Mylene is a must-hear for fans of Brazilian-based music!
J. Lund | SoCal, USA | 08/21/2004
(5 out of 5 stars)
"Current Brazilian musical trends are definitely deserving of wider recognition, at least for those listeners looking for vibrant, creative, individualistic musical artists who embrace soul and substance. Rio's Mylene Pires is one of a number of artists who could serve as exhibit A for that last statement. Although the music's overall soft-spoken feel suggests bossa, the music itself builds upon a varied palate of musical styles, including reggae, samba, funk, and other compatible idioms. The subtle contemporary arrangements mix acoustic and electronica touches in a fresh variety of ways, offering original percussive soundscapes that set this CD apart from her peers (credit goes to Ramiro Musotto for his production).
Even with the electronica and percussion elements, the results have a wide-open feel, as opposed to a numbing wall of sound that could have resulted in less capable hands...it sounds electric but feels acoustic! The tunes head in a rich variety of areas ... I don't think anyone will accuse this album of being one-dimensional. Unlike some others, I like her personalized version of the Beatles' "Eleanor Rigby". Above all of this are the emotive vocals of Mylene, who has one of the most attractive voices you will ever have the pleasure of hearing, singing relatively softly ala Bebel Gilberto, and in a similar less-is-more manner that is deeply affecting. NOTE: as of now there are English translations of all the tunes at http://www.rockpaperscissors.biz."
Nice, mellow modern Brazilian electronica-pop
Joe Sixpack -- Slipcue.com | ...in Middle America | 10/22/2003
(5 out of 5 stars)
"A beautiful album, merging modern Brazilian electronica with sumptuous, soft pop balladry... Anyone who's impatient waiting for Bebel Gilberto to come out with a new album owes it to themselves to check this disc out. Pires shares a similarly eclectic, modern approach, and may even have a more nuanced, far-reaching (if less overtly dynamic) sound than the widely-renowned Bebel G. Percussionist/producer Ramiro Musotto mans the board, and compliments Mylene's laidback style with wispy samples and snippets that don't seem intrusive or cliched... The only misstep is on a cover of the Beatles tune, "Eleanor Rigby," which pulls us out of the trancy vibe set by the rest of the record... But as musical sins go, this is a pretty minor slip. All in all, this is a lovely release, well worth checking out."
Beatiful music
johnsouto | planet earth | 11/26/2003
(5 out of 5 stars)
"one of the best new-brazilian albums of its time .
Mix of modern brazil music and its portuguese-african roots , in a very different way . Ramiro Musotto's production and percussions are also fabulous . See my new-brazilian best album list in listmania to see what I am talking about .
Great .
Essential !"
Brazilectro singer-songwriter
John W. Warren | Santa Monica, CA USA | 05/05/2005
(4 out of 5 stars)
"Mylene is one of the dynamic new Brazilian artists--along with Fernanda Porto and Bebel Gilberto, to name a few of her femaile contemporaries--to successfully blend modern electronica with "bossa-nova" or MPB traditions. Mylene's album has a greater dynamic range than Bebel, who though wonderful sounds a bit repetative after multiple listens. Standouts on this album include "48 horas," "Coração tonto," and "Longa, longa noite," though there is hardly a throwaway track with the possible exception of "Eleanor Rigby" (I agree with most reviewers that it just doesn't fit with the rest of the album). The electronic elements manage to sound organic, and the mix of reggae, drum and bass, bossa nova and MPB sounds fresh instead of like the stylistic smorgasborg it could have in less capable hands. Snaps to Ramiro Musotto for excellent production and percussion."
What a Debut!
bordersj2 | Boston | 03/06/2004
(4 out of 5 stars)
"By Mylene Pires! I must admit, I wasn't too sure of what to expect from this cd. All that I could see was that Ramiro Musotto did a lot of the percussion and programming and you have Mylene's vocals beautifully laid over the beats and rythms. How to describe the sound... what a challenge! It has a cool chill-out vibe. Sometimes she goes into fado, and then in and out of African, both with an electronic and beat rich touch. The sound goes in many different directions but the general tone of the cd remains very consistent. To be honest, Mylene's debut cd reminds me of the way I thought Cibelle's debut cd would be. Dark, sensuous and mysterious - however that is not to say that Cibelle's cd doesn't have any of those elements.I definitely recommend this cd. What I also liked about this release is that it didn't have the "typical" throw in of a Brazilian classic and has some fresh, innovative cuts... with a dark side. However not all of the cuts got me and Eleanor Rigby does NOT fit into this cd. So be warned; if you're looking for light-hearted bossa nova then this may not be for you. I'd recommend this if you enjoyed music by Cibelle, Helena or Ondha Sonora: Red Hot & Lisbon."