Jason Flum | East Windsor, NJ United States | 03/07/2004
(5 out of 5 stars)
"Hola, Aloha, Hello. This CD is absolutely hilarious - but only if you really REALLY REALLY know your musicals. Case in point - I consider myself a pretty well-versed (no pun intended) fan, but I don't particularly like Jerry Herman's shows. As such, I didn't find that section all that funny. The other four sections, however, had me completely cracking up. I have never heard so many allusions thrown into one segment as with the Rodgers and Hammerstein piece. Strains of melody appear and disappear faster than the Phantom in a sewer, so you really need to listen closely. I'd make a "specific overture" about not Sending in the Clones here, but it would just be redundant. If you smiled at all while reading this, buy the CD - you won't be disappointed. So long, farewell...."
Very funny IF ...
Paul A. Gerard | Australia | 10/19/2004
(4 out of 5 stars)
"Really top notch musical satire is someone like Sullivan (of Gilbert and) taking off Mendelsohn, or Wagner, or even Handel. The music is not just funny as a parody, it is also a really good example of that style of music, which would stand up quite well if you had never heard the "original". There are moments (my favourite one is "Corn" - a wonderful parody of "Oh what a beautiful morning") where this one comes quite close. Generally, however, most of the music itself is really very ordinary - and is funny (often hilariously funny, I must add) only if you happen to be familiar with what is being laughed at.
The non-musical satire is also very amusing (although many of the jokes are in the "so-bad-it's-good" category, including some absolutely dreadful puns). But again, the point of the joke always lies (sometimes quite deep, too) in the work being satirised. I wonder how many people pick items like "My own little corner" (from the Rodgers and Hammerstein television musical from the fifties, "Cinderella").
The whole exercise is great fun - at least for one or two listenings, and at least for us musicals fans. It is a shame that the humour is so relentlessly "in", and that the music is not of a higher overall standard in itself, as opposed to just being clever parody. I can't help wondering (or wandering) what anyone not familiar with musical comedy in general, and the "musicals in particular" involved would make of it. Very little, I suspect.
For the rest of us - how about a sequel? Without mentioning any names, there are stacks of other composers and lyricists who thoroughly deserve to be satirised!
Hopefully the music would be of a more consistently high standard, and there would be just a little more humour you didn't have to be a musicals buff to get the point of, though."
Best time I've had in a theatre in my life!
Linda Unger | Medford, NY USA | 10/02/2004
(5 out of 5 stars)
"And that's saying something, since I work in a musical theatre. I saw the show, and had to buy the CD, it is just too hilarious. Never a dull moment, it never drags. If you know anything about the five composers, you can't help but giggle. Absolutely dead on satire!"
If you like Forbidden Broadway, you'll Love this!
Corey James | California | 03/17/2004
(5 out of 5 stars)
"This was terrific. I haven't seen the show, but the music & lyrics was among the best I've heard since I don't know when; it was the first time I put in a show album and listened to the whole thing straight (with my wife) without stopping. Basically, it's the same story told in the styles of five different composers (Rodgers & Hammerstein, Sondheim, Herman, Lloyd Webber, and Kander & Ebb, plus a treat of Chorusline at the end). The parodies range from "groan" jokes to three-second delayed laughs to outright genius. Lots of musical jokes, and some terrific lyrics (e.g., "Don't throw okays at me" in the R&H segment. Like Forbidden Broadway, you need an working knowledge of the composers parodied. 100% recommended for the theatre fan."
Fresh and Funny Spoof
Helluva Godtime | 01/17/2005
(4 out of 5 stars)
""The Musical of Musicals: The Musical" is a catchy, kitschy, lovingly ripped-off show; it's not the first, it won't be the last, but-thus far-it is the funniest!
The show tells one story five times over: a girl cannot pay her rent. She faces eviction, unless she does something for her landlord. In the end, her hero comes and pays the rent. Tale as old as time, huh? What makes it so great is that it is told in the style of 5 different composers: Rodgers and Hammerstein, Stephen Sondheim, Jerry Herman, Andrew Lloyd Webber, and Kander and Ebb.
The best by far is "A Little Complex", the Sondheim version. The Jerry Herman songs, "Dear Abby", are also very funny.
A little note: if you are not a musical theatre fan, skip this album. It makes a lot of references that will likely go right over your head.
If you are a fan, however, immediately add this witty score to your cart!"