for Cello and Chamber Orchestra; Etc.

Frank Martin: Concerto for Cello and Orchestra; Trois Danses; Ballade for Cello and Chamber Orchestra; Etc.
Netherlands Radio Chamber Orchestra;Quirine Viersen - cello;Henk Swinnen - oboe;Kerstin Scholten - harp
Frank Martin: Concerto for Cello and Orchestra; Trois Danses; Ballade for Cello and Chamber Orchestra; Etc.
Genre: Classical
 
  •  Track Listings (8) - Disc #1

The very opening of Frank Martin's Cello Concerto could be mistaken by the unaware for Vaughan Williams -- a long-breathed, rhapsodic, folklike solo that also reveals the mastery of cellist Quirine Viersen in this importan...  more »

     
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The very opening of Frank Martin's Cello Concerto could be mistaken by the unaware for Vaughan Williams -- a long-breathed, rhapsodic, folklike solo that also reveals the mastery of cellist Quirine Viersen in this important, superbly played addition to the Martin discography, which also includes works for string orchestra and chamber music. On this new Etcetera title, the renowned Dutch cellist Quirine Viersen plays a central role with works by the Swiss composer Frank Martin. First under the influence of Franck and Fauré and then Ravel, Martin later developed a very personal style that gives him a prominent place in music history. The most important feature of his music is that it is bold and endearing at the same time. It has an honest human quality and conveys a deep sense of commitment. All the works on this CD show these characteristics. Quirine Viersen joins the chamber orchestra as soloist in a deeply engaged interpretation of these wonderfully compelling works. With this title Quirine Viersen released her 4th CD on Etcetera. Quirine Viersen is one of the foremost musical personalities of her generation. Her intense, powerful and virtuoso playing has thoroughly convinced her colleagues, the press and the public of her great musical talent and strength. This season she will be performing with Pieter Wispelwey, at the Concertgebouw a.o. with the Royal Concertgebouworchestra. Henk Swinnen was the solo oboe of the Radio Chamber Orchestra and a permanent member of the Combattimento Consort Amsterdam. Henk Swinnen has collaborated with various world-famous soloists and conductors. Kerstin Scholten studied at the Royal Conservatory of the Hague and was harpist of the Radio Chamber Orchestra. She is a frequent performer of chamber music and a recording artist. Kenneth Montgomery has been chief conductor of the Radio Symphony Orchestra and later of the Groot Omroep Koor since 1970. Alongside appearances as guest conductor with opera houses in France, Belgium, Italy, the USA, Canada and Australia, he has also held several resident positions. The Radio Chamber Orchestra numbers approximately forty players and is perfectly suited for the classical repertoire ánd for new compositions. Under the baton of Frans Brüggen and Peter Eötvös the orchestra enjoys international recognition for its diverse performances.

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CD Reviews

Fine Program, Fine Performances
Nicholas A. Deutsch | New York, NY USA | 01/31/2009
(5 out of 5 stars)

"Another strong addition to the recent line-up of Martin recordings, and a generous one, too, with over 70' and four substantial pieces. The Dutch cellist Quirine Viersen gives warm and accomplished readings of two major works, the Ballade (1949) and the Concerto (1965); this would appear to bring her into direct competition with the recent versions of these two pieces by Christian Poltera (Bis), but Poltera performs the version of the Ballade with piano accompaniment (Kathryn Stott) whereas Viersen gives us the one for chamber orchestra. Perhaps there are places where Viersen is a touch too Romantic in her phrasing - austerity and expressiveness go hand-in-hand in the best Martin performances - but that may just be a matter of personal taste.

More important is the question of couplings. Bis has Stott giving a superb reading of Martin's most important work for solo piano, the '8 Preludes' (composed for Dinu Lipatti); Etcetera give us a first-rate new version of a rarity, the '3 Dances' (1970) for oboe, harp, string quintet and string orchestra, one of the masterpieces of Martin's compositional Indian Summer. Henk Swinnen and Kerstin Scholten are worthy successors to the dedicatees, Heinz and Ursula Holliger, whose recording with Neville Marriner and the ASMF is long gone from the catalogue. (The title may suggest a light piece, but in fact in length and weight what we have here is essentially a double concerto; no doubt the fact that the work was inspired by Flamenco rhythms prompted the unassuming title.) Finally, the Passacaille (originally for organ, 1944) in its 1952 version for strings - Bis erroneously gives the date as 1962, but that's for the version for full orchestral - another substantial work, and a beautiful one. Throughout, Kenneth Montgomery and the Netherlands Radio Chamber Orchestra do exemplary work. Recommended, especially for those who want the '3 Dances.'

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