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So Little Time
Ned Otter
So Little Time
Genres: Jazz, Pop
 
  •  Track Listings (8) - Disc #1

Tenor saxophonist Ned Otter had been playing with one of the greats of the instrument, George Coleman, for 25 years by the time he released his own debut as a leader, So Little Time. It was an apprenticeship well served an...  more »

     
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CD Details

All Artists: Ned Otter
Title: So Little Time
Members Wishing: 0
Total Copies: 0
Label: Two & Four Recording
Original Release Date: 1/1/2002
Re-Release Date: 2/26/2002
Genres: Jazz, Pop
Style: Bebop
Number of Discs: 1
SwapaCD Credits: 1
UPC: 636008000225

Synopsis

Amazon.com
Tenor saxophonist Ned Otter had been playing with one of the greats of the instrument, George Coleman, for 25 years by the time he released his own debut as a leader, So Little Time. It was an apprenticeship well served and the mentor is on hand for three of the tunes (including a masterfully soaring alto solo on the Gigi Gryce standard, "Nica's Tempo"). The rest of the ensemble is balanced between a pair of acknowledged greats--Harold Mabern on piano and the late Billy Higgins on drums--and a couple of young and solid newcomers in bassist David Vitale and trumpeter Tom Kirkpatrick. Contrary to the album's title, this is a set that's relaxed, yet propulsive, and in the tradition of the classic Blue Note sessions. These are eight strong tunes suitable for rich explorations by sympathetically matched and individually resonant players. --David Greenberger
 

CD Reviews

"Wailing at the Alter of the Tenor Gods" -Ned Otter
Daniel Acks | New York City | 03/12/2002
(5 out of 5 stars)

"It's never been easy to make a jazz record that simultaneously comes off as fresh, and deeply rooted, but Ned Otter has seemed to pull off this musical coup. As a natural skeptic, I looked suspiciously at a new artist with the chutzpah to surround himself with the likes of Harold Mabern and Billy Higgens, but from the first note of the first cut, I was sternly put in my place. Otter and George Coleman seem natural foils for one another, sharing a vocabulary of licks and lines, bobs and weaves, and the post-bop shuffle and deal, thst evokes both the temporal and the eternal. Otter is treading on hallowed ground here, but he does it with warmth, humility, and vision. Add the silky Van Gelder touch to this sacred mix, and you have a masterpiece. If you buy one CD this year by a new tenor saxophonist, make it this one."