"Besides the famous sonata facile in C major, none of Mozart's sonatas have recived the popularity of Beethoven's or Haydn's. Unlike the latter two who wrote their sonata for advanced musicans, Mozart's sonatas were intended for ametures and students. Thus, they have been dismissed and put aside to make room for the 27 grand concertos, where Mozart's real brilliance is shown. However, the sonata's are not to be dismissed. Though they lack much complexity, their beauty and typical Mozartian grace radiate.Here, Andras Schiff plays the sonata's perfectly. The first time I heard them, I was disappointed because I felt there was not enough grandeur and emotion. However, these are not the emotional sonata's of Beethoven. These are works deeply rooted in the classical style. It would be musically incorrect to play these sonatas with sweeping dynamics and huge cords. Schiff plays all the sonatas with this beautiful quietness that lets the grace of each sonata come through. His masterful hands play each peice with delicate beauty. The B-flat sonata and the famous C-minor sonata and Fantasia are the best in the set. They are played wonderfully. Also, the Turkish March is great fun and quite beautiful. All in all, this is a great set at a great price with a great sound."
Elegant Performances of Mozart's Piano Sonatas
John Kwok | New York, NY USA | 08/29/2001
(5 out of 5 stars)
"Andras Schiff plays these Mozart piano sonatas with much elegance and grace. Unlike Christoph Eschenbach's Romantic view of these scores, Schiff emphasizes style and technique over emotion. His tempi sound just right. Decca's sound recording is absolutely first rate for an early digital recording. Both Grammophone and Penguin CD guides regard Schiff's performances as definitive. Without question, this is a fine set of Mozart's piano music worth owning."
Very good, but
Canzone | California | 11/15/2004
(4 out of 5 stars)
"I think Schiff plays these sonatas very well, though personally I find them a bit on the dry side. My choice for this music is Eschenbach, but that is an admittedly biased position, and anywone interested in this area of Mozart's work should listen to all recordings if possible. However, please beware of ANY reviewer or publication that claims that a particular performance is "perfect" or "definitive." That's just nonsense - there is no such thing as a perfect or definitive recording; some of course are better than others, but there's always a chance that an even better performance is waiting in the wings. Listen and decide for yourself."
A very fine complete set of Mozart's sonatas at a great pric
Craig Matteson | Ann Arbor, MI | 01/10/2006
(5 out of 5 stars)
"This five disk set is a very affordable way to become familiar with all of Mozart's piano sonatas. Schiff is a very gifted artist who plays these sonatas with the élan and intelligence they deserve. These pieces do not have the dramatic contrasts of the Beethoven sonatas nor the virtuosity of Mozart's piano concertos. Many of them can be played quite well by amateurs with moderate talent and experience, for whom many of them were written.
However, they are works of great beauty and full of Mozart's gift of sudden changes of subject while building up almost impossible feats of integration. It seems as if he is winking at you and says, "Well, how about THIS as well...". And then another miracle occurs. There are real challenges in some of the sonatas and those are the ones you most often here in a professional recital or on record. However, all music lovers should care about these works and become familiar with all of them.
And any student trying to learn these sonatas would do well to have a collection such as this as a reference. Not to slavishly copy; heavens no. But to get a solid foundation for what the piece is about and to see if your ideas actually fit the work or if you might be trying to cram something in that really doesn't belong. There are little nuances of phrasing that are important to learn from an artist of the quality of Schiff. One simply cannot achieve the Mozartian magic with simple four-square plodding through the notes measure upon measure. Mozart is far too subtle and quick for such clumsiness.